In Michael Bennett's allegorical Cow, two old men (played by New Zealand screen legends Ian Mune and Martyn Sanderson) with Confucian beards are adrift in the ocean, a placid Friesian cow in tow. A surreal study on how quickly a minor event can evolve into something far more extreme, the film features no dialogue; rather, a guitar duet that escalates to a duel. It won Best Short Film Script at the NZ Film Awards and made land internationally: Cow was selected for festivals including Cannes (Critics' Week) and Valladolid.
This film looks at biodynamic agriculture, a Rudolph Steiner-inspired system of organic farming. The film focuses on Peter Proctor, a worm-obsessed Kiwi gardener, and his work promoting biodynamics worldwide — particularly in India, where he argues that modern industrial agriculture (eg artificial chemicals, GM seeds) has made soil and plants toxic and farming unsustainable. Proctor's simple recipe to save the planet? One man and a bucket of cow dung. Narrated by American actor Peter Coyote (E.T.), One Man screened worldwide at environmental film festivals.
Film and television writer/director Michael Bennett has been involved with some of New Zealand’s favourite TV dramas, including Street Legal, Mercy Peak and Outrageous Fortune. He has written and directed two acclaimed short films – Cow and Kerosene Creek, and penned the feature film Jubilee. In 2010 he directed his first feature - Matariki.
This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
Wildtrack was a highly successful nature series for children, running from 1981 through several series to the early 90s. In this episode the presenters check out “dung fungi” in cow pats and walking-on-water-insects (pond skaters) in the studio, and head outside to check out kea alpine parrots who are “too friendly for their own good” (threatened by smuggling and over eager tourists); the West Coast’s black sand beaches; Fiordland’s underwater world; and selective plant breeding that involves washing a bee.
This 1970 documentary surveys New Zealand’s dairy industry — “probably the most advanced in the world” — from pasture to export. Dairying then produced a quarter of NZ’s income, but with Britain due to join the EEC, NZ was forced to seek new markets. This film proclaims the industry’s readiness, thanks to an artificial breeding centre (with ‘calf-eteria’), room-sized computers, and cheeses designed for the Asian market. The country's 25,000 dairy farms were each owner-operated, and averaged 90 cows. The Dairy Industry won top prize at an agricultural film competition in Berlin.
This postwar Weekly Review joins a welfare officer from the Crippled Children’s Society on her Wellington rounds: advising parents, chaperoning children to hospitals to undergo physical and speech therapy, and overseeing the supply of specialist footwear and splints. There’s also a Kiwi take on Heidi as a boy is offered a farm holiday, walking on crutches among the cows: “No care and treatment can substitute for the uplift of two weeks in the country.” Released in September 1948, the film was made by decorated war correspondent Stan Wemyss (grandfather of Russell Crowe).
This feature documentary goes beyond the supermarket deep freeze, to look at the stories behind the meat that ends up on our plates. The film is built around three farmers and a hunter: industrial pig farmer Ian, who argues profit is not his main motivation, straight-talking 'one-woman farming operation' Jill, chicken farmer Tony (who discusses killing 1000 chickens a week), and deer hunter Josh, who thinks that many lack awareness of how food gets to their plate. Director David White continues the exploration of people, food and animals begun in his short films I Kill and The Cleanest Pig.
This series was made for Maori TV (Kaupoai means “cowboy”) about the summer rodeo circuit, and the cowboys (and occasional cowgirl) who battle it out with bulls, broncos and each other for the title of Cowboy of the Year. Voiced in te reo, it follows the progress of members of five families from the East Coast (the home of NZ rodeo) including four brothers from New Zealand’s rodeo royalty, the Church family (with their father a 13 time winner). The physical challenges — and toll — are plain to see; but competition, camaraderie and prize money conquer most fears.
In this Māori TV series about the NZ rodeo circuit, the action has come to Outram in Otago for the final meeting of the year. Competition has been close throughout the season — and the race for the title of All Round Champion Cowboy (and “The Buckle” trophy) is wide open, with at least three of the four Church brothers still in contention. Competition is fierce inside the ring, but, outside it the riders are happy to swap tips; and when the last steer has been roped and bronco ridden, there’s nothing for it but to “dress up flash and have a party”.