Keith Boles was certain he wanted to join the air force when the Second World War broke out, and it wasn’t long before he was a flying instructor. Evacuated from Singapore when the Japanese invaded, Boles eventually found himself in the United Kingdom, with an Advanced Flying Unit. A transfer to operations with Bomber Command saw him piloting de Havilland Mosquito bombers and being trained in the use of the top secret Oboe targeting system. Being part of a pathfinder unit was, he says, the safest job in Bomber Command and he came through his service unscathed.
Andrew Hagen began composing for film while in band Schtung. Hagen and fellow bandmember Morton Wilson provided music for a quartet of Kiwi movies, including Kingpin and The Scarecrow, then moved to Hong Kong and set up studios in Asia. In 1992 Hagen headed to LA, establishing himself as an award-winning composer, sound designer and sound supervisor. In 2011 he launched a branch of Schtung back in Wellington.
Train enthusiast David Sims captured the dying days of steam trains in this 1968 National Film Unit short. It features arresting images of a Kb class locomotive billowing steam as it tackles the Southern Alps, en route from Canterbury to the West Coast. Kb Country was released in Kiwi cinemas in January 1968, just months before the steam locomotives working the Midland Line were replaced by diesel-electrics. Sims earned his directing stripes with the film. As he writes in this background piece, making it involved a mixture of snow, joy and at least two moments of complete terror.
After learning the ropes making short films and music videos, ex-soldier Matthew Metcalfe has made films in Antarctica and Iraq, and produced movies and TV movies with partners in Canada (Nemesis Game), England (Dean Spanley) and France (Capital in the 21st Century). His projects range from tutus (ballet feature Giselle) to war (animated film 25 April).
After stints in the merchant navy and the British film industry, Steve Locker-Lampson began a new life in New Zealand in the 60s, heading the camera department at indie production house Pacific Films. The following decade he forged a reputation as one of the country's pioneer aerial cameramen, and worked behind the scenes on movies Solo and Smash Palace. Locker-Lampson passed away in October 2012.
Tying David Stevens' career down to a single nation or genre is a challenge. Stevens grew up in Africa and the Middle East, studied acting in the UK, then began his screen career in NZ. In 1972 he directed award-winning drama An Awful Silence, then moved to Australia. There he was Oscar nominated for co-writing movie Breaker Morant, and forged a busy career directing (A Town Like Alice) and writing (The Sum of Us).
Writer, producer and actor Paul Yates is a comedic "everyman". His CV includes sketch shows Facelift and Telly Laughs, pre-teen series Freaky and The Killian Curse, and teen sitcom Girl vs Boy. He’s written for popular sitcoms Willy Nilly and Sunny Skies, and is producer and co-writer for Wellington Paranormal, the successful What We Do in the Shadows spin-off.