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Tammy Davis

Actor [Ngāti Rangi, Atihaunui a Paparangi]

Tammy Davis began in the lighting department, got his acting break on What Becomes of the Broken Hearted?, and won fame via hit show Outrageous Fortune. His portrayal of the gormless Munter earned him awards and a 'Munter is Choice' fan club. Raetihi-raised Davis made his directing debut with 2011 short film Ebony Society, which played at Sundance and Berlin. He went on to co-star in TV comedy Sunny Skies.  

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Interview

Tammy Davis: On the origin of Munter...

Interview, Camera and Editing – James Coleman

Tammy Davis (Ngāti Rangi, Atihaunui a Paparangi) grew up in Raetihi, and studied acting at Northland Polytechnic before landing his first major role (alongside fellow graduate Clint Eruera) as Mookie in the feature film What Becomes of the Broken Hearted? Following supporting roles in Whale Rider, and TV dramas Jacksons Wharf, The Market and Mataku, Davis starred in macabre feature Black Sheep, and Taika Waititi short film Tama Tū, before securing the role of Munter in long-running TV series Outrageous Fortune. Davis won Best Performance by a Supporting Actor at the 2008 Qantas Film and Television Awards for his role as Munter. 

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Encounter - What Happens When You've Run to the Top (Peter Snell & John Walker)

Television, 1976 (Full Length)

This March 1976 Encounter item catches up on athlete Peter Snell while studying human performance at University of California, Davis — 12 years after his double Olympic triumph in Tokyo. When world champion mile runner John Walker turns up, Snell takes him for a jog, and puts Walker through his paces in the Human Performance Laboratory. The pair muse over life, sport, success, choosing your future, and which of them is the best. The master counsels his heir on the upcoming Montreal Olympics, after Walker expresses fear at becoming the “biggest failure in history".

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Memories of Service 2 - James Murray

Web, 2016 (Full Length)

In his matter-of-fact way, James Murray reflects on some of the horrors of the War in the Pacific. Joining the New Zealand Navy at 17, Murray found himself aboard an American destroyer, watching the first atomic bomb explode above Hiroshima. “We thought they’d blown up Japan,” he says. Earlier, aboard HMNZS Gambia, he’d watched Japanese kamikaze planes attempting to sink the aircraft carriers his ship was trying to protect. Later he was among the first to land on the Japanese mainland, helping take control of the Yokosuka Naval Base.

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Pictorial Parade No. 1

Short Film, 1952 (Full Length)

In this first edition of the NFU’s monthly magazine series, the US Davis Cup team — featuring tennis legend Vic Seixas — plays a demonstration match in Wellington, en route to Australia. Further south Christchurch hosts the annual A&P Show. Motorbike-riding traffic cops keep the traffic moving on one of the busiest days of the year, and a shot of Cathedral Square is a reminder of pre-quake days. Then Ohakea farewells No. 14 Squadron, led by World War II air ace Johnny Checketts, as its de Havilland Vampires jet off to Cyprus and Cold War peacekeeping duties.

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Gimme Some Lovin' - performed by Mr Lee Grant

Television, 1985 (Excerpts)

In the 1960s Mr Lee Grant topped the Kiwi music charts, and won a trail of screaming fans. He left to pursue an acting and singing career in England (including a close encounter with a propeller, in 007 film A View to a Kill). In this Michael Fowler Centre gala celebrating 25 years of television downunder, he returns to contribute an energetic cover of Spencer Davis Group classic 'Gimme Some Lovin'' (which was originally composed in less than an hour). Chicks Judy and Sue Donaldson — regular fixtures with Grant on 60s music show C'mon — join the fun in C'mon-style costumes.

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The Price of Fame

Television, 2000 (Full Length)

With a cast of stars from television, music (TrueBliss, Bunny Walters) and sports (Stu Wilson), this 2000 documentary offers a close-up on fame — Kiwi-style. There are insights on local paparazzi from women's magazine editors, who have lost friends over what they have chosen to publish. Angela D'Audney reveals the 'intimate' relationship between TV personality and audience — looking animated is a job requirement, if she wants to walk in public unaccosted; and swimmer Danyon Loader describes the challenges of being forced into the media spotlight as a shy teen.    

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Barry Barclay: The Camera on the Shore

Film, 2009 (Full Length)

The Camera on the Shore is a feature-length portrait of a man who argued eloquently for the rights of indigenous people to control the camera. Based on extensive interviews with Barry Barclay and those who knew him — and footage from his work — it traces the path of one of the first people to bring a Māori perspective to the screen. The documentary ranges from Barclay's early years in a monastery to speeches at his tangi, touching en route on landmark TV series Tangata Whenua, battling corporations on doco The Neglected Miracle, and behind the scenes conflict on Te Rua.

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Ice Worlds - Life at the Edge

Television, 2002 (Full Length)

The first episode of Ice Worlds explores animal life at the poles, both North and South. At the North Pole American scientist Steve Amstrup tracks polar bears, from their hibernation during winter, to seeking food out on the tundra during summer. Down south, Antarctica's emperor penguins are studied by Gerald Kooyman, physiologist Arthur Devries catches Antarctic cod, and biologist Brent Sinclair seeks the continent's largest land animal — a tiny insect called a springtail. Ice Worlds was narrated by former news anchor Dougal Stevenson.

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The Reel People of New Zealand

Short Film, 2016 (Full Length)

Half-hour documentary The Reel People of New Zealand visits boutique cinemas, from Te Awamutu’s Regent Theatre to Stewart Island’s Bunkhouse. The changing landscape of movie-watching is revealed through visits to legendary Christchurch video store Alice (which has added a screening venue) to Opunake’s community-owned Everybody’s Theatre and Wanaka’s compact Rubys Cinema. The interviews include cinema and video store managers, tales of getting married in a cinema, and contrasting views on whether the death of cinema is unlikely or inevitable.