Dance Exponents were the crown princes of NZ pop when they released this left field follow-up to their very successful debut album. ‘Sex and Agriculture’ introduced new guitarist Chris Sheehan and marked a major departure from hook-filled pop songs into harder, noisier territory. A rhythmic, driving soundtrack punctuated by Sheehan’s atmospheric guitar undercuts lyrics that could describe a rural idyll. Jordan Luck grows increasingly desperate in this shadowy, constricted TVNZ video which echoes the song’s dark claustrophobic sense of rural dread.
This special edition of the National Film Unit’s monthly magazine series looks at some of the “people, places and events filmed by our cameramen during the years 1941 - 1962”. The NFU’s 21st birthday review — compiled by David H Fowler — ranges from wartime newsreels to the post-war boom (factories, dams, industrial agriculture), from salvos to Peter Snell. Other images include Kiwi soldiers playing rugby in Korea, and cigarettes hanging from the lips of firemen fighting Christchurch's Ballantyne Department Store fire in 1947.
A pocket survey of the diversity of Kiwi farming circa 1952, this film serves as a booster’s reminder that thanks to self-reliance and research, New Zealand ranks as “one of the world’s great farming countries”. Cameraman Brian Brake captures arresting high contrast imagery: cattle move in silhouette against the sky; dust-caked fertiliser trucks emerge from clouds of lime; shirtless WWII veterans load silage onto harvesters. Meanwhile an upbeat, nationalistic voiceover pays homage to the holy trinity of good pasture, stock and climate.
This film looks at biodynamic agriculture, a Rudolph Steiner-inspired system of organic farming. The film focuses on Peter Proctor, a worm-obsessed Kiwi gardener, and his work promoting biodynamics worldwide — particularly in India, where he argues that modern industrial agriculture (eg artificial chemicals, GM seeds) has made soil and plants toxic and farming unsustainable. Proctor's simple recipe to save the planet? One man and a bucket of cow dung. Narrated by American actor Peter Coyote (E.T.), One Man screened worldwide at environmental film festivals.
The Colombo Plan was a Commonwealth “federation of neighbours” which aimed to counter communism in Asia by providing development aid in the area's poorer countries. This National Film Unit short, directed by future NFU manager David H Fowler, ranges across Asia as it surveys New Zealand’s contributions to the postwar plan: funding hospitals, agriculture and education in Indonesia, Malaya, Sarawak, North Borneo, Pakistan and India. The film also visits Colombo students in their home countries, passing on skills that they learned while studying at NZ universities.
Philatelists will delight in this artful National Film Unit production, where stamps are used as a perforated frame for showcasing a pictorial parade of NZ landscapes. The film offers an impressionistic take on the theme, with the landscapes (natural and human) further coloured by poetry and music. Coming from a time before electronic mail, Landscape in Stamps features readings from the work of international poets with scenic sympathies (Whitman, Frost, Thoreau, and more), and the music of composers Vaughan Williams, Handel, Beethoven and Mendelssohn.
This second episode of the three-part series following British MP Austin Mitchell’s return to the country where he began his career in (as a broadcaster and author of 1972 book The Half Gallon Quarter Acre Pavlova Paradise) sees a focus on politics. The former Canterbury University political scientist gives a potted political history, from the roots of a conservative Kiwi political mien to the radical changes wrought by Lange’s 80s Labour government and the rise of women ‘on the hill’. Finally he considers tourism, Treaty settlements and the aspirations of Māori.
Before he went Off the Rails Marcus Lush went off the beaten track to Egypt. He takes on a camel and donkey, drifts down The Nile aboard a felucca, samples the local fast food and deals with a dose of ‘Nile Belly'. Ancient treasures and stunning desert landscapes don't hide a more problematic recent history. But the warmth of the locals - Muslim or Christian - makes Lush a convert. When Lush tries the local Cairo barber he loses some eyelashes ("when in Rome") but nevertheless finds the whole Egypt experience to be an "eye opener."
The first leg of Peter Hayden’s journey across latitude 45 south takes him across the Waitaki Plains and up to Danseys Pass. He visits the site of a moa butchery and the sunken circular umuti (cabbage tree ovens) of early Māori. Guided by colonial literature, he visits New Zealand’s tallest tree (a eucalypt, which he finds horizontal). Drought busting desperation of 1889 and the provenance of Corriedale sheep is also covered. In a riparian side trip, Hayden heads up the Maerewhenua River where gold miners succeeded only in ravaging the landscape.
Seven Rivers Walking - Haere Mārire looks at the rivers that meander across and define the Canterbury Plains. With the cleanliness of Aotearoa's waterways being a contemporary talking point, the film looks at the impacts of farming and industry on the rivers that supply livelihoods and drinking water to the people of Canterbury. Co-directors Gaylene Barnes and Kathleen Gallagher follow a group of Cantabrians who hike and raft the length of the rivers, and talk to locals en route about the significance of the region's waterways. The film debuts at the 2017 Christchurch Film Festival.