"...I mean to say, shouldn't I be in love with a fella or something?" Mandy (Richard Hanna), a man who dresses as a woman, describes his relationship with transsexual Jewel (future politician Georgina Beyer). Jewel's Darl concentrates on the fine details of their relationship: tea and biscuits in bed, Jewel's belief in staying strong against other people's mockery, and Mandy's memories of a troubled childhood. Nominated for multiple NZ Film and Television awards after finally getting a TV slot, Peter Wells' drama was inspired by an Anne Kennedy short story, which won the 1983 Katherine Mansfield Award.
This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".
This collection celebrates Kiwi comedy on TV: the caricatures, piss-takes, and sitcoms that have cracked us up, and pulled the wool over our eyes for over five decades. From turkeys in gumboots and Fred Dagg, to Billy T, bro'Town and Jaquie Brown. As Diana Wichtel reflects, watching the evolution of native telly laughs is, "a rich and ridiculous, if often painful, pleasure."
This 2017 documentary is a personal portrait of Swiss-Kiwi goldsmith Kobi Bosshard. Regarded as a pioneer of contemporary New Zealand jewellery making, 78-year-old Kobi is the father of the film's co-director, Andrea Bosshard. Bosshard and Shane Loader (the duo behind award-winning movie The Great Maiden’s Blush) combine images of Kobi living and creating, with archival footage. As Kobi says, "the work we do comes out of the life we live, so we have to have a life to start with." Kobi premiered at the Wellington edition of the 2017 NZ International Film Festival.
Wildtrack was a highly successful nature series for children, running from 1981 through several series to the early 90s. The series was produced from Natural History New Zealand’s (then TVNZ’s Natural History Unit) Dunedin base and this final episode for 1990 looks at the natural world of the Otago Peninsula and harbour, from unique inhabitants: royal albatross, fur seals, and yellow-eyed penguin; to myth-busting explanations of the pot of gold at the end of a rainbow, lichen, and mudflat cricket. It includes the year’s bloopers reel.
This second series leg of The Big Art Trip kicks off in Wellington with a visit to artist John Walsh, who chats about his Māori myth paintings and children’s book Nanny Mango. Douglas and Fiona also talk about Washday at the Pa with photographer Ans Westra and pop-in on jewellery designer Steph Lusted. They visit the Massey Memorial, explain typography and check out the Wellington Writers Walk before meeting architect Nicholas Stevens and viewing a cliff top house he designed. The episode winds up with a look at kinetic sculpture Pacific Grass, by Kon Dimopoulos.
The final episode in Series One of The Big Art Trip starts in Dunedin. Hosts Douglas Lloyd-Jenkins and Nick Ward explore found art and ceramic sculptures with artist Jim Cooper and visit jewellery artists Ann Culy and Rainer Beneke, before heading to the Kaka Point home of poet Hone Tuwhare (where he lived until his death in 2008). They head to Invercargill to meet classical singer Deborah Wai Kapohe, who takes them op-shopping and performs her original folk songs. Last stop is Cosy Nook in Southland where they meet painter Nigel Brown.
The devastating effects of introduced wasps in New Zealand, particularly on kaka (the forest parrot, here beautifully filmed) remain a serious issue. The horde of yellow and black marauders has left scientists struggling to protect animal and human victims. This film looks at the effect on the ecosystem of wasps, who compete with natives for honeydew and prey upon insects. Bandits of the Beech Forest won the Environment Prize for Best Film Illustrating Protection, Preservation or Conservation of Bird Life at the Festival du Film de l'Oiseau.
Peter Wells was an accomplished writer/director who explored gay and historical themes in his work. Among his screen credits are groundbreaking TV dramas Jewel’s Darl and A Death in the Family. Wells also created stylish feature film Desperate Remedies with co-director Stewart Main. In later years he collaborated with filmmaker Annie Goldson for documentary Georgie Girl.
New Zealand’s economy is in serious trouble in the first episode of this award-winning drama series about The Great Depression. An ailing Prime Minister and a weak government seem powerless in the face of a downward spiral caused by rising unemployment and falling export prices. Meanwhile, the plight of a boot maker seeking work while people are being laid off all around him, and a jeweller struggling to keep his business afloat and food on his family’s table bring home the human cost and social divisiveness being caused by the worsening crisis.