Procrastination and denial taken to absurd lengths hammer home a point about global warming in this technically ambitious black comedy. A family living in a gully are too wrapped up in their own worlds to heed impending doom. Daughter Mary (seven-year-old Paige Shand-Haami) is the only one who sees the future. Water was shot over 14 days — with cast and crew spending 10 of them waist deep in water — on a set in a Wellington swimming pool. It was directed by Chris Graham, and partly funded from a SPADA Young Filmmaker Award won by producer Karl Zohrab.
Though it plays hell with cameras, Antarctica has long fascinated filmmakers. This hour-long National Film Unit documentary was assembled from a five-part TV series of the same name. There are looks at scientific research, early explorers, and Antarctica's affect on global climate. Made four decades ago, the programme warns of a possible "new and potentially dangerous warming period", and calls the greenhouse effect a "controversial scientific theory". The large cast includes penguins, a seal birth (clip two) and a heavyweight team of Kiwi scientists.
“It’s not just a game. It’s a way of life”. This short film travels to the Central Otago town of Naseby: a rare bastion where the sport of curling is still practised on natural ice. But warmer winters may end the tradition. In their woollen 'tams' the southern ice men competing for NZ’s oldest sporting trophy provide a unique perspective on climate change. Made by Rachael Patching and Roland Kahurangi as part of Otago University’s science communication masters, the award-winning doco screened at Wildscreen and Banff film festivals.
Forty-five years in the making, this documentary looks at the history of Kiwi adventure sport. Via spectacular — original and archive — footage, it follows the pioneers (AJ Hackett et al) from sheep farm-spawned maverick surf kids to pre-Lonely Planet OEs chasing the buzz; and the innovative toys and pursuits that resulted. From the Hamilton Jet to the bungee, No.8 fencing wire smarts are iterated. The exhilaration of adventure is underpinned by a poignant ecological message — that the places where the paradise chasers could express themselves are now in peril.
Climate change is not just a theory for the people of Takuu, a tiny atoll in Papua New Guinea. Floods and climate-related impacts have forced Teloo, Endar and Satty to consider whether they should stay on their slowly-drowning home, or accept a proposal that would see them move to Bougainville, away from the sea. In this award-winning documentary they also learn more about the impact of climate change from two visiting scientists (an oceanographer and geomorphologist). Director Briar March’s second feature-length doco travelled to over 50 film festivals.
Englishman David Bellamy is a world famous botanist, author, broadcaster and conservationist. He came to prominence in New Zealand in the 1970s and 1980s with numerous natural history programmes. His trademark beard, larger than life personality and ability to make science understandable made him a popular addition to family viewing time. In 1990 he came to New Zealand to host Moa’s Ark, a landmark documentary series telling the history of our country’s unique evolutionary past. In recent years, Bellamy has become a more controversial figure with his claims that global warming is just part of the earth’s natural climate cycle.
This "essay on global warming" was written by Able Tasmans band member Leslie Jonkers. Bagpipes and spinning pomegranates give away to amoeba and swirling shots of trees. The band are shot in colour amongst Christmas decorations, and in black and white in a forest as the song spins and builds. Shots of a Chrysler Valiant give way to footage of a village in Africa, a forest in Asia, the Golden Gate Bridge and Speakers' Corner in London. And why a frog? Because when water is gradually heated, a frog doesn't notice the changing temperature and will be poached.
Briar March released her first feature-length documentary, 2004's Allie Eagle and Me — about artist Allie Eagle — the same year she got a Bachelor in Fine Arts from Auckland University's Elam School of Fine Arts. Her global warming documentary There Once Was an Island (2010) was invited to 50+ festivals, and won a raft of awards. After studies at California's prestigious Stanford University and a string of short films, the Fulbright scholar returned downunder, and directed social housing documentary A Place to Call Home. In 2017 she helmed musical short The Coffin Club, which won six million+ views online.
In director Geoff Murphy's cult sci fi feature, a global energy project has malfunctioned and scientist Zac Hobson (Bruno Lawrence) awakes to find himself the only living being left on earth. At first he lives out his fantasies, helping himself to cars and clothes, before the implications of being 'man alone' sink in. As this awareness sends him to the brink of madness — see the excerpt above — he discovers two other survivors. One of them is a woman. The Los Angeles Daily News called the movie “quite simply the best science-fiction film of the 80s”. Read more about it here.
Described by New Zealand Geographic as the "doyen of New Zealand diving", Wade Doak is an author, marine ecologist and conservationist. Along with Kelly Tarlton he was a pioneer of underwater exploration and filming in Aotearoa. Behind and in front of the camera, he has contributed to documentaries for Wild South and production company NHNZ, and showcased Aotearoa’s undersea world to wide audiences.