As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.
This collection celebrates Kiwi comedy on TV: the caricatures, piss-takes, and sitcoms that have cracked us up, and pulled the wool over our eyes for over five decades. From turkeys in gumboots and Fred Dagg, to Billy T, bro'Town and Jaquie Brown. As Diana Wichtel reflects, watching the evolution of native telly laughs is, "a rich and ridiculous, if often painful, pleasure."
Exhuming Adams investigates the mysterious disappearance of a species of New Zealand mistletoe plant, 50 years ago. Set among dusty museum collections, high-tech labs, and remote bush, this documentary is a natural history CSI. A canny forensic investigation, taking in preserved bellbird skins, last witnesses and CGI modelling, reveals the chain of events leading to the unique plant's extinction, and a surprising culprit. Directors Brant Backlund and Thassilo Franke won the BBC Best Newcomer Award at the prestigious British film festival Wildscreen in 2006.
This Coming Home episode introduces two Kiwi "pioneers in their fields": psychologist John Money and horse expert Wayne McIlwraith. Colorado-based McIlwraith works on top racehorses around the globe, then goes climbing on his rare days off. Money was celebrated and criticised for his game-changing work on gender and sexuality. Returning for a visit downunder, he sets about donating his artworks to a museum in Gore. The episode was made soon after doubts were first raised about the success of Money's most famous case of gender reassignment, David Reimer.
This March 1976 Encounter item catches up on athlete Peter Snell while studying human performance at University of California, Davis — 12 years after his double Olympic triumph in Tokyo. When world champion mile runner John Walker turns up, Snell takes him for a jog, and puts Walker through his paces in the Human Performance Laboratory. The pair muse over life, sport, success, choosing your future, and which of them is the best. The master counsels his heir on the upcoming Montreal Olympics, after Walker expresses fear at becoming the “biggest failure in history".
Richard Driver investigates late 80s campus radio for music show RWP, and finds stations that have outgrown modest beginnings. They have longer broadcast hours, a national co-ordinator (former Netherworld Dancing Toy Graham Cockcroft) and a profile in the industry. Further positives include their own style (a certain informality in presentation, perceived as a plus by many) and a commitment to alternative music and local talent. But there are also concerns about estrangement from student associations, and commercial success breeding advertiser pressures.
From a pre-Mythbusters but post-blackboard and pointer era, Christchurch-produced Science Express took a current affairs approach to reporting contemporary NZ scientific research. Presented by broadcaster Ken Ellis this 1984 ‘best of’ dives beneath fiords to explore mysterious black coral forests; and looks at teeth transplants, efforts to stimulate deer fawning, and the STD chlamydia. Finally the show visits Wellington and Christchurch Town Halls to profile concert hall acoustics pioneer Harold Marshall, and his mission to attain perfect sound for listeners.
This National Film Unit film follows Nobel Prize-winning scientist Ernest Rutherford, from farm boy in the Marlborough Sounds to leading Cambridge University's legendary Cavendish Laboratory. Described by Einstein as "a second Newton", Rutherford was one of the founders of modern atomic physics. Director David Sims pays special attention to Rutherford's colonial upbringing and education, and how it encouraged him to experiment. The atom-splitter famously said of Kiwi ingenuity, "we don't have the money, so we have to think". Rutherford is voiced by actor Grant Tilly.
This Richard Riddiford documentary collects together stories about the creative writing course at Victoria University. The storytellers are a roll call of names who have studied and taught there, from course founder Bill Manhire to current Insititute of Modern Letters director Damien Wilkins. Writers praise the gentle style of teaching and sense of community (and feedback). Eleanor Catton talks about the journey from her first novel The Rehearsal, written while at Victoria, to the first sentence of The Luminaries. The doco is named after the poem by American Wallace Stevens.
Man. Woman. Motorcycle. Beach. Road. This short film makes clear that Rodney Charters had a certain way with images, long before he got busy shooting television (24, Roswell) in the USA. Charters directed Film Exercise while he was an arts student in Auckland in the 1960s. It helped him win a place at London's Royal College of Art. Favouring music and unusual angles over dialogue, the film celebrates the joys of being young and on the move, while capturing scenes of Auckland nightlife including a Mt Eden party. The La De Da's supply the custom-built soundtrack.