This short Auckland-shot interview for arts show The Edge screened as Holly Hunter was appearing in two Oscar-nominated roles: The Piano and The Firm. Hunter discusses playing a hitman-hiring housewife, and joining Tom Cruise in The Firm. Weighing up past roles, she cherishes Raising Arizona and Broadcast News, but feels that The Piano is “the most original story that I've been involved in”, and Jane Campion is “one of the great directors.” In March 1994 Hunter would win an Oscar for Best Actress (alongside Piano Oscars for co-star Anna Paquin, and for Campion's screenplay).
Lew Pryme's life was a wild ride that took in everything from rock and roll to rugby before it was cut short by AIDS in 1990 (he was 51). This moving documentary interviews an ailing Pryme reflecting on his journey and (still secret) sexuality; it follows him from Waitara to becoming one of the most popular hip-swinging music stars of the 60s. He went on to manage singers Mark Williams, Rob Guest and Tina Cross; and in the early 80s he became the first executive director of Auckland Rugby Union, introducing cheerleaders and 'pizazz' to Eden Park.
James Anderson and Nick Ward are the brains behind Auckland based production company Two Heads. They've made a name for themselves producing fresh and quirky documentaries and TV series such as Santarchy, Making Tracks, The Cheerleaders and Funny Roots. Two Heads are also the creative force behind TV ONE’s hit show The Food Truck.
Late 90s Flying Nun act The D4 are at their rambunctious best with this meditation on indecision in the face of endless possibilities from their second and final album. Director Wade Shotter’s one take video was made after one and a half days of rehearsals, and bravely shot on 35mm film (with the 10th take as the keeper). In a feat of engineering, logistics and timing, all of the action — cheerleaders, carnival strongmen, sets and backdrops — happened on stage (at Takapuna’s Bruce Mason Centre) and was captured in the camera with nothing added in post.
Marae DIY is a long-running Māori Television series that brings a tangata whenua twist to the home renovation reality format: "marae knock out their 10-year plans in just four days". This Qantas Award-winning episode heads to Manutuke Marae (south of Gisborne) mid-winter in 2006. Marae DIY creator Nevak Rogers (aka Nevak Ilolahia) has Rongowhakaata whakapapa. Alongside co-presenter Te Ori Paki, Rogers plays cheerleader as her whānau rally to meet the goals: from french doors for the kitchen, to makeovers for the nannies (including a moko by Derek Lardelli).
In this episode of their award-winning comedy series, Bill and Ben recount their life story, and manage to pack in Breakers basketball star CJ Bruton, a dead cheerleader, mascots in therapy, a cameo Tim Shadbolt, Back of the Y's Chris Stapp and Matt Heath as bogan bullies, a Flight of the Conchords homage and a host of other pop culture references (including Harry Potter, Forrest Gump and Wayne's World). Sporting Hell is "Fair Factor" with a sadistic take on fairground sideshows; and Bill and Ben also decide that crayfishing needn't involve getting wet.
Lew Pryme was a popular New Zealand performer, who appeared in big screen musical Don't Let it Get You and on sixties television show C'mon. After stints as a music promoter and agent, Pryme played a part in bringing the entertainment and sports worlds together as executive director of the Auckland Rugby Union - introducing cheerleaders, mascots and music entertainment to rugby fans.
Rose McIver’s CV is already as long as many actors twice her age. After appearing in a scene of The Piano at the age of three, she went on to star in fantasy series Maddigan’s Quest as a teenager. Since then she has acted in Peter Jackson’s adaptation of The Lovely Bones, and starred in both tele-movie Tangiwai - A Love Story (as one of those aboard the ill-fated train) and US series iZombie (as a crime-solving zombie).
After training at Auckland's South Seas Film and Television School in 1999, James Anderson began working on music shows Squeeze and Space, and became a cameraman and editor on both. After arts series The Living Room and time working on music documentaries in the UK, he returned to Aotearoa and set up company Two Heads, with Nick Ward. Anderson went on to direct globe-spanning music show Making Tracks, and a number of high profile commercials. He was also AFTA-nominated for primetime hit Food Truck. These days Anderson is a freelance director in the United States.
After studying design at Victoria University, Nick Ward helped write reality television for Julie Christie, spent time as assistant editor at fashion magazine FQMen, then in 2004 launched production company Two Heads, alongside director James Anderson. Ward went on to produce comedians-abroad series Funny Roots, comedy club series A Night at the Classic, and two seasons of primetime hit The Food Truck — which spawned overseas sales, cookbooks, and a restaurant business. At the start of 2017 Ward left Two Heads, to become Head of Development at company Great Southern Film and Television.