Jane Sherning Warren’s satirical portrait of the artist as a young woman was one of a series of short films exploring life on the colourful K Road strip. Jaded Arlette (Morgan Albrecht) endures a barrage of art-speak as her posse saunters from her Artspace exhibition opening to Verona Cafe. When the ridiculous art theory of her partner leaves truth far behind, she challenges his cred, and a chase ensues. A drag queen with a pool cue comes to her rescue, and she (and the audience) get an unexpected lesson in how people's identity is a performance.
This short explores subtle tensions in a relationship between an artist and his model. To the young beauty who has arrived to model nude, the aging painter (played by the director Jonathan Brough’s father) initially appears decent and respectful. But when she demands to see the painting before he is ready, and he refuses, his intentions are questioned. Based on a short story by American Bernard Malamud, this understated two-hander was invited to play at Cannes, in a special 1994 season of Kiwi shorts. It was Hawera-raised Brough’s second (self-funded) short.
The concept of this short doco was to give its subjects the opportunity to tell their own stories straight to camera. Filmmakers Robyn Paterson and Paula Boock gave attendees of Auckland's annual Big Gay Out an invitation to go into a self-operated video booth, and answer the question ‘What does home mean to you?’. The candid results are snapshots of LGBT experiences and searches for identity and belonging. Queer Selfies featured on TV’s 20/20 and was made as part of Loading Docs, a series of three-minute long Kiwi films created for online distribution.
Gritty, award-winning drama, set in Auckland suburbia. Danny and Raewyn's relationship is skating close to the edge. And so are their finances. Though the physical attraction between them remains, Raewyn is growing tired of encouraging Danny to make more effort. Then one night alcohol and memory collide with an order of black-market meat, and everything turns on its head. One of the most acclaimed episodes of the About Face series, Danny and Raewyn won funding after another episode fell through.
In this infamous edition of the Loose Enz anthology series, sexologist Rufus (Grant Tilly) has marriage problems, due to being more theoretical than practical when it comes to the ways of the flesh. Things grow more complicated when patient Ernest (Bruno Lawrence, playing nerdy for a change) claims he is suffering from having a magic touch with women. Alongside Joy of Sex japes and punning pillow talk galore, this sex farce gained notoriety for scenes of high-profile newsreader Angela D’Audney (as the dissatisfied wife) going topless, then donning a turquoise catsuit.
"...I mean to say, shouldn't I be in love with a fella or something?" Mandy (Richard Hanna), a man who dresses as a woman, describes his relationship with transsexual Jewel (future politician Georgina Beyer). Jewel's Darl concentrates on the fine details of their relationship: tea and biscuits in bed, Jewel's belief in staying strong against other people's mockery, and Mandy's memories of a troubled childhood. Nominated for multiple NZ Film and Television awards after finally getting a TV slot, Peter Wells' drama was inspired by an Anne Kennedy short story, which won the 1983 Katherine Mansfield Award.
Sean's prize possession is a 1958 red and white Ford Fairlane. His sister Annie works in an auto paint shop. But Annie is sick of playing shotgun, while her brother drives. What she wants is Sean's trust, and the chance to use her spraypainting talents to give the Fairlane a new look. After the Fairlane is stolen, the pair find themselves caught up in an adventure which tests their relationship. Writer Debra Daley based the script on a short story she had written about growing up in the ‘car culture' of Henderson, in West Auckland.
This NFU documentary visits a street in a relatively new sub-division in Meadowbank in East Auckland to provide a fascinating slice-of-life look at the early 1970s ideal of raising a family and owning a house in the suburbs. The subjects are a largely homogenous group — pākehā couples in their 20s or 30s with school aged children and a stay-at-home wife. Issues canvassed include paying the mortgage, raising children, social unrest, promiscuity and abortion; but the experience of women as housewives and mothers in the suburbs is the underlying story.
In this documentary, Kiwi icon Lynn of Tawa (Ginette McDonald) — she of mangled vowel fame — goes on the prowl in search of the ultimate Kiwi bloke. The girl from the suburbs explores the gamut of masculine mythology, from Man Alone to mateship, and asks "can a woman ever be a mate?". Made when the good keen man was facing up to the challenge from SNAGs, the documentary travels from the West Coast (for sex education) to a men's club, from rugby scrums to rabbit culls, and meets hunters, lawyers and gay ten-pin bowlers. The opening credits mispell Lynn as Lyn.
"I love the idea of bringing sexiness into the classical arena ..." Made for TVNZ's Artsville series, documentary Farr From Heaven follows Gareth Farr composing and rehearsing a variety of musical pieces, from stage plays to a piece for percussion and orchestra. Written and directed by Roz Mason and narrated by Farr, the documentary shows the versatility of his work as a classical composer and performer (including as transvestite Lilith Lacroix). The full range of his creative process is captured, from composing and arrangement failures, to successful world premieres.