Open Door is a unique form of community-based television that allows groups or individuals to apply to make a documentary programme about an issue that concerns them. This episode focuses on Burundian refugees living in New Zealand and the importance of reuniting families separated by ethnic conflict in their home country. A number of refugees share their stories and explain the way their lives have changed since coming to New Zealand and the efforts they go to bringing other family members here.
In this excerpt from James Belich's award-winning history of Māori vs Pākehā armed conflict, tensions simmer in 1850s Taranaki and Waikato, between land-hungry settlers and Māori who don't want to sell. This resolve to retain their land results in what Belich calls "one of the most important developments in Māori political history" — the birth of the King Movement. But a new governor determined to reassert British authority exploits disunity between Māori factions, and a disputed sale at Waitara culminates in "New Zealand's great civil war of the 1860s".
Wellington rockers Paselode certainly weren’t the first band to conquer, argue, then combust; but this film offers an unusual view on the group’s internal dynamics. Inspired by the legendary Creature Comforts films by Aardman Animation, The Paselode Story takes real-life interviews with bandmembers, and animates the results. Expect possibly tongue-in-cheek revelations of how singer Gerome Mills charmed — or bribed — his way into his brother’s band with his Dad’s help, before revealing his true colours. There are also live action scenes of Paselode in action.
In this 2015 short film, work tensions spill over at the offices of a baby and parenting magazine. But the real drama is far closer to home. Debbie (Denise Snoad) is sick of picking up the slack for Aroha (Anoushka Berkley), who seems to have her mind elsewhere. When Aroha mucks up a shipment, Debbie takes it to the boss. Writer/director Cathy MacDonald pits two seemingly disparate women against each other, only for the two to discover they're grappling with different sides of the same situation. Willa O'Neill (Scarfies) cameos as the boss.
Director Danny Mulheron has fun with the subversive character of Mr Gormsby in this irreverently funny series. In desperation, the Tepapawai High School principal has hired paragon of old school values Mr Gormsby (David McPhail) after yet another relief teacher walks out. Forming an instant dislike for fellow teacher 'Steve from Guidance' and frustrated that his trusty cane has been taken from him, Gormsby comes up a unique form of discipline which manages to offend pretty much everyone. Nominated for Best Script and Best Comedy at the 2006 NZ Screen Awards.
Greenstone is the tale of a Māori woman whose beauty is used as a pawn by her ambitious father, Chief Te Manahau. In episode one, the missionary-educated Marama (Simone Kessell) travels to England with her father (George Henare), who sets about arranging an arms deal while she falls for their English host, ex-military man Sir Geoffrey Halford. Created for TV One by Greg McGee, the ambitious series was initially developed as a co-production between local company Communicado and the BBC. Local iwi Tainui helped fund the series, after the BBC withdrew.
It's the 1870s, and Māori leader Te Wheke (Anzac Wallace) is fed up by brutal land grabs. He leads a bloody rebellion against the colonial Government, provoking threatened frontiersmen, disgruntled natives, lusty wahine, bible-bashing priests, and kupapa alike to consider the nature of ‘utu’ (retribution). Legendary New Yorker critic Pauline Kael raved about Geoff Murphy’s ambitious follow up to Goodbye Pork Pie: “[He] has an instinct for popular entertainment. He has a deracinated kind of hip lyricism. And they fuse quite miraculously in this epic ...”
In 1983, after riots in Sri Lanka ushered in an extended civil war, the number of arrivals from Sri Lanka to New Zealand rose dramatically. This episode, one of the most moving in the Immigrant Nation series, profiles two Sri Lankan families down under - one from the island's Sinhalese majority, one from the minority Tamils. Both families left home out of fear for their children's future. Amidst the challenge of a new culture, there is celebration too: including double marriage ceremonies which require multiple outfits, when a Tamal Christian marries a Hindu.
"You waste my time because you have not prepared for this interview. This interview frankly is a disgrace." This is an excerpt from Kim Hill's infamous 2003 interview with John Pilger, award-winning journalist, author and documentary-maker. Via satellite link from Sydney, Pilger discusses Middle East politics. He says what he would do about Saddam Hussein, and what he thinks about sanctions against Iraq. An angry Pilger says Hill is not asking informed questions. Hill pushes Pilger's book across the desk. Pilger implores Hill to: "Just read. Read. It takes time."
Part one of a four part thriller written by Keith Aberdein. In a small North Island town, a mysterious unmarked grave is believed to hold the remains of a tohunga who died ridding his people of a deadly epidemic. Now, an archaeological dig might be getting too close to that grave. A visiting doctor (Cathy Downes) arrives in town to find the locals in a state of agitation; the archaelogist (Martyn Sanderson) full of good intentions, but unaware of where his actions could lead; and relations between Māori and Pakeha strained as two cultures struggle to co-exist.