This 2002 documentary explores contemporary Aotearoa from the perspective of Kiwis from a range of different (non-Māori, non-Pākehā) ethnic backgrounds. These citizens speak frankly about their experience of assimilation and stereotyping in a supposedly multicultural society, where ethnic food is beloved — but not ethnic difference — and where jokes and racism blur. Directed by Libby Hakaraia, the documentary screened on TV3 as part of doco slot Inside New Zealand. It was a follow up to 2000's The Truth about Māori, which looked at identity from a Māori perspective.

Live from Auckland's Mainstreet Cabaret, this Radio with Pictures special showcases bands Coconut Rough and The Narcs. Coconut Rough open their six song set with an instrumental and close with 'Sierra Leone', after proving they're much more than one hit wonders. RWP host Karyn Hay then introduces the "high energy rock" of The Narcs. The driving keyboards of second track 'Look the Other Way' hint at how the band's sound was broadening. Label CBS released both gigs as album Whistle While You Work, which reached number 17 in the New Zealand charts. 

Fresh from stints on vocals with Pop Mechanix and The Swingers, Andrew McLennan (aka Andrew Snoid) formed Coconut Rough with Blam Blam Blam guitarist Mark Bell in 1983. The band quickly found top five chart success with ‘Sierra Leone’ —  its infectious melody and keyboards made it a classic piece of synth pop: “Sierra Leone, it’s cold in the desert tonight". But the song's overwhelming popularity became an albatross around the band's neck. In 1986 McLennan rejoined Pop Mechanix, before spending a long period outside of music.  Bell went on to play for Big Sideways, and write for NZ Musician.

From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.

'Sierra Leone' was one of those songs that quickly stood out from the pack. Andrew McLennan's synth-pop track won his new band Coconut Rough a deal with Mushroom Records, then became a runaway hit in 1983. The video, slick for the time, features bright colours, a running motif, and African imagery. But the pressure of being in demand for a single song became an albatross around the band's neck. As McLennan told website AudioCulture, "‘Sierra Leone’ became the only song from our repertoire that people wanted to hear and no matter what we did we couldn’t follow it up."

Dressed as a 1920's flapper bride, Karyn Hay introduces highlights from the TVNZ rock show’s televised concerts at the now demolished Mainstreet Cabaret on Auckland's Queen Street. The songs are Dance Exponents' 'All I Can Do' (with a sweaty Jordan Luck), an impassioned 'Billy Bold' from Graham Brazier's Legionnaires, Hip Singles' 'After the Party' (with snappy high kicks from Dick Driver), a brassy 'Outlook for Thursday' from Dave Dobbyn's DD Smash, a rocking 'Look the Other Way' from The Narcs and Coconut Rough's moment in the sun 'Sierra Leone'.

This 1960 National Film Unit documentary visits the Cook Islands, a group of volcanic isles and coral atolls administered by New Zealand. Ron Bowie's film surveys the challenges of island life (sourcing fresh water, lack of timber for housing) as well as agriculture (coconuts), recreation and schooling. Though patronising — describing Rarotongan people as “the cheerful islander” — the narration confronts some impacts of modernity (eg the shift to European diet for dental health), and anticipates young people will be the islands' biggest export.

This 1949 NFU film visits Western Samoa. Director Stanhope Andrews surveys life in the “lotus land of the Pacific”, showing taro and coconut harvest, cooking in umu, and church and fale building, as “the flower-decked girls sing and dance beneath the palms”. The benefits of New Zealand’s then-administration are shown (eg. medical services, education) but the travelogue ignores earlier ignominious acts, such as the quarantine blunder that saw one in five Samoans fall to influenza. The Olemani Aufaipese (choir) provides the score. Samoa won independence in 1962.

This first episode of the popular TVNZ Pasifika youth show is presented by brothers Nainz and Viiz Tupai (aka Adeaze), who are heading back to Samoa to play a post-Tsunami fundraising gig in the village of Lalomanu. Elsewhere, Vela Manusaute hosts Brown’n’around and is MC at Manukau PI festival Strictly Brown, before teaming up with Bella Kololo and Jermaine Leef to judge Fresh talent. Actor Jason Wu gets ready for the premiere of movie Matariki; the Samoan myth of Sina and the eel gets fresh retelling; and Bill Urale (aka King Kapisi) talks tatau.

In this offering from the Loading Docs series, Kiwi/Samoan hip hop artist Kas Futialo (Tha Feelstyle) journeys back to a place called the Crossroads (Le Māgafā) in Faleasi'u, the Samoan village where as a child he imagined his future. Here four parts of himself — spiritual, cultural, creative and the everyday — meet in the space where the dirt roads merge. The result is more storytelling than documentary, expanding on Futialo's metaphor for life and hip hop. The use of black and white film creates a timeless quality. Director Sani Salanga is also known as hip hop artist Dei Hamo.