This hit Māori Television mockumentary series follows a couple of metro Māori men on a mission to claim a large inheritance…by finding a Māori bride. But in order to do so, the two 'plastic Māori' – property developer Tama Bradley (Boy's Cohen Holloway) and accountant George Alpert (singer/actor Matariki Whatarau) – must get in touch with their culture. In this first episode their unreadiness for the challenge is clear. NZ Herald's Alex Casey praised the show as a "hotbed for humour". Māori Bride was produced by the company behind webseries Auckland Daze and movie Waru.
In this 1985 Kaleidoscope edition, reporter Terry Carter meets many of those behind Auckland's 80s construction boom, and examines a cityscape where old landmarks are rapidly being demolished and replaced by mirror glass high-rises. Interviewees include property developers of the day like Mainzeal and Chase Corporation’s Seph Glew; a councillor who argues that commercial interests are dominating; and architect Ivan Mercep and interior designer Peter Bromhead, who critique the buildings’ architectural and civic qualities and their “Dallas TV set” aesthetics.
Never mind Keeping Up with the Kardashians; in 2003 New Zealand reality TV had The Rippins. Denise (aka Peach) is the second wife for property developer Pat 'Spider' Rippin. This first episode follows the pair on a holiday to Port Douglas, Australia, accompanied by three of Denise’s four adult children. The fly-on-the-Sheraton-hotel-suite-wall camera captures the champagne, smoking, tanning, breast implants and false teeth over the passage of a New Year's Eve party. NZ Herald reviewer Fiona Rae described the show as "classic car-crash television".
This short documentary from the Loading Docs series is a profile of artist John Radford, and his alter ego Ron Jadford. Both are concerned with real estate. Director Ursula Grace Williams captures Radford creating Graft, an artwork consisting of 256 miniature replicas of 1900s suburban villas. Spray-tanned Jadford, with tinted sunnies, moustache and mobile phone, is the real estate agent selling the houses, and he won’t take no for an answer. The short documentary explores art as performance, the creative process, and the line between art and business.
Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. It follows the events of a far-north resort and casino; a number of well-known actors made up the cast of earthy locals, wealthy foreigners and city weekenders, including Ilona Rodgers, Don Selwyn, Andy Anderson and Katie Wolfe. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic. In this episode the swarthy Cosic cooks up an illegal smuggling scheme to diversify a farm's income stream.
Marlin Bay was a drama series following the comings and goings of a far-north resort and casino. Andy Anderson, Ilona Rogers, Don Selwyn, Pete Smith, Katie Wolfe and others made up the cast of earthy locals, wealthy foreigners, and city weekenders. Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic.
In 2002 American reality show The Osbournes became a global hit. The following year The Family provided Aotearoa with its own reality TV whānau: The Rippins. The show chronicled the lives of matriarch Denise, her second husband (property developer Pat) and her adult children Scott, Maria, Matthew and Victoria. Made by Visionary Productions, the TV3 show won headlines for the family’s cashed-up lifestyle. It made a Stuff 2016 list of New Zealand's worst reality shows. Pat Rippin was declared bankrupt in 2008; he was later convicted of hiding assets during the process.
In 2012 a number of state houses were relocated from Glen Innes in Auckland to Kaitaia, making way for property developers. A Place to Call Home follows two women at odds with each other, both railing for positive change. Betty Kanuta is an evicted tenant, leading protests against the destruction of her community. Fleur Palmer is purchasing some of the state houses to build a Māori housing development, to help poor families in Kaitaia. Director Briar March's documentary debuted on Māori Television in 2014 as Whare Tapa Whā, before being expanded into a feature-length cut.
Set in a Rogernomics-era 'New Auckland' world of property deals and horse racing, the second part of this 1989 mini-series sees the brassy odd couple Tammy (Annie Whittle) and Joanna (Miranda Harcourt) in deep water. The working class battler and the art consultant have done up their inherited greasy spoon, but they're the "only fly in the ointment" of the 'Vision 2000' scheme of a nefarious developer (Brit import James Faulkner). Girl power meets utopian unitary planning as the duo find bones in the basement, and get too close to the secrets of Huntercorp HQ.
By the mid 1980s Auckland had shifted from city of sails, to city of cranes. In the lead-up to the 1987 sharemarket crash, it was in the grip of "an unprecedented building boom". This 1986 Kaleidoscope report looks at the demolition and development from an architectural angle, as malls and mirror glass transform the city. Interviewees include developer Seph Glew of the (ill-fated) Chase Corporation, and his architects. Architecture critic Mark Wigley rates the BNZ Tower an "insult", but says Auckland's "crude" new buildings have at least provoked debate about what the city needs.