Director Florian Habicht's follow-up to his offbeat fairytale Woodenhead is a documentary tribute to a community of characters, drawn together by a desire to jump in a car for the local demolition derby. Behind the bangs, prangs, and blow-ups, the heart and soul of a small Far North town — Kaikohe — is laid bare in this full-length film, thanks to a cast of fun-loving, salt of the earth locals. Kaikohe Demolition won rave reviews, and The Listener named it one of the ten best films of 2004. Filmmaker Costa Botes writes about the film's characters and qualities here.
This 1962 film about geothermal power generation begins with animated sequences telling the Māori legend of how the North Island’s volcanoes were created. The film then explores the “crazy idea” of volcanic power, and how NZ might harness its potential. At Wairakei, roads have collapsed and the ground can rumble: “nothing is ever quite predictable on this battleground for power”. Nearby, steam is used for heating, hangi, bathing, and … growing pineapples. The animation was handled by Mike Walker (later producer of Kingi’s Story), of Levin-based Morrow Productions.
Peta Mathias gets off the plane at La Paz, Bolivia — and the world's — highest airport. She steps straight into poverty, altitude sickness, stunning scenery and likable people. Her Bolivian experience includes sub-zero temperatures, uninspiring food and the infamous mining town of Potosi. But as she writes in her diary, adventure travel means, "no skidding over the surfaces, no observing through Prada sunglasses, no shirking from the reality of the culture. In that sense the journey is unforgettable because it's so intense and puts you right up against the wall."
This infectious song about the heartache of love took Jordan Luck roughly five minutes to write, in an east London squat. It was the band's first release in their new career after a brief name change to Ampllfier, then a shortening to The Exponents. Despite its unlikely origins and subject matter, it has become an enduring NZ sports stadium sing-along (rivalling Dave Dobbyn's 'Loyal' for unofficial national anthem status). The song's simplicity is matched by director Kerry Brown's video, which allows the band to do what they do best, in scenic spots including Waiotapu hot springs.
On the heels of Issues (1990), More Issues offered more of the same satirical takes on local and international current affairs. It pokes fun at the advent of news-presenting personalities like Judy Bailey, Richard Long and Paul Holmes - such a prominent feature of NZ TV at the time, and politicians and celebs of the day. These excerpts from the series include Rima Te Wiata's uncanny impersonation of Judy Bailey, David McPhail's reprisal of a conniving Rob Muldoon, Rawiri Paratene as Oprah Winfrey, and Mark Wright as war reporter Peter Arnett.
Alun Bollinger, MNZM, has been crafting the slanting southern light onto film and other formats, for almost 40 years. He is arguably New Zealand's premier cinematographer; images framed by Bollinger's camera include some of the most indelible memories to come from iconic films like Goodbye Pork Pie, Vigil and Heavenly Creatures.
2013 Arts Foundation Laureate Dean Parker has written extensively for stage, television, radio and print. Alongside his own projects, he has shown himself as a skilled adaptor of everyone from Nicky Hager (The Hollow Men) to Ronald Hugh Morrieson (movie classic Came a Hot Friday).
Dropping in on the Americans at the South Pole for afternoon tea, having driven there by tractor, was one of the most unusual events of Derek Wright's career as a National Film Unit cameraman. In his 40 years with the NFU he filled many other roles, from laboratory assistant to producer: but it is for his filming in the Antarctic that he is particularly remembered.
Vincent Ward has won an international reputation as an original and visionary filmmaker. Vigil and The Navigator played in competition at the Cannes Film Festival (the first New Zealand features to do so). Docudrama Rain of the Children (2008) revisited people from his 1980 documentary In Spring One Plants Alone. Ward also directed Robin Williams afterlife drama What Dreams May Come.