Phillip Schofield introduces The Mockers at this benefit concert at the Christchurch Town Hall, which was later broadcast on Schofield's youth music show Shazam!. Their first album has just gone straight into the Top 10 and the band are well on their way to becoming pop stars, with Andrew Fagan, resplendent in red frock coat and bare chest, very much out front as one of Kiwi music's great showmen. Six songs are featured — including the hits 'Woke Up Today', 'My Girl Thinks She's Cleopatra', 'Alvison Park' and the title track of the band's 1984 album Swear It's True.
The Mockers had a breakthrough year in 1984. Their sixth single 'Swear It's True' caught New Zealand's attention, and in May their debut album peaked at number four on the Kiwi charts. In June they played Mainstreet for one of 1984's batch of Radio with Pictures specials, spawning the live album Caught in the Act, which was released in July. Vocalist and part-time poet Andrew Fagan cuts a piratical figure in his sailor's jacket and trademark fingerless gloves. Dunedin band The Idles were a lesser known proposition. They made ripples in 1984 with their first EP, 'Agroculture'.
“You get the impression that Wellington wants an audience but doesn’t want to be seen to be trying too hard to get one”. This report surveys 1982's local music scene, framing tensions between an energetic politically-conscious underground, and commercial rock and pop (i.e. Auckland). Not all is positive, with complaints about lack of venues and promotion, and violence at gigs. Interviewees include Mocker Andrew Fagan, Nino Birch (Beat Rhythm Fashion), Dennis O’Brien, Ian Morris, promoter Graeme Nesbitt (in Radio Windy sweatshirt) and punk singer Void (Riot 111).
Gliding On meets Borat, as a man pretending to be a fisherman from a fictional town heads to Wellington to find out if any government agency will take action about fish he says are dying in his river. Clad in jacket and tie and walk shorts and walk socks, he traipses the corridors of power which are artfully shot to look like a hell from which he will never escape. His attempts to find someone who can take action yield only a succession of impotent bureaucrats who participate happily but only to explain, often at length, why they can’t actually do anything.
American-born ventriloquist David Strassman was the star of a self-titled show on TV2. These blooper clips from the Strassman Unplugged special see him and his puppets Chuck Wood, Ted E Bare and Sid Beaverman mocking each other as they get their lines wrong. However this isn't just a collection of missed lines — Chuck Wood goes heavy on the expletives to the studio audience and Ted E Bare has a bit of trouble wrangling his props. The show was made for TVNZ; Strassman has also appeared on television in Australia, the United Kingdom and the United States.
This edition of the NFU magazine series first travels to Waiouru to observe the NZ Army’s elite Special Air Service, in the year it was established. The soldiers undergo bush exercises, an obstacle course and a mock ambush, training for deployment to Malaya. Then it’s up to Auckland Zoo to meet husky litters destined for an Antarctic Adventure with Hillary and the Trans-Antarctic Expedition (the dogs are related to Captain Scott’s huskies). And finally, it’s further north to go shark fishing for “a day on the Kaipara” in a segment directed by Maurice Shadbolt.
Away Laughing was an early sketch comedy show for both TV3 and Wellington production company Gibson Group. In this first episode from the second series, spies, skateboarders, Kiwi mateship, and All Black Buck Shelford are the butt of jokes. Along the way, Murray Keane plays both an Australian mocking New Zealand place names, and a true blue Kiwi; a trio of firefighters make idiots of themselves in a classroom; kids argue about the best kind of lunch; and onetime Telecom promo man Gordon McLauchlan (David Downs) interviews two gorillas about Telecom's privatisation.
The golden age of rock is recaptured in a studio mock-up of the Wellington Rock 'n' Roll Revival Club. Hosted by Paul Holmes (under the name Wonderful Wally Watson), the show features Tom Sharplin and his band. Dalvanius Prime also puts in an appearance, delivering a wonderful version of 'The Great Pretender'. The show mixes studio and location sequences, as it delivers hits made famous by the likes of 50s legends Bill Haley and Chuck Berry. Actors Marshall Napier and Brian Sergent are on hand to play a couple of bodgies, referencing the milk-bar cowboys of the era.
This film records the devising of a “work in progress” by theatre director Ashley Thorndyke (Jason Hoyte). The concept — by Duncan Sarkies (Two Little Boys, Scarfies) — mocks the gamut of thesp and drama school cliches: from ‘wanky’ director to wacky warm-up exercises (animal impersonations, primal screams, Love Boat theme song). Peter Burger, fresh out of Broadcasting School, co-directs, and the willing cast is drawn from the 90s Wellington theatre scene orbiting around Bats and Victoria University. Future Conchord Jemaine Clement memorably learns to get loose.
In the final episode of the season, larrikin presenters Bill and Ben pretend to offend rugby league stars Monty Betham and Awen Guttenbeil (with a nod to American Beauty). The show's closing references the controversial finale of The Sopranos (complete with mocking soundtrack), and there are cameos from Karl Urban and Temuera Morrison. Ben revels in extended torture of Bill, while Auckland Blues coach Pat Lam concentrates on golfing. Elsewhere a shop dummy does some begging, and a unique interpretation of cross-training enrages a passing screen producer.