This documentary focusses on six New Zealand women artists whose careers were on the rise in the early 1990s. They work in a variety of mediums, explore ambiguity and subversion, and question gender roles. Photographer Christine Webster works with models, lighting and costume to create rich, theatrical images. Lisa Reihana delivers "radical statements" via light-hearted animation. Filmmaker Alison Maclean talks about the inspiration she found in Rotorua and channelled into her debut feature Crush. Also featured: artists Merylyn Tweedie, Alexis Hunter and Julia Morison.
Is it a boy? Is it a girl? What if it’s neither? This award-winning documentary explores the world of the intersexed (formerly known as hermaphrodites) — those born with any one of 30 conditions that make their gender ambiguous. Presenter Mani Bruce Mitchell — New Zealand’s first ‘out’ intersex person — and director Grant Lahood had to travel overseas to find interviewees who would talk freely. They discuss living in a society with a binary view of gender which, at best, has made them all but invisible; and, at worst, has subjected many to damaging “corrective” surgery.
"How would your relationship with your best friend change if they were to change gender?" This is the intriguing proposition that led director Louise Leitch to make this 2016 Loading Doc. Best friends Neil (Leitch's husband) and Byron have been longtime climbing companions, but Byron’s shift from a male to female gender identity at 50 years old provides a challenge to their mateship that differs from any mountaineering obstacle. The mini documentary screened on SBS in Australia. The Spinoff’s Alex Casey called it a "moving, honest examination of an evolving friendship".
Written by future Gloss creator Rosemary McLeod, this Television One sitcom satirised late 70s gender politics. It was filmed before a studio audience at Avalon Studios. In this episode, Ginette McDonald’s lippy feminist withholds the joy of sex from her hippy hubbie, and Bruno Lawrence (sporting a magnificent anti-comb over) is the unreformed motorhead neighbour whose hangover cure is beer and cornflakes. Lawrence’s larrikin performance in the show was spotted by director Roger Donaldson, who cast Bruno in his breakout lead role in a movie: Al Shaw in Smash Palace.
Documentary She Shears profiles five women who blow away stereotypes and sexism in the traditionally male world of sheep shearing. Two are legends of the sport: Emily Welch and Jills Angus Burney (also a High Court barrister). The other three are hoping to make their mark with the blades at the sport's pinnacle: Masterton’s Golden Shears. The event has no separate gender categories. She Shears was directed by first-timer Jack Nicol, and produced by Breaker Upperers producers Ainsley Gardiner and Georgina Conder. It debuted at the 2018 NZ International Film Festival.
In this edition of the Kiwi social history series all things whānau are explored: a single mother who burnt the bills she couldn't pay; a man hurt by his father's inability to express emotion; and a gay Māori man lay their souls bare. This programme explores the changes in attitudes towards family life, marriage and children, from the restrictive early years of the century to more permissive times. The intersections between race, class and gender illuminate the personal stories, and put them in a social and historical context.
This documentary traces the life of intersex activist Mani Mitchell. 'Intersexual' is a term to describe a person with atypical combinations of the biological features that usually distinguish males from females. Mitchell's harrowing but ultimately inspiring story is told via candid and articulate interviews, as Mitchell talks about being made a "hospital freak show tour" by doctors, and growing up secretly 'middlesex'. The Dominion Post's Jane Bowron called Mani's Story "one of the great survivor stories". It won the 2004 Qantas Media Award for Best Documentary.
This black comedy sees Kiwi blokes Barry (Tim Gordon) and Kev (Jason Hoyte) set off into the sunrise for a day’s fishing. The ‘men alone’ glories of Godzone in a runabout are disrupted when they discover their attitudes towards domestic violence and sexuality are at odds. Director Adam Stevens adapted the story from a scene in Atrocities, a play written by Hoyte and Jonathon Brugh (aka Sugar and Spice). In 2001 Beautiful went to the New York, Melbourne and Montreal film festivals, before screening at Sundance; it won Best Short Film at the 2003 NZ Film Awards.
Daphne and Chloe offers a love triangle with a twist: here the couple under threat are two woman friends (despite rumours their relationship is romantic) who work at an advertising agency. Their friendship, based partly on warding off loneliness, is threatened when the cool, cultured Edith (Helena Ross), starts dating the new office boy (Michael Hurst) — a man 18 years her junior. The typing pool are abuzz. Daphne and Chloe was one of a trio of tele-plays that resulted after TVNZ gave legendary playwright Bruce Mason the chance to choose his themes.
This best of special culls history and highlights from 40 seasons of the longest running show on NZ television. Farming, forestry and fishing are all on the roster, but this edition is as much about observing people and the land. There is footage of high country musters, helicopter deer capture, floods and blizzards, as well as radio-controlled dogs and mice farmers. Longtime Country Calendar figures like John Gordon and Tony Trotter share their memories, and the show sets out to catch up again with some of the colourful New Zealanders that have featured on screen.