Starting in the questioning times of the late 60s, many New Zealanders began leaving town to set up their own communities, in search of alternative ways to live. This then and now documentary travels to communes long gone and still active, and tracks down many of those involved. Tim Shadbolt describes a time when people questioned "everything fearlessly ... without reserve and without restraint". The back to the land approach brought both satisfaction and fatigue. Dirty Bloody Hippies played to full houses at NZ's Documentary Edge Festival.
Being Chinese: A New Zealander’s Story author Helene Wong grew up in 1950s Aotearoa, and has worked in the arts as a performer, writer, and film critic. She discusses her varied career in this Funny As interview, including: Growing up with radio comedy, being the class clown at school, and realising that you could make people laugh with voices and accents The university capping review being a revelation and a liberation — how it presented an opportunity to deal with issues and was more than just "prancing about on the stage" How the introduction of television meant being able to see politicians — "their physicality, their flaws and their body language" — which provided wonderful source material for satirists Working with Roger Hall, John Clarke, Dave Smith and Catherine Downes on university revue One in Five, and mimicking three-screen promotional film This is New Zealand to open the show Working for Prime Minister Robert Muldoon in the 70s as a social policy advisor — despite spending “the previous few years having a lot of fun satirising him” — and feeling that he had a "kind of dark force field around him" Reaching a turning point in comedy about Asians in New Zealand; Asians have started to "take back the power" and "as opposed to encouraging audiences to laugh at us, we’re now getting them to laugh with us"
This consolidating episode of the archive-based New Zealand history series finds World War II at an end, the return of Kiwi servicemen and the country in an optimistic mood. That's sealed by the 1950 British Empire Games where New Zealand is third on the medal table. But rising prices and low incomes lead to more militant unionism, culminating in the fractious waterfront workers dispute of 1951. At the same time there's a new flowering of the arts. The New Zealand Symphony Orchestra is established and a new generation of writers and artists take centre stage.
Northern Ireland-born Katrina Devine moved down under at the age of six. She joined Shortland Street in 1994; over eight years her character of Minnie Crozier transformed from gawky teen to clinic receptionist, sometime singer and longtime survivor. Since then Devine has played both villain and school reporter on Power Rangers, co-edited teen magazine Creme, and acted in Canadian horror movie Left for Dead.
Liz Mitchell has designed for the catwalk, television and Kiwis striding the red carpet at the Oscars. Her screen credits include power-dressing soap Gloss, and Front Lawn film Walkshort. She now masterminds the creation of a range of clothing designs, from high end to Farmers, through fashion label Liz Mitchell. She was made a Member of the New Zealand Order of Merit in 2005, for services to the fashion industry.
Max Cryer’s career as an entertainer has encompassed singing on stage and screen, time in the United States, and pioneering live talk shows on television (Town Cryer). After a busy decade of TV presenting beginning in the late 60s, Cryer went behind the scenes to produce a clutch of quiz shows — before a late flowering as a prolific, bestselling author, exploring his love of words and Kiwi culture.
If the measure of success for a casting director is the subsequent success of the actors they pluck from the crowd, then Diana Rowan has certainly done time at the top of her field. She is the casting director who helped Anna Paquin, Keisha Castle-Hughes, Kerry Fox and Lucy Lawless on their way to international careers, while developing her own talents as a writer and director of short films.
Irene Gardiner is known for her work as a producer, TVNZ production unit head and commissioning editor. She has particular expertise in the area of popular factual programmes and documentaries. Gardiner also has a sideline career as a commentator on media issues on radio and television. She was NZ On Screen's Content Director from 2009 to 2016.
Veteran cameraman Waynne Williams, MNZM, has shot everything from the Vietnam War and French nuclear testing to the Christchurch quake, TV drama Pukemanu and Australian movie The Box. Over more than half a century, Williams has worked on over 10,000 news stories. The Christchurch-based lensman runs Port Hills productions with partner Anne Williams.