New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here.
Though it plays hell with cameras, Antarctica has long fascinated filmmakers. This hour-long National Film Unit documentary was assembled from a five-part TV series of the same name. There are looks at scientific research, early explorers, and Antarctica's affect on global climate. Made four decades ago, the programme warns of a possible "new and potentially dangerous warming period", and calls the greenhouse effect a "controversial scientific theory". The large cast includes penguins, a seal birth (clip two) and a heavyweight team of Kiwi scientists.
Mixing three separate strands, On an Unknown Beach is a so-called “‘speculative documentary" about journeys into landscapes of ruin. Sonic artist Bruce Russell explores the ruined Christchurch CBD, scientist Di Tracey captures compelling underwater footage while examining coral damage on the seabed, and poet David Hornblow undergoes hypnotherapy to explore his consciousness and past experiences with addiction. The film was made by Adam Luxton and Summer Agnew, whose 2005 documentary Minginui (2005) focussed on an ex-forestry town in the North Island.
In late 1769 Captain James Cook first reached New Zealand, charged with charting the area. Peter Elliott chronicles Cook's journey in this award-winning four-part series. This first episode looks at his first encounters with local Māori, on the east coast of the North Island. While some greeted Cook with pōwhiri, others took exception to the murder and kidnapping the Europeans brought in spite of their declarations of peace. Amongst the locals Elliott meets on the coast is a young sailor in Tauranga who bears a striking resemblance to America’s Cup winning sailor Peter Burling.
This film tells the story of Antarctica’s emperor penguin (the inspiration behind Happy Feet) and how they survive vicious blizzards and -50°C temperatures. It also retraces the epic “worst journey in the world” which explorer Edward Wilson made to discover these remarkable birds. Max Quinn won a best director award at the 1994 NZ Television Awards for the Antarctic Trilogy Emperors was part of. The trilogy helped establish NHNZ’s relationship with Discovery Channel. As this backgrounder explains, the scene of a penguin falling through ice (clip one) became a YouTube hit.
This half-hour film from 1958 documents New Zealanders in Antarctica: researching International Geophysical Year, and supporting the Trans-Antarctic Expedition by laying supply depots for Vivian Fuchs’ overland crossing. National Film Unit cameraman Derek Wright films Edmund Hillary's team, capturing the drama of their (in)famous dash to the South Pole as they roll precariously forward in converted Ferguson tractors — “the best crevasse detectors ever invented” as Hillary notes. Hillary's team got to the South Pole on 4 January 1958, 82 days after leaving Scott Base.
The fierce cold and awesome isolation of Antarctica is evoked in this 1980 NFU survey of scientific projects and life on New Zealand’s Ross Dependency. Geological and wildlife work is counterpointed by domestic details: a “housewifely” cleaning regime, an impressive liquor order, time-marking beards, and radio chatter at odds with the desolation. There’s poignant footage of one of the last sightseeing flights before the Erebus disaster; and the doco grapples with the uneasy possibility that research may lead to exploitation of the continent’s natural resources.
New Zealand’s Antarctic presence is still in its infancy as this striking Academy Award-nominated NFU documentary chronicles the six month polar summer of 1963/64. Sled teams pulled by teams of huskies are despatched to explore far flung corners, nothing is too small — or too great — to be analysed by a battery of scientists, and the base at Cape Hallett is resupplied (it suffered a serious fire shortly afterwards). However, all of this activity seems to make little impression on a remarkable polar landscape constantly threatening to reassert itself.