As longtime presenter of alternative music show Radio With Pictures, Karyn Hay won fame for daring to speak in her own accent. Since leaving the show in the late 80s, Hay has worked on both sides of the microphone, directing music videos, managing radio station Kiwi FM and writing award-winning novel Emerald Budgies.
Broadcaster Karyn Hay makes a "life enhancing" journey to 'Timor-Leste', not long after the withdrawal of UN Peacekeepers. Hay reads up on its war-riddled past and encounters mozzies and leaky boats, eats buffalo and snow-peas, and learns about the widows and guerilla fighters who resisted Indonesian occupation. She is transported beyond the troubles to wonder at ancient cave paintings, bathe in turquoise waters, and reflect on charming children and the hope that eco-tourism will offer a better life for a nation she senses is still "in shock".
Rock'n'roll couple Karyn Hay and Andrew Fagan have both had long and varied careers in New Zealand music and media. They have been night-time hosts on Radio Live, but Fagan spent many years as the lead singer of pop band The Mockers, and Hay was the long-time host of iconic music show Radio with Pictures. Hay and Fagan are also both published authors.
This collection shows the screen icons from the decade of Springboks, sax and the sharemarket crash. The world champ All Blacks' jersey was loose, socks were red and shoulders were padded. On screens big and small Kiwis were reflected ... mullets n'all: from Bruno and the yellow mini, to Billy T's yellow towel, Karyn Hay's vowels, Poi-E, Gloss, Dog and more dogs showing off.
Auckland Museum's Volume exhibition told the story of Kiwi pop music. It's time to turn the speakers up to 11, for NZ On Screen's biggest collection yet. Turning Up the Volume showcases NZ music and musicians. Drill down into playlists of favourite artists and topics (look for the orange labels). Plus NZOS Content Director Kathryn Quirk on NZ music on screen.
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
Thus linguistic collection takes a look at sux — nah, make that seven — pieces of fentestic New Zealand television that focus on the Kiwi ecceent. Accent on Kiwi includes a compilation that compresses 21 years of local TV news reading into four minutes, Karyn Hay — who shocked New Zealand, by daring to front Radio With Pictures speaking in her own accent — Billy T James taking on varied voices, classic Kiwi put-down “Jeez, Wayne”, and John Clarke going Face to Face with Kim Hill, as he remembers Kiwi bloke Fred Dagg. Beaut!
After turning “Jeez Wayne” into a national catchphrase with their hit series A Week of It, comedy duo David McPhail and Jon Gadsby continued their TV dream run with the sketch comedy show McPhail and Gadsby. This 'Best of' from the Feltex Award-winning fifth season includes these highlights: 'pronouncing things proper with Jim Knox'; 'This Is Your Life with Robert Muldoon' (featuring McPhail’s infamous caricature of the then Prime Minister); Lynn Waldegrave’s popular impersonation of music show host Karyn Hay; and a Goodnight Kiwi take-off in 'Goodnight from the Beehive'.
Oft-derided across the dutch for its vowel-mangling pronunciation (sex fush'n'chups anyone?) and too fast-paced for tourists and Elton John to understand, is New Zealand's unique accent. Presented by Jim Mora, New Zild follows the evolution of New Zealand English, from the "colonial twang" to Billy T. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) ending our sentences, and Mora interprets such phrases as 'air gun' (how are you going?). Features Lyn of Tawa in an accent face-off with Sam Neill and Judy Bailey.
In this RWP interview, Karyn Hay gets Split Enz members Neil Finn and Nigel Griggs to explain some of the band's songs before a January 1983 performance at festival Sweetwaters. Both are tired of doing True Colours tracks; the album "has followed us around like a bad smell for a year and a half" says Finn. He also admits 'I Got You' was "probably only about the third lyric I'd ever written", and touches on the BBC banning of 'Six Months in a Leaky Boat'. Griggs admits he has no idea what Finn's 'History Never Repeats' is about; Finn praises Griggs' "incredibly good bass riff" on 'Lost for Words'.