This documentary from director Costa Botes (The Last Dogs of Winter, Forgotten Silver) explores the life of Angie Meiklejohn. Growing up, Meiklejohn and her siblings spent time in Bert Potter’s alternative lifestyle settlement Centrepoint, where they suffered sexual abuse. Through the lens of Meiklejohn’s experiences as both child and adult, Botes explores the dynamics of abuse, and how its victims are impacted. Says Botes: "whatever her past hurts, Angie is an engaging and loveable human being." Angie debuted at the 2018 New Zealand International Film Festival.
When Forgotten Silver — the story of pioneer filmmaker Colin McKenzie — unspooled on 29th October 1995, in a Sunday TV slot normally reserved for drama, many believed the fable was fact. Controversy ensued as a public reacted (indignant, thrilled) to having the wool pulled over their eyes. Costa Botes, who originated the mockumentary, later made this doco, looking at the construction of McKenzie's epic, tragic, yet increasingly ridiculous story. He interviews co-conspirator Peter Jackson and other pranksters, and they muse on the film's priceless impact.
Rebel lawyer Rob Moodie likes to side with the underdog — this excerpt from a documentary about his life and work reveals why. In 1981, when he was secretary of the Police Association, he began wearing kaftans. Two decades later, he changed his name to Miss Alice and fought contempt charges at the High Court in Wellington, wearing an Alice in Wonderland costume. Moodie's aversion to convention and macho culture is traced back to his traumatic childhood in state care. Lost in Wonderland won Best Documentary at the 2010 Qantas Film and Television Awards.
Act of Kindness follows the search for one very helpful man, in a country of 11 million people. In 1999 Kiwi Sven Pannell arrived penniless in Rwanda, after bribing himself out of a worrying encounter with rebel militia in Burundi. He was saved by a street beggar who spoke perfect English. Eight years later Pannell got the chance to return to Rwanda with camera in hand, and say thanks — if only he can track his saviour down. Directed by Pannell and Costa Botes (Forgotten Silver), the documentary is a portrait of compassion, obsession, and a nation recovering from tragedy.
An epic documentary chronicling the extraordinary life of Kiwi filmmaker Colin McKenzie. Or is it? McKenzie's achievements included cinematic innovations involving steam power and eggs, and an unfinished biblical tale filmed on the West Coast. The first television screening of this Costa Botes/Peter Jackson production memorably stirred up New Zealand audiences. Forgotten Silver went on to screen at international film festivals in Cannes and Venice — where it won a special critics' prize.
Stalin’s Sickle takes Kiwi suburban paranoia to unexpected places as nine-year-old Daniel imagines his neighbour is feared Russian dictator Joseph Stalin. Set amidst 1962 Cold War conservatism, Daniel spots the south seas’ Stalin at church, spies on him to confirm his suspicions and schemes to send him on his way. But Daniel’s civil defence plan goes awry, leaving him with a worse threat to deal with. Based on the short story by Michael Morrissey, the Costa Botes-directed film won the Grand Jury Prize at Clermont-Ferrand Short Film Festival.
A gang member wakes up one morning and decides he needs a day off. Willy (ex-Mongrel Mob boss Tuhoe Isaac) checks out of the gang pad and, on a whim goes for a cruise on the Interislander. At a Picton Pub he makes an unlikely connection with brothers of a different clan. The near-wordless exploration of culture clashes and a man’s journey outside of his comfort zone, was the debut dramatic short from director Zoe McIntosh. It was selected for New York and Tribeca film fests, and Isaac won best performance in a short film at the 2010 Qantas Film and TV Awards.
This documentary, made by TVNZ’s Natural History Unit (now NHNZ), charts the progress of the nor'west wind from its formation in the Tasman Sea across the Southern Alps to the Canterbury Plains and the east coast of the South Island. Along the way it dumps metres of precipitation on West Coast rain forest and snow on the Alps, then transforms to a dry, hot wind racing across the Plains. The film shows the wind's impact on the ecosystem and farming and muses on the mysterious effect it can have on humans. It screened as part of the beloved Wild South series.
In this award-winning tourism promo, an easy-going narrator guides us through a land of contrasts — “where else would you find golf and geysers?”. The sights range from frozen to boiling lakes, characterful cities to odd natives (kiwi, takahē, carnivorous snails). Visual highlights include quirky road-signs (“beware of wind”, “slow workmen ahead”), toheroa digging and a flotilla of capsizing optimists. Directed by NFU veteran Ron Bowie, the film won an award at the 1963 Venice Film Festival, before headlining a special Amazing New Zealand season of shorts in NZ cinemas.
This was the very last edition of the National Film Unit’s Weekly Review, a magazine-style film series which screened in New Zealand cinemas from 1942 until 1950. The first item is winter sports fun (ice skating, ice hockey) on a high country lake; the second report examines prototype newsprint made in Texas, from New Zealand-grown pine; the last slot covers the touring British Lions rugby team’s match against the NZ Māori, at a chilly Athletic Park. The Māori play the second half a man down after losing a player to injury (this was before injury substitutions were allowed in rugby).