Award-winning Māori current affairs show The Hui sets out “to increase understanding and awareness among mainstream New Zealand about the issues facing Māori and the unique aspects of our culture.” The format includes interviews, investigative reports and panel discussions. Fronted by journalist Mihingarangi Forbes, it screens on Sunday mornings on Three. An April 2017 Hui report on the experiences of men who were abused in state boys' homes won acclaim, and led to a government inquiry. The Hui is produced by Great Southern Television.
Award winning novelist Emily Perkins presents a series about “books and the people who love them”. The follow-up to her previous series The Book Show — and looking like it might be set in a graffitied bunker in Auckland’s Myers Park — it managed to be chatty without being frivolous, and to take itself seriously without being worthy. Regular features included a panel discussion about the book of the week, a visit to a book group, a guest talking about their favourite book and Finlay Macdonald highlighting a notable New Zealand book, in his ‘Under the Covers’ feature.
This Queer Nation episode focuses on the Gay Games, held in Sydney in 2002. With more than 12,000 participants (including 441 New Zealanders) the event was Australasia's largest queer event ever. It begins with an overview of the event, looking at the benefits it had for the community, business, and tourism. The second part is less upbeat, addressing the massive $2m loss the Games incurred, with discussion around the reasons for this. Part three is about the next Gay Games, to be held in Montreal in 2006, along with a brief historical overview of the event.
In this documentary for TV One, director Aileen O'Sullivan turns the camera on three sets of mother/daughter artists, and asks whether art is in the genes. Interviewing each other about their creative lives are actor Kate Harcourt and actor/acting teacher Miranda Harcourt; weaver Erenora Puketapu-Hetet and weaver/painter Veranoa Hetet (née Hauwaho); and painter Jacqueline Fahey and performer/sculptor Augusta McDonald. Frank yet loving discussions abound, like when Hetet tells her mother "sometimes you come up with silly things".
This series was based on a fund raiser called “Art for Love or Money” run at Dunedin Art Gallery in the early 80s by two local identities: antique dealer Trevor Plumbly and expatriate American gallery owner and basketball commentator Marshall Seifert. Television used them as panellists and added ex-newsreader Dougal Stevenson as host, and a group of regular guests to examine objects brought in by members of the public. Unlike its BBC counterpart Antiques Roadshow, Antiques for Love or Money was a panel discussion, with the owners of the pieces never sighted.
Hosted by Charlotte Dawson, How’s Life? saw a rotating panel of guests responding to letters from viewers in an effort to help them navigate their day to day struggles. In this episode, the panel is made up of Paul Henry, Suzanne Paul, a pre-Outrageous Fortune Robyn Malcolm and ex Department of Work and Income boss Christine Rankin. The issues under discussion include a difficult five-year-old, strangers sneezing on your food, and a teenager who doesn't approve of their ex's new boyfriend. There is also meningococcal awareness advice from Auckland District Health Board.
Years before it became a national health crisis, star UK broadcaster David Frost hosted this audience discussion on NZ’s “battle of the bulge”. And far from his later interrogation of Nixon, Frost’s form here is loose and relaxed. Analysis makes way for his wry examinations of such du jour weight-loss products as portable saunas, laxative pills, “Easy-Slim” underwear, and the Slendermatic: a muscle vibration unit modelled by a bikini-clad lass reclining on a sheepskin rug. This was one of six Frost Over New Zealand specials filmed over a whirlwind four-day shoot.
Backch@t was an award-winning magazine-style arts and culture show that appealed, right from the opening acid-jazz theme tune, to a literate late-90s arts audience. Fronted by media personality Bill Ralston, these excerpts from the first episode come out guns blazing with a debate by panellists about Tania Kovats's controversial artwork 'Virgin in a Condom', the sculpture that caused national upset when it was exhibited at Te Papa in 1998. Managing to keep a panel discussion convivial rather than confrontational, Ralston handles the catholic debate with aplomb.
Paul Holmes presents this third TVNZ Leaders Debate before the 2002 General Election. Prime Minister Helen Clark (Labour) talks of "keeping a good job going", while challenger Bill English (National) pitches that Kiwis "deserve better". After a campaign featuring GE corn and a controversial worm (used in the first debate), this final discussion before the election features the leaders of the two main parties arguing over "the issues that matter" (health, education, taxes, MMP machinations) in front of a half-Labour, half-National audience at Avalon's 'TVNZ election centre'.
Hosted by broadcaster Gordon Dryden, and screening on the second television channel, The Friday Conference aimed to be a public discussion forum as Dryden quizzed newsmakers of the day in-depth. In 1977 it shifted to Thursday nights. It was the first New Zealand current affairs programme to regularly use studio audiences. Notable interviewees included Prime Minister Robert Muldoon and Abraham Ordia, president of Africa's Supreme Council for Sport (who helped spur the African boycott of the 1976 Olympics, over the All Blacks touring apartheid South Africa).