This episode of The Gravy takes an in-depth look at art in prisons. Host Warren Maxwell interviews inmates who have embraced painting or carving while serving time in Mt Eden, Paremoremo and Rimutaka prisons. At Rimutaka, art tutor Paul Bradley points out that art is a vehicle for change both for prisoners and the art audience, and former prisoners talk about how art has changed their lives for the better. Outside the walls, Warren visits at a caged exhibit of musical instruments at Artspace in Auckland and plays a few bars on the flute.
In this 1998 documentary, made for TV3’s Inside New Zealand slot, prisoners provide straight-talking descriptions of life on the inside. Collectively rejecting any idea of prison as a soft option, they talk about missing sunlight, closing up emotionally, and how even “the staunchest” end up crying. One long-timer argues that imprisonment is an expected part of becoming a gang member. Statistics provide food for thought about the life cycle of criminality — 78 per cent of inmates have no school qualifications; 80 per cent were abused as children.
Kim Hill interviews euthanasia campaigner Lesley Martin in 2003, when she was facing the charge of attempting to murder her terminally ill mother. The charge came about after Martin wrote the book To Die Like a Dog. Martin says the prospect of jail doesn't frighten her as much as living in a society where not everybody can access a gentle, dignified and humane death. The year after this interview screened, Martin was found guilty and served seven and a half months of a 15 month jail sentence.
Beyond Reasonable Doubt reconstructs the events surrounding a notorious New Zealand miscarriage of justice. Farmer Arthur Allan Thomas was jailed for the murder of Harvey and Jeanette Crewe. Directed by John Laing, and starring Australian John Hargreaves (as Thomas) and Englishman David Hemmings (Blowup, Barbarella), the drama benefitted from immense public interest in the case. Thomas was pardoned while the film was in pre-production, and he saw some scenes being made. It became New Zealand's most successful film until Goodbye Pork Pie in 1981.
This edition of TVNZ’s Beginner’s Guide series aims to background New Zealand’s 1986 census. The population survey will be filled in by everyone (including street kids, possum trappers and jailed French secret service agents), generate 5,500 pages of information and influence national planning. Reporter Philip Alpers is the guide and strives to find flaws in the exercise's much vaunted confidentiality as he interviews politicians and statisticians and visits his mother. Leading naysayer The Wizard of Christchurch is a typically colourful dissenting voice.
This 1978 single marked the first number one for the Kiwi prog rockers turned Australian pop stars. It danced around the age of consent (the first line of the song gave the impression the narrator may be in jail). Later the song became the theme tune for 2012 Aussie TV show Puberty Blues. A time capsule of 70s Melbourne, the clip opens on singer Marc Hunter aimlessly wandering the city's streets and tramways, before transitioning to a glossier studio performance. Like many of the band's biggest hits, the song was written by Dragon's resident hook-writer, keyboardist Paul Hewson.
In this film two Kiwi larrikins, Sam and Jack (Alan Jervis and Pork Pie's Kelly Johnson) go on a road trip, seemingly fuelled by blokey banter. A pit stop at Hokonui Pub leads to shenanigans with a stolen road roller, varied shaggy dog stories and jail, before Sam has to return to the dreaded missus. The characters and scenarios were adapted from two of Barry Crump's novels featuring anti-hero Sam Cash: Hang on a Minute Mate and There and Back. Mate was made for TVNZ, and screened in late 1982. Pub spotters will appreciate the pub's high pressure hoses and five ounce glasses.
Kelsten, Quba, Danye and Bailey are in their mid teens, and are prime contenders for jail. This documentary follows their progress completing a seven week START ( Supporting Today's At Risk Teenagers) programme for young people who have already entered the criminal justice system. A hike into the beautiful and daunting Taranaki bush sees the group start to realise their potential. But for these mostly fatherless Māori teenagers changing ingrained behaviours will be a lifelong challenge. The START Taranaki team know this only too well.
From the second series of short documentaries remembering New Zealanders in World War I, this episode looks at Ormond Burton. Burton left for war as a 21-year-old, and served as a medic and in the infantry. He was decorated for bravery, and a bible saved him from a bullet. His stance on the justness of war changed after experiencing the horrors of Gallipoli and the Western Front. During World War ll the Methodist minister was jailed as a conscientious objector; later he became a prominent pacifist and anti-Vietnam War campaigner. The series screened during 3 News.
This acclaimed Māori Television series saw Kiwi musicians teaching bars behind bars — working with prisoners to compose and record songs, drawn from their life experiences. In this opening episode from the third season, Anika Moa, Ladi6, Scribe and Troy Kingi head to Christchurch’s men’s and women’s prisons. For Moa, Ladi6 and Scribe, Christchurch is their "music whakapapa". For Scribe it is a reminder of earthquake tragedy. The jail itself revives memories of childhood visits to his father (an upbringing which the two explored in 2015 play The White Guitar).