In the era before 24 hour transmission, packages like these opened the day on TV1 and TV2. United by patriotic zeal, they focused on Kiwi people at work and play, and on scenery, and could have doubled as tourism promos. (The 1976 edition — second clip — borrows more than just the soundtrack from short film This is New Zealand). The party piece is the first clip: an epic tag-team version of the national anthem, sung by Annie Crummer, Peter Morgan, the Patea Māori Club and Dalvanius, backed by the NZ Youth Jazz Orchestra. It was originally recorded for Expo 88 in Brisbane.
This bloopers reel from Pasifika youth show Fresh begins with a series of pieces to camera gone wrong: sibling presenters Nainz and Viiz Tupai (Adeaze) get the giggles introducing 'Fresh Games', Laughing Samoan Tofiga Fepulea'i gets his man breasts ready for action, and Pani and Pani get lyrical about raisins. 'Fob Outs' (outtakes set to Outkast’s 'Hey Ya') include Scribe missing a beat, All Black Jerome Kaino getting tongue-tied, choreographer Parris Goebel pulling faces, actors Robbie Magasiva and David Fane mugging for the camera, and Nicole Whippy getting funky.
Craig Scott quickly rose to fame as a New Zealand pop sensation, before retiring in the mid 70s to the great disappointment of his fans. In this 1998 Breakfast interview he spends time before the cameras on his favourite golf course, describing life before and after stardom. Then working in video for Warner Brothers, he discusses the perks of being a star, and life after fame. The interview features excerpts of his number one hit "Star Crossed Lovers". Reporter Lucy Hockings moved the following year to the UK, where she became a producer and presenter on BBC World News.
Written by Tom Scott, Press for Service is a humorous take on the shenanigans of the parliamentary press as they battle with the prime minister over their journalistic freedom. With the idealism, sleaze and alcoholism, that traditionally go hand and hand with the job, we follow David Miller; striving to be a respected journalist. Miller writes a damning piece but forgets to check his sources. Opening and closing with John Toon's elegant aerial shots of Wellington and a buoyant score, the episode features prominent Wellington thespians Ray Henwood and Ross Jolly.
Dressed as a 1920's flapper bride, Karyn Hay introduces highlights from the TVNZ rock show’s televised concerts at the now demolished Mainstreet Cabaret on Auckland's Queen Street. The songs are Dance Exponents' 'All I Can Do' (with a sweaty Jordan Luck), an impassioned 'Billy Bold' from Graham Brazier's Legionnaires, Hip Singles' 'After the Party' (with snappy high kicks from Dick Driver), a brassy 'Outlook for Thursday' from Dave Dobbyn's DD Smash, a rocking 'Look the Other Way' from The Narcs and Coconut Rough's moment in the sun 'Sierra Leone'.
In 2000 the Employment Relations Act was passed into law in New Zealand, replacing the Employment Contracts Act. The bill proved controversial: some suggested it placed unfair obligations on employers, while others claimed it restored much-needed rights to workers that had been undermined. This Assignment episode explores both angles. Among them, business owner John Holm argues that he shouldn’t be told how to treat his employees, while union leaders and Alliance Party MP Laila Harré all argue that without the bill, workers will continue to be exploited.
TVNZ’s flagship 80s arts show looks at Sir Toss Woollaston — a pioneer of modern art in New Zealand. Topics include his development as an artist and the “struggle of painting” (contra convention), difficult years trying to support a family, the influence of his wife, and the liberation he felt in his mid-50s when he could finally earn a living from painting. Woollaston is blunt but generous with his time and opinions. There are precious riffs off his famous description of wanting to paint the sunlight in a landscape, “after it had been absorbed by the earth”.
In 1989, before she was an anchor for One Network News, April Ieremia was a 21-year-old Canterbury University history student, making her netball test debut for the reigning world champion Silver Ferns team. In this One Network News excerpt, Cathy Campbell interviews the "new light" in the Kiwi line-up, the day after Ieremia's star role in defeating Australia in the third test. She talks of dealing with the media attention, while coach Lyn Parker says she has noticed a rush of instant netball experts (the 80s saw a major expansion in coverage of the game).
In this excerpt from the mid-90s late night news show, Kim Webby interviews Francis Hooper and Denise L’Estrange-Corbet — the duo behind fashion label World — following their win in the avant-garde section of the 1995 Benson & Hedges Fashion Awards. Their winning outfit? A Japanese-inspired two-piece made out of cardboard that L’Estrange-Corbet describes as “21st Century origami couture”. Meanwhile Hooper showcases World designs (lurex, vinyl, AstroTurf) and merchandise (tequila lollipops and voodoo dolls) – “you can never get enough kitsch in life”.
Regular Māori programmes started on TVNZ in 1980 with Koha, a weekly, 30 minute programme broadcast in English. It was the first regular Māori programme shown in primetime. This episode gets two unique perspectives on the milestone Te Māori exhibition of Māori art. It interviews "American tangata whenua": noted Iroquois artist Peter Jemison, and John Kaaho (Tuhoe), security guard for the exhibition at New York's Metropolitan Museum of Art. Te Māori toured the United States in 1984 and opened up a world of Māori taonga to international audiences.