In this acclaimed Kiwi-Aussie co-production Sam Neill confronted what ‘Anzac’ means, a century after NZ and Australian troops landed at Gallipoli as part of an invasion by British-led forces to capture the Turkish territory. Through the lens of his whānau’s war stories (including a visit to his grandfather's grave) Neill uncovered forgotten truths about the catastrophic campaign, and examined ways the Anzac myth has been manipulated. "I hate militarism, loathe nationalism but honour those who served.” The full documentary screened on Māori Television on Anzac Day 2015.

Poet Sam Hunt goes "between islands" on a home turf tour. To a backdrop of languid 'good day' Strait's scenery, he yarns with locals about stories of land and sea, and recites poetry: "[it's all about just] standing back and listening ... or watching". He chats with poet Alistair Te Ariki Campbell, goes groper fishing off Mana, and hears of a plan to float on a flax flutterboard across the Strait. Hunt then gets himself across via ferry for whaling stories at Oxley's Rock pub and meets boatbuilders and Cape Jackson farmers. The Costa Botes film includes (brutal) archival whaling footage.

Damon Fepulea'i's directing debut follows Megan (Olivia Tennet from Maddigan's Quest), a young girl who finds herself out of her depth amongst the mangroves. While out exploring, she meets two siblings and wants to make friends, but one of them is hostile and argues over who owns a bamboo stake. Megan runs off to play alone and while trying to catch a fish using the stake as a spear, has an accident. She's full of stubborn pride as the tide rises dangerously around her. Watermark debuted at the 2002 Rotterdam Film Festival, and features classic Kiwi song ‘Blue Smoke’.

Nia’s Extra Ordinary Life follows the adventures of Nia, a 10 year-old girl living in the Northland seaside town of Tinopai. There the ordinary becomes extra ordinary thanks to the power of her imagination — brought to life partly via onscreen animation. In this second episode Nia (Shania Gilmour) gets over leftover mussels and tomato sauce in her school lunch (yuck!) and missing her Mum, by building a sandcastle. The tide is getting closer, but no matter...Made by the team behind Auckland Daze, Nia’s Extra Ordinary Life marked Aotearoa’s first web series for children. 

Born of a dispute between TVNZ and record companies over video payments, True Colours tended to feature New Zealand bands in a studio setting, plus the occasional video. This first episode sets the template. Former Radio with Pictures host Dick Driver and Phillipa Dann (from pop show Shazam!) introduce a magazine-style show of live music, news and interviews. Ardijah open proceedings here, with their mix of polynesian R&B and funk. Later Tim Finn gets the interview treatment. The dispute was eventually settled and True Colours ended after seven episodes.

New Brighton beach in Christchurch: Peter Donnelly is busy creating art, art with a lifespan that can be measured in hours. Using a rake and a piece of wood, Donnelly draws elaborate artworks in the sand - more than 700 of them to date. "I bring something to life, and then its life is over, and at the end of the four hours it wants to go, it's worn out ... it just wants to be gifted, and it goes to the sea." Beautifully shot by director Peter Young, this Artsville documentary captures Donnelly both in action, and musing on the beauty of impermanence.

The Grand Final of this 1996 musical talent quest series Showcase was hosted by Ian Fraser. The nine finalists perform songs from Mozart on guitar, to 'Everything’s Gonna Be Alright'. The opening act is Akustik Fungi: Jason Kerrison, one half of the duo, would later find fame as singer for chart-topping band Opshop, and return the favour as a judge on New Zealand’s Got Talent. The Showcase judges are Sir Howard Morrison, actor Rima Te Wiata, Dame Malvina Major (who performs) and Eddie Rayner (who got his break on TV talent show New Faces, while part of Split Enz).

In this RWP interview, Karyn Hay gets Split Enz members Neil Finn and Nigel Griggs to explain some of the band's songs before a January 1983 performance at festival Sweetwaters. Both are tired of doing True Colours tracks; the album "has followed us around like a bad smell for a year and a half" says Finn. He also admits 'I Got You' was "probably only about the third lyric I'd ever written", and touches on the BBC banning of 'Six Months in a Leaky Boat'. Griggs admits he has no idea what Finn's 'History Never Repeats' is about; Finn praises Griggs' "incredibly good bass riff" on 'Lost for Words'.

This 1959 Pictorial Parade edition begins with the opening of the ‘Milson Deviation’: a rail bypass which diverted trains from the Palmerston North CBD. Then it’s to Hastings for the National Ploughing Championship, where the prize is a silver plough modelled on the first (Pākehā) plough used in NZ. Lastly, the Echo (a flat-bottomed Kauri scow that sailed between Wellington and Blenheim) turns a wetter furrow and sails up the Opawa River. With the onset of competition from ferries the Echo was retired in 1965; she’s now ‘on the hard’ on the Picton Foreshore.

Biographer Michael King takes us through the life of pioneering writer Frank Sargeson: from puritanical parents to self-discovery in London, through to decades encouraging an emerging tide of New Zealand writers. The documentary’s most priceless moments are the tales told when four of those writers return to Sargeson’s fabled fibrolite bach, in Takapuna. Kevin Ireland calls it an “oasis, this marvellous place where books ruled supreme”. Sargeson’s purposefuly minimalistic writing style, the doco argues, helped NZ literature find its own voice.