After years of protest, agitation, and court hearings, the Māori Television Service finally launched on 28 March 2004. This is the first 30 minutes that went to air. Presented by Julian Wilcox and Rongomaianiwaniwa Milroy, the transmission begins with a traditional montage of Aotearoa scenic wonder (with a twist of tangata whenua); the launch proper opens with a dawn ceremony at Māori Television's Newmarket offices, featuring MPs and other dignitaries. Wilcox also gives background information on the channel and outlines upcoming programming highlights.
This 2014 documentary celebrates Māori Television’s first decade. It begins by backgrounding campaigns that led to the channel (despite many naysayers). Interviews with key figures convey the channel's kaupapa – preserving the past and te reo, while eyeing the future. A wide-ranging survey of innovative programming showcases the positive depictions of Māoridom, from fresh Waitangi, Anzac Day, basketball and 2011 Rugby World Cup coverage, to Te Ao Māori takes on genres like current affairs and reality TV (eg Native Affairs, Homai Te Pakipaki, Kai Time on the Road, Code, and more).
In this May 2006 interview, Paul Holmes interviews actor Russell Crowe for Holmes' new Prime TV show. After 25 minutes Russell is joined by his cousin, cricket legend Martin Crowe. Free from PR pressures to promote a particular film, Russell is relaxed and reflective. He talks organic farming, Elvis Costello and fatherhood, the All Blacks and Richard Harris, and growing up as “Martin Crowe’s cousin”. Holmes brings up Martin’s famous innings of 299, and the trio discuss baseball, throwing phones, Romper Stomper, Russell's Rabbitohs league club and Martin’s Gladiator role.
Māori Television has staked such a claim on Anzac Day coverage that the two have almost become synonymous. The channel began its all-day Anzac coverage with an extended, award-winning broadcast in 2006. Māori Television increased mainstream media interest in its Anzac coverage by cleverly enlisting longtime TVNZ newsreader Judy Bailey to co-host with Wena Harawira. This opening 30 minutes includes the 2006 studio welcome, and live coverage of the 67th annual Auckland Dawn Parade, with narrators Tainui Stephens and historian Stephen Clarke.
The final episode of Chris Stapp and Matt Heath's bawdy, bogan, BSA baiting TV variety series spoof opens with a tribute to "People's Presenter" Danny Parker who was a victim of the previous episode's carnage. Show regular Piers Graham looks behind the scenes at the show's imagined past (including 60s exploitation pic 'Datura Flowers of the Garden of Death') and the real injuries sustained by cast members in the show's stunts; and hapless mechanic Spanners Watson get his chance to assume daredevil stuntman Randy Campbell's hopeless mantle.
This edition in Prime’s television history series surveys Māori programming. Director Tainui Stephens pairs societal change (urbanisation, protest, cultural resurgence) with an increasing Māori presence in front of and behind the camera. Interviews with broadcasters are intercut with Māori screen content. The episode charts an evolution from Māori as exotic extras, via pioneering documentaries, drama and current affairs, to being an intrinsic part of Aotearoa’s screen landscape, with te reo used on national news, and Māori telling their own stories on Māori Television.
In this episode of Chris Stapp and Matt Heath's bawdy, wilfully dodgy series, studio band Deja Voodoo have been fired after the police raid in the previous episode. Replacement band The Warlocks of Firetop Mountain lack the "sharp suits and sharp tunes" presenter Danny Parker (Heath) needs in a band. But the real focus is on stuntman Randy Campbell's last, despairing attempt to succeed at even the simplest challenge. His failure will extract a spectacular and terrifying toll.
In this episode of the "greatest TV show on earth", the ape set on fire in the show's first episode — when Randy Campbell's stunt went "horribly wrong" — has escaped, and the hairy one is after vengeance. Meanwhile the police show no sympathy for presenter Danny Parker and daredevil Campbell, for the way the show has portrayed them. And against all odds, Spanners Watson's rocket car 'The Spirit of Russell Crowe' might actually work ... but the ape and the police are closing in.
The birth of television in the 1960s meant that suddenly protests and civil unrest could be broadcast directly into Kiwi homes. This episode of 50 Years of New Zealand Television looks at many of those events — involving everything from the Vietnam War and the Springbok tour, to Bastion Point and the Homosexual Law Reform Act. It also examines how being televised altered their impact. Interviews with both protestors and reporters provide a unique insight into what it was like to be living through extraordinary periods of New Zealand history.
In this episode of Back of the Y, Chris Stapp and Matt Heath concentrate on drugs. Convinced that all students are on drugs, the constables travel to Dunedin to deal to the local scarfie population. Meanwhile a baggy-trousered, inner city pothead journeys into the backblocks in search of a cannabis mother lode in 'Te Puke Thunder'. A new feature introduces "extreme" cameraman Wally Simmonds (profiling a sight impaired skate team) and stuntman Randy Campbell has to cope with his team's incompetence as well as his own.