This Touchdown reality series puts a Kiwi family in the shoes of a family of 1852 English immigrants to Canterbury. The challenge for the Huttons is to see if they have the 'pioneer spirit' and can live with colonial clothing, housing and food for 10 weeks. From a gentler, non-competitive era of reality TV, this first episode sees the Owaka family of six (including baby Neil) experience six days of life on a settler ship – seasickness, food rations, restrictive clothing and bedding and chamber pots – while relaying their personal reflections to the camera.
Debuting in 2003, this Touchdown series followed 2001's Pioneer House, a similar show from the same company. The new show transported an Otago family (policeman Ross, music teacher Dorothy, and their four kids) back to 1852 to recreate the challenges of life as English immigrants to New Zealand — including the clothing, housing and toiletries of settler life. It was executive produced by Julie Christie, who in a 2006 Listener interview mentioned the experience of pitching the show to NZ On Air as a key driver in deciding to make television that wasn’t reliant on public funding.
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
Actor Bruno Lawrence rounds out a handful (Buck, Billy T, The Topps, Crumpy) of Kiwi icons who have achieved sufficient mana to be recognised by an abbreviated name. His charisma was key to ground-breaking films, Smash Palace, The Quiet Earth and Utu. Jack Nicholson reputedly had Bruno envy. This collection celebrates his inimitable performances and life.
Hello Sailor's time in the sun saw them spending time in Ponsonby, LA and Sydney, becoming a legendary live act, and releasing an iconic debut album. This collection features documentary Sailor's Voyage, founder member Harry Lyon's account of the birth of the band, and tracks from Hello Sailor, both together and apart. Some of the solo songs were incorporated into the group's live set after they reunited. Included are 'Blue Lady', 'New Tattoo' and 'Gutter Black’, later reborn on TV's Outrageous Fortune.
Nanna Maria, the matriarch of a Fijian family living in Auckland feels that the heart has gone out of her clan. Nanna demands that her grown grandchildren put on a traditional feast at which she will name her successor. The grandchildren — Soul, Charlene, Hibiscus, Erasmus, and Tyson — reluctantly turn up. But tiffs send the day into chaos and Nanna calls the whole thing off. The lovo-warmed love letter to his Mt Roskill hometown was the debut feature for director Toa Fraser. It screened at many festivals and won the World Cinema audience award at Sundance 2006.
Oft-derided across the dutch for its vowel-mangling pronunciation (sex fush'n'chups anyone?) and too fast-paced for tourists and Elton John to understand, is New Zealand's unique accent. Presented by Jim Mora, New Zild follows the evolution of New Zealand English, from the "colonial twang" to Billy T. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) ending our sentences, and Mora interprets such phrases as 'air gun' (how are you going?). Features Lyn of Tawa in an accent face-off with Sam Neill and Judy Bailey.
The Mackenzie Affair told the story of colonial folk hero James Mackenzie: accused of rustling 1000 sheep in the high country that would later bear his name. This fifth and final episode sees the manhunt for Mackenzie over, with ‘Jock’ facing a sentence of hard labour and provoking sympathy from equivocal sheriff Henry Tancred. Adapted from James McNeish’s book, the early co-production (with Scottish TV) imported Caledonian lead actor James Cosmo (Braveheart, Game of Thrones) and veteran UK TV director Joan Craft. It was made by Hunter’s Gold producer John McRae.
A young woman in colonial New Zealand (played by Jodie Foster, post-Taxi Driver pre-Oscars) flees an orphanage to find herself trapped in an arranged marriage to an older businessman (fellow US actor John Lithgow). Voyeurism, hypnotism and dodgy doctoring feature in the thriller from US director Michael Laughlin, from a screenplay by Jerzy Skolimowski. Mesmerized was made in NZ as an international co-production with RKO during the 80s tax break era. It was released in the US as My Letter to George in 1986. Laughlin also shot cult horror Dead Kids (1981) in NZ.
Armed with his trusty ray gun and protected by his pith helmet Lord Broadforce's exotic species search on an alien planet is going swimmingly ... until the dame gets colonial angst. The short is based on the sci-fi world of Dr Grordbort created by Weta Workshop's Greg Broadmore (designer on District 9, King Kong) in which Victorian steampunk meets star-trekking trophy hunting. The live action-CGI film is another impressive product of Media Design School's 3D animation programme: created by 11 students over 22 weeks under the direction of James Cunningham.