Simon Prast made his television debut in cop drama Mortimer’s Patch. Best known for playing spoilt rich kid Alistair Redfern in Gloss, Prast’s biggest film role was playing a gay man in 1998 movie When Love Comes. He also has a strong background in theatre, and for 11 years ran the Auckland Theatre Company.
It started with grunge and ended with Spice Girls; Di died, Clinton didn't inhale and the All Blacks were poisoned. On screen, Ice TV and Havoc were for the kids and a grown-up Kiwi cinema delivered a powerful triple punch. Tua's linguistic jab proved just as memorable, Tem got a geography lesson and Thingee's eye popped and reverberated around our living rooms.
A tale of infuriating fathers and very fast go-karts, The Hopes and Dreams of Gazza Snell marks Robyn Malcolm’s first leading role on film. Malcolm plays Gail, long-suffering wife to the charming, ambitious Gazza Snell. Obsessed with go-karting, Gazza has banked heavily on the hope his sons’ racing talents will result in motorsport glory. But Gail is unconvinced. Australian talent William McInnes (Unfinished Sky, SeaChange) plays Gazza; the script is by Insiders Guide to Happiness award-winners David Brechin-Smith and Brendan Donovan (who also directs).
Star interviewer Brian Edwards talked to the sons and daughters of well known New Zealanders in this six part series. Edwards could be a tough interrogator, but his brief here was to explore the pressures placed on the families of the famous without blindly perpetuating public images, or turning the interviews into inquisitions. The subjects (and their famous parents) were Kit Toogood (Selwyn Toogood), John Kirk (Norman Kirk), Donna Awatere (Arapeta Awatere), Barbara Basham (Aunt Daisy), Helen Sutch (Bill Sutch) and John and Hilary Baxter (James K Baxter).
Eleven-year-old Utah gets dumped with his estranged dad for the day in this 2011 short film. Dad is the sole employee at a Northland rubbish dump. Utah is embarrassed by his Dad’s job and recycled gifts, but thanks to a trash tour and reversing lessons, gets to know him better. One of the first products of the NZ Film Commission’s Fresh Shorts scheme, the film won director Hamish Bennett a NZ Writers Guild award for Best Short Film Script. The Dump was the first short from teacher Bennett and actor/producer Orlando Stewart; they followed with 2014 award-winner Ross and Beth.
At the heart of this short film lies an unnamed tension between a father and his son. Teenager Elliot (Tim Hamilton) lives in quiet Rakaia helping his dad John (veteran actor Peter Tait, in vintage prickly form) run the family dairy farm, but their relationship is strained, at best. When Elliot decides to skip his responsibilities and meet up with his maybe friend, maybe girlfriend Laura (Albertine Jonas), the slow-burning tension between father and son comes to a head. Thicket received The Wallace Friends of the Civic Award at the 2017 NZ International Film Festival.
In this animated short from Auckland's Media Design School, a father and son travel through a magical landscape to find a powerful, wish granting dragon who can fix the boy's stammer. But nature conspires against the father, and the dragon's answer to the boy's request adds a nice twist to the tale. Media Design School lecturer James Cunningham wrote the script, and was granted his own wish from local iwi to film The Dragon's Scale in the dramatic landscapes of Tarawera National Park. The film premiered at the Auckland leg of the 2016 NZ International Film Festival.
Ricky is shy and has an overbearing father. He and extroverted misfit Telly (Chelsie Preston Crayford) slip out into the night, commandeering Ricky's father's fishing boat and heading out into the freedom of the fog. Peter Salmon's short film highlights oppression, boredom and sex in a small New Zealand town. Fog was shot in Ngawi, an isolated fishing village on the Wairarapa coastline. It was invited to 20 international film festivals, including the Critics' Week section at Cannes. At the 2007 NZ Screen Awards, Chelsie Preston Crayford was awarded for Best Performance in a Short Film.
After hitting Wellington for a Ranfurly Shield game, two brothers from the sticks (Grant Tilly and Pork Pie's Kelly Johnson) have to sneak their abruptly deceased father back home. If the body isn’t buried there, they won’t inherit the family farm. Set back when "blokes were blokes and sheilas were their mums", director John Reid’s shaggy dog tale — a Weekend at Bernie's, reeking of stale beer and ciggies — both lauds and satirises the Kiwi male. Among the six clips, the final clip sees Tilly's character getting things off his chest, now that Dad is finally unable to answer back.
The Karate Kid meets South Auckland when Fritz (played by Australian-Tongan actor Uli Latukefu) learns the warrior ways of his old Dad, so he can secure the return of his family's treasured pro-wrestling title belt from local gangsters. The Legend of Baron To'a marks the first feature from director Kiel McNaughton, whose credits include Auckland Daze and Find Me a Māori Bride. McNaughton also produced acclaimed films Waru and Vai with his wife Kerry Warkia. The action/comedy boasts a stellar Pasifika/Māori cast, including Jay Laga'aia and Shavaughn Ruakere.