The second Lawless tele-movie sees ex-cop John Lawless (Kevin Smith) drinking too much while working as a bouncer in a downmarket bar. Then former crime-solving partner Jodie Keen (Angela Dotchin) enlists his help, to investigate the case of an incarcerated American (C. Thomas Howell) who may have been framed. Someone is attacking hitchhikers, and the creepy finale sees Jodie using herself as bait, before getting trapped in a barn with a murderer. Evening Post reviewer Sarah Daniell found "the whole shebang was executed with wit and style".
Lawless saw Kevin Smith in one of his biggest roles: as undercover cop turned private investigator John Lawless. The character's career arc was told across three tele-movies. In this self-titled debut, Lawless struggles with divided loyalties while working for a dodgy drug lord (Joel Tobeck). Next thing, a robbery leaves Lawless framed by the good guys. This stylish Kiwi take on American crime shows won good reviews and a stash of awards, including gongs for Tobeck, co-star Angela Dotchin, director Chris Martin-Jones and best drama programme.
Described as “bloody brilliant” by horror legend Peter Jackson, Housebound follows a woman dealing with the triple threats of house arrest, potential ghosts, and having to live with her mother. Morgana O’Reilly (TV movie Safe House) is the criminal facing eight months home detention with an annoying Mum (Rima Te Wiata). Jaquie Brown Diaries director Gerard Johnstone’s film debut won near universal praise, and the remake rights sold to New Line in the US. Fangoria loved its mixture of "fantastic comedy" and mystery and it was nominated for ten Moas, including Best Film.
This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".
In this film two Kiwi larrikins, Sam and Jack (Alan Jervis and Pork Pie's Kelly Johnson) go on a road trip, seemingly fuelled by blokey banter. A pit stop at Hokonui Pub leads to shenanigans with a stolen road roller, varied shaggy dog stories and jail, before Sam has to return to the dreaded missus. The characters and scenarios were adapted from two of Barry Crump's novels featuring anti-hero Sam Cash: Hang on a Minute Mate and There and Back. Mate was made for TVNZ, and screened in late 1982. Pub spotters will appreciate the pub's high pressure hoses and five ounce glasses.
Galaxies away from images of tar-addled lungs on cigarette packets, this film offers an unusual public health message about smoking. Set to rhyming couplets, the plasticine hero tries out to see if he has the right stuff to fly a rocket to Venus. There he battles the demon Nicotine, and (long before Avatar’) convinces Venusians to destroy their tobacco trees. Shot in 35mm by pioneering animator Fred O’Neill, Space Flight was made for theatrical release. For reasons unknown the Health Department, who commissioned it, didn't want the film to go on general release.
Stu Dennison became a household name in the 1970s as the irreverent host of children's programme Nice One Stu. He played the naughty schoolboy role, becoming an antihero to a generation of New Zealanders. His signature theme song and thumbs-up salute became firmly embedded in New Zealand's popular culture.
Danielle Cormack has showcased her naturalistic, seemingly effortless acting style on both sides of the Tasman. After roles in TV soaps Gloss and Shortland Street, she began a run of big screen starring roles — Topless Women Talk About Their Lives, The Price of Milk and Via Satellite (playing twins). On Australian TV, Cormack has starred as a prisoner (Wentworth), crime lord (Underbelly: Razor) and barrister (Rake).
Simon Riera (pronounced Re-air-ah) fell in love with filmmaking while studying geology at Otago University. Since then his work as a cinematographer has included five features — spanning everything from Hopeless to Housebound — award-winning work on TV thriller The Cult, and an array of noteworthy short films.
One of the funniest people on either side of the Tasman, John Clarke’s brand of droll wit (always delivered with a wickedly understated authenticity) defined the high-water mark of Kiwi and Australian comedy for 30 years. Spawned in the early 70s, his gumboot-clad character Fred Dagg marked a defining moment in the development of New Zealand comedy. Clarke passed away on 9 April 2017.