Tony Holden's producing and directing career spans generations of classic Kiwi comedy, from A Week of It, Gliding On, The Billy T James Show, to Spin Doctors. CEO of production company Comedia Pictures since 1985, Holden has also spent four years as TVNZ's manager of commissioning and production.
Tony Holden has produced and directed hundreds of hours of NZ television from A Week Of It, Radio with Pictures and Gliding On to Shortland Street, City Life and Dancing with the Stars. Holden’s roles over his 40 year screen career include Head of Production at South Pacific Pictures, General Manager of Commissioning and Production at TVNZ, and CEO of Comedia Pictures.
This episode of the Prime profile series follows a day in the life of driver Greg Murphy. The motorsport idol cycles to work — the Adelaide first round of the 2005 V8 Supercar series. There he adjusts to a new team after his 2004 Bathurst 1000 victory (the fourth time he's won the touring car race seen as the pinnacle of Australian motorsport). The down-to-earth Holden pinup charms sponsors and fans; discusses being an honorary Aussie; defends motor-racing as a sport; and when Murphy's gear-box blows it underlines his appreciation of success borne from struggle.
This 2011 episode of the Russell Brown-fronted media commentary show examines how Christchurch is dealing with the aftermath of two devastating earthquakes. First up: the CEISMIC Digital Archive is working to preserve the memories and experiences of Cantabrians, and The Press editor Andrew Holden explains why his newspaper is donating everything it has published to the project. Then CERA CEO Roger Sutton talks about the key role of media relations, and filmmaker Gerard Smyth describes shooting his acclaimed chronicle of the quakes: When a City Falls.
This Wayne Leonard documentary from 2002 goes on a journey to explore what defines Māori humour. The tu meke tiki tour travels from marae kitchens to TV screens, from original trickster Maui to cheeky kids, from the classic entertainers (including Prince Tui Teka tipping off an elephant) through to Billy T James, arguably the king of Māori comedy. Archive footage is complemented by interviews with well-known and everyday Kiwis, and contemporary comedians (Mike King, Pio Terei). Winston Peters and Tame Iti discuss humour as a political tool.
This David Farrier-fronted documentary traces the history of New Zealand's national anthem. Farrier dives into the archives to tell the story of the Thomas Bracken poem set to music by John Joseph Woods; and a band of 2011 musos have a bash at updating it. The patriotic ditty was first played at an Olympic medal ceremony when our rowing eight won gold in 1972, displacing 'God Save the Queen'; and it was adapted into Māori as early as 1882 but a te reo version still caused controversy in 1999. The doco screened on TV3 the day before the 2011 Rugby World Cup final.
This Heartland channel series marked 50 years of television in New Zealand. Each episode chronicled a decade of screen highlights, alongside an interview with a personality who worked in that era. In this excerpt from the 1990s episode, host Andrew Shaw chats to Peter Elliott about his TV career, from painting the floor for Grunt Machine to becoming a high profile actor (Gloss, Shortland Street), and presenter (Captain’s Log). Elliott reflects on the Shortland Street (and Civil Defence advert) curse, and the screen industry’s growing confidence in telling local stories.
In this cult surf film — this excerpt is the first seven minutes — Andrew McAlpine gets in the Chevy, chucks the longboard on the roof and follows a group of pioneering riders on a mission around New Zealand and Australian coastlines, from Piha to Noosa. Filmed from 1965 - 1967, the Kiwi Endless Summer evoked a laid-back era where the ride was the prize. The classic surfing scenes — some filmed from an onboard camera housed in a DIY perspex case — are scored to surf rock and interspersed with sunburnt, bikini-clad relics of 60s beach culture.
The first instalment of this two part documentary chronicles the effects of Christchurch’s September 2010 earthquake on a variety of everyday people. They have seen damage to their city they would never have imagined, houses have been destroyed, liquefaction has entered their vocabulary and the ground beneath their feet can no longer be trusted. Miraculously, there has been no loss of life. As seismologists seek to understand what happened, the interviewees tentatively rebuild disrupted lives, but the fatal quakes of 22 February cruelly derail that recovery.
Christchurch based Paua Productions set out to document the effects of the city’s 4 September earthquake in 2010 but found themselves overtaken by the tragic events of 22 February 22. Their focus is the experiences of everyday people coping with the destruction of large tracts of their city, significant injuries and major loss of life as liquefaction, ruined homes and thousands of aftershocks prolong the initial trauma. A number of the interviewees were followed over a year, as they struggled to come to terms with what had happened and move on.