TV3 celebrated its launch with a two-hour special featuring music, montages, and a Māori welcome. Aotearoa's first new television channel in more than two decades went to air on 26 November 1989, after years of meetings, hard graft and competing bidders. This clip of TV3's first ten minutes creates a party atmosphere of smiling happy faces. Dave Dobbyn and dancers get energetic in promotional song 'Get the Feeling', then Governor-General Sir Paul Reeves pulls the launch lever. Also featured are appearances by a wide array of Kiwis, from children to soldiers to Sam Hunt.

In the era before 24 hour transmission, packages like these opened the day on TV1 and TV2. United by patriotic zeal, they focused on Kiwi people at work and play, and on scenery, and could have doubled as tourism promos. (The 1976 edition — second clip — borrows more than just the soundtrack from short film This is New Zealand). The party piece is the first clip: an epic tag-team version of the national anthem, sung by Annie Crummer, Peter Morgan, the Patea Māori Club and Dalvanius, backed by the NZ Youth Jazz Orchestra. It was originally recorded for Expo 88 in Brisbane.

Bruce McLaren was one of the icons of motor racing in the sport's 60s ‘golden age’ – he won four Grand Prix, and joined fellow Kiwi Chris Amon to win the 24 Hours of Le Mans. The McLaren team he founded became one of the most successful in Formula One. In this documentary, director Roger Donaldson returns to the tarmac where he has made a mark before — Smash Palace, his fictional story of a race car driver, and two films inspired by Invercargill's DIY racing legend Burt Munro. Stuff reviewer James Croot called McLaren "engrossing, enlightening and surprisingly emotional".

Writer/director Tusi Tamasese won multiple awards for his first feature, Samoan drama The Orator - O Le Tulafale. This New Zealand-set follow-up involves a Samoan father whose daughter Ilisa (Shortland Street's Frankie Adams) returns home, pregnant and badly beaten. Uelese Petaia (star of Albert Wendt adaptation Sons for the Return Home) is the boxer turned baker, in a tale of family, redemption and revenge. One Thousand Ropes debuted in the Panorama section of the 2017 Berlin Film Festival. The clip captures the recording of the movie's soundtrack in a Wellington chapel.

The first animated feature made and originated in New Zealand, 25 April tells the story of the country's involvement in an ill-fated mission to take a piece of Turkish coastline during World War I. 2700 Kiwis died and ‘ANZAC’ became a symbol of national identity. Director Leanne Pooley mines archive war diaries, and uses graphic novel style recreations from Flux Animation to evoke the the perspective of six participants. 25 April debuted at the 2015 Toronto Film Festival. Alongside the excerpt, a short making of video shows how facial motion capture fed into the film's distinctive look. 

Daffodils is a feature film version of Rochelle Bright's award-winning Kiwi stage musical. Grammy Award-winning singer Kimbra makes her big screen debut, alongside actors Rose McIver (iZombie, The Lovely Bones) and George Mason (Go Girls). The bittersweet musical is based on the true story of a Waikato couple's romance in the 60s, and the pop-rock soundtrack that shaped their lives. The love story features reimaginings of iconic songs from Crowded House, The Exponents and more. Daffodils is helmed by director David Stubbs (Belief: The Possession of Janet Moses).

Filmed in New Zealand’s deep south, this feature follows the vicissitudes of Adrian: a sensitive 11-year old haunted by the disappearance of three local children, who befriends mysterious new-in-town Nicole. The adaptation of Sonya Hartnett’s coming of age novel Of A Boy, is the feature debut of Denmark-based Dunedin-born director Daniel Joseph Borgman, following on from his lauded shorts Berik, and Lars and Peter. The creative team behind the 'informal' Danish-NZ co-production included frequent collaborators of directors Lars Von Trier and Thomas Vinterberg.

This feature documentary follows All Black Richie McCaw on his 2015 quest to become the first skipper to defend the Webb Ellis Cup. Directors Justin Pemberton (The Golden Hour) and Michelle Walshe were given unprecedented access to the subject to create a portrait of McCaw the person, and chronicle the psychology of achievement in international sport. McCaw got involved as a chance to “inspire some young kids”, ending his policy of keeping “the private stuff private”. The film's opening day set a Kiwi record for a local documentary; in its first week, it beat all competition.

Toa Fraser's second English-set film (following 2008's quirky drama Dean Spanley) dramatises a real life siege at the Iranian Embassy in London, when gunmen held 26 people hostage in April 1980. Fraser and Dead Lands writer Glenn Standring take many angles on the tense six day siege: from politicians favouring a more aggressive approach than their lead negotiator, to the SAS team ready to storm the building, to BBC reporter Kate Adie (Bright Star's Abbie Cornish) covering events live on television. The film's international sales included a deal with Netflix. 

Action movie The Dead Lands joins the short list of screen tales set in Aotearoa, before the pākehā. James Rolleston (star of Boy) plays Hongi, the son of a Māori chief. After the massacre of his tribe, Hongi sets out into the forbidden Dead Lands, hoping to enlist the help of a legendary warrior (Lawrence Makoare). The Anglo-Kiwi co-production marked new screen territory for director Toa Fraser (No. 2) and writer Glenn Standring (fantasy Perfect Creature). After debuting at the 2014 Toronto Film Festival, The Dead Lands topped the Kiwi box office and won three Moa awards.