This episode of the antiques appraisal series was recorded at Auckland Museum with host Dougal Stevenson, Marshall Seifert and Trevor Plumbly joined by Cherry Raymond, and Richard Valentine. Items examined include daguerreotypes, cubist pottery cats by Louis Wain, Edwardian Lavalier pendants and a Marconi radio. It also features a discussion about different types of valuation ... then there’s the piece of pottery, from Auckland artist Cameron Brown’s Titian studio (inspired by the 1956 Springbok Tour), which has the panel very much divided about its merits.
There is a Place is one of many Kiwi tourism films that Hugh Macdonald (This is New Zealand) made for the National Film Unit. After the Ministry of Foreign Affairs proved unhappy with the original version, the director was forced to remove “all parts of the film that offend the sensitivities of Foreign Affairs.” Macdonald ended up cutting it in half, removing "anything that reflects badly on the country". The end result is a quick stroll through New Zealand’s four main cities, and a brief look at everything the locals hold dear: rugby football, agriculture, public bars, and pottery.
In the early 1960s two North Island schools — Oruaiti and Hay Park — experimented with an innovative method of practical education. This episode of Survey sees principal Elwyn Richardson revisiting Oruaiti, and reminiscing on how the two schools functioned. He offers his views on traditional textbook learning — the more “American” system, as he calls it. Ex students reflect on their time at the school, and how an education based on arts, building and play shaped the people they’ve become. Modern schooling in Aotearoa now follows the example set in those early days.
This award-winning National Film Unit documentary looks at the craft movement in New Zealand, as this counterpoint to industrial mass production went mainstream. The sense of involvement in the title refers to the individual skills that potters, weavers, printmakers, furniture makers and sculptors bring to making their objects. Director David Sims avoids narration, instead using music from composer Tony Baker to score scenes of the makers at work, from the loom, furnace and kiln, to workshop and studio. As a flashback to the late 70s, facial hair, ceramics and wool abound.
Central North Island art is spotlighted in this episode of the road trip arts show. Douglas Lloyd Jenkins and Nick Ward discuss Len Lye's 'Wind Wand' and visit Michael Smither works in a Catholic church. Novelist Shonagh Koea reads in her favourite antique shop while photographer Sarah Sampson serves tea and discusses her fabric work and "chick art". Rangi and Julie Kipa reconcile traditional Maori process with modern art, performance artists Matt and Stark deconstruct the family sedan; and, in Wanganui, Ross Mitchell-Anyon is proud to call himself a potter.
Douglas Lloyd Jenkins and Nick Ward's arts road trip reaches Wellington where Jacob Rajan and Justin Lewis of Indian Ink Theatre Company discuss their acclaimed play 'Krishnan's Dairy'. Dancer Ross McCormack reflects on his journey from building site to dance school; and percussion group Strike incorporate movement and staging into their work. Ceramic artist Raewyn Atkinson is exploring the textures of Antarctica and there's a visit to the Dowse Art Museum to meet jeweller Peter Deckers and to view an exhibition of textile designer Avis Higgs' work.
This six-part web series about a small town rising up against big business reaches its heartwarming conclusion in this episode. Sid (Byron Coll), is shooting the last few scenes of his doco on the proud Tararua town (including one with a frisky dog which is meant to be dying). Bella (Vanessa Stacey) makes her entrance as the Brockovich-ian lawyer who saves the day. As the town gathers for an open-air screening of the finished film, Sid gets another chance at love. Woodville, written by Christopher Brandon, was selected for London’s Raindance Festival in 2013.
This edition of the National Film Unit newsreel series promotes a newly established New Zealand industry: the manufacturing of domestic ware. It shows the process of producing a cornucopia of Crown Lynn-like crockery — plates, cups, saucers, teapots, vases, etc. Machines make and glaze plates, while technicians cast irregular shaped vases, make prototypes for items such as Toby jugs, hand paint, and apply transfers. For, as the title suggests, the potter's wheel and handiwork still have their place, even in the age of mechanical reproduction.
Veialu Aila-Unsworth directs this re-imagining of the ubiquitous blue and white ‘willow china’ ceramic pattern (designed by Thomas Minton in the late 18th Century). Aila-Unsworth’s exquisite animation uses the design as a tableau for a tragic tale. It tells the story — supposedly derived from an ancient Chinese folktale — of lovers fleeing an angry father. The doomed pair are ultimately transformed into birds by the gods, finally escaping from oppression ... and bangers and mash. Blue Willow was selected for the Berlin Film Festival (Kinderfest section).
This online mockumentary series sees Sid (played by Byron Coll of “Nonu, Nonu, Nonu. Boom!” Mastercard ad fame) receive Woodville Arts Council funding to document a landmark David vs Goliath legal battle won by the town against BPC, a Belgian petrochemical giant. This pilot episode sees Sid meet the locals and introduce the story of how they beat “the muscles from Brussels”. Clayweaver Productions received funding from NZ On Air’s digital media fund Ignite to produce the six short ‘webisodes’; Woodville was selected for indie film festival Raindance in 2013.