Open Door is a community-based TV series where groups or individuals make a documentary about an issue that concerns them. This episode on the neurological disease Multiple Sclerosis features interviews with people who have been diagnosed with MS and their spouses, as well as MS fund-raisers and field officers. International expert Professor George Jelinek also features. Interviewees share their experiences of living with MS, and the programme discusses treatments and therapies.  

This short documentary follows refugee Mitchell Pham from a Vietnam War prison camp to a new home in New Zealand. Director Sally Tran — a 2013 Killer Films Internship Scholarship recipient — uses an interview with Pham as an adult, and live action mixed with animation to recreate the harrowing childhood journey. DIY more than CGI, the animation process was based on Vietnamese folded paper-craft. Requiring 20 volunteers, the 10,000 animated pieces of paper (and a rich score from The Sound Room) provide suggestive weight to Pham’s story of survival and courage.

Mintaha Beca hasn't seen Lebanon in 25 years. At the age of 86, she sets off from her adopted home of New Zealand to visit her birthplace, following two decades of war. After flying into Beirut with her daughter and grandson, filmmaker Steve La Hood, she is able to laugh about demands to pay a film equipment tax at Beirut's airport. Having witnessed destruction and construction in the former 'Paris of the Middle East', the group set off for the nearby city of Zahlé, where Beca was born. There she is reminded that some things stay the same, and others are no longer hers to own.

This short film marked the directorial debut of actor Michael Hurst. It screened at the 1994 Cannes Film Festival in a showcase of Kiwi shorts. The title comes from country music legend Hank Williams; more Americana staples — strangers, trains, road trips — are relocated to 1953 New Zealand. The marriage of a salesman and his wife has ended in tears. With skilful use of flashbacks, Hurst follows their respective paths with some mysterious travelling companions: Hank Williams and a railways inspector. A passing interest in Kiwi rail history will add context to the conclusion.

In this short a wandering flock of geese find harbour in a rainy day puddle. They give delight to Juliet, staring out the window of her state house until her axe-wielding neighbour approaches the birds with less sanguine intentions. She’s unimpressed when boyfriend Martin doesn’t act in order to avoid confrontation. When a family arrives looking for their pets, the neighbour shrugs off the enquiries, and it’s up to Martin to prove himself. Adapted from a story by Jo Sole, the Annalise Patterson-directed short was invited to Venice and Hof film festivals.

In this dark whodunit Gareth Reeves (The Cult, A Song of Good) stars as a crime writer who goes bush with strangers, while on a break from researching a story on a serial killer. Soon there’s death in the muddy Waitakere backblocks. The film marked the big screen debut of filmmaking partners James Napier Robertson and Tom Hern, en route to their high profile drama The Dark Horse. The results won support from a strong ensemble cast (Ian Mune, Ilona Rodgers), an invitation to the NZ film festival, and praise from NZ Herald reviewer Peter Calder for "smart writing and good acting".

After being spotted by television producer Christopher Bourn at the 1966 Loxene Golden Disc Awards, Maria Dallas was asked to star in series Golden Girl, grooving and bopping through country and crossover numbers. On a WNTV-1 stairway to nowhere set, she duets on Loxene winner ‘Tumblin’ Down’ with the song’s writer Jay Epae. Her other four numbers include ‘Rustle Your Bustle’ (by Kiwi Sam Freedman), and ‘Engine Engine No 9’. Guests The Dallas Four make their TV debut with a version of doo-wop classic ‘Stay’. The band went on to provide backing vocals for pop show Happen Inn.

In 1969 Kiwi music legend John Rowles was in his early 20s, and flush with UK success: appearing on Top of the Pops and celebrating a single – ‘If I Only Had Time’ – which got to number three in the British charts. This fly on the wall documentary records his homecoming tour, complete with cigars, turtlenecks, rehearsals, press interviews, dancing, hongi and a civic reception in Kawerau (where he’d been fired from a mill job five years before, for arriving late). Rowles launches single ‘M’Lady’, soon to top the NZ charts, and reflects on how he's changed since leaving Kawerau.

Rock’s wild man hits Wellington (and unfortunate bystander Rosie Langley) in this lip-synched version of single 'I’m Bored'. Filmed by a Radio with Pictures crew when Iggy Pop made a promotional visit to New Zealand in July 1979, the clip shows the legendary singer acting up around Parliament, and at a pub reception attended by local media personalities (including Roger Gascoigne). It’s an uncomfortable experience for some as Iggy pulls all his stage moves among the straight-faced (and partly straight-laced) crowd. The trip was promoting his third solo album New Values.

As soon as the guitar line of 'Blue Lady' sparks up, the sea of perms, sweaty denim and cigarettes starts jumping. The Legionnaires (Hello Sailor reincarnated) were one of several top Kiwi bands to record live Radio With Pictures specials at Auckland's Mainstreet Cabaret during the 1980s. Their eight-strong set list contains bonafide hits like 'Blue Lady' and Graham Brazier's ode to his Liverpudlian roots, 'Billy Bold'. Another highlight is a moody rendition of 'Remember The Alamo' from guitarist and singer Dave McArtney's Pink Flamingos' catalogue.