This fourth episode in Prime’s series on Kiwi television history series charts 50 years of sports on TV. Interviews with veteran broadcasters are mixed with clips of classic sporting moments. Changes in technology are surveyed: from live broadcasts and colour TV, to slo-mo replays and CGI graphics. Sports coverage is framed as a national campfire where Kiwis have been able to share in test match, Olympic, Commonwealth and World Cup triumphs and disasters — from emotional national anthems and inspirational Paralympians, to underarm deliveries, snapped masts and face-plants.
This 2014 documentary celebrates Māori Television’s first decade. It begins by backgrounding campaigns that led to the channel (despite many naysayers). Interviews with key figures convey the channel's kaupapa – preserving the past and te reo, while eyeing the future. A wide-ranging survey of innovative programming showcases the positive depictions of Māoridom, from fresh Waitangi, Anzac Day, basketball and 2011 Rugby World Cup coverage, to Te Ao Māori takes on genres like current affairs and reality TV (eg Native Affairs, Homai Te Pakipaki, Kai Time on the Road, Code, and more).
In the ninth episode of this web series, Dev (Shaan Kesha) tries to make up for his protests over the factory's impending sale to Chinese buyers: including a spraypainted message in the boss's office, calling him a 'ballbag'. Uni accounting studies pay dividends, as Dev persuades factory boss Keith (Cameron Rhodes) to call the sale of Murdoch Textiles off. There are even more surprising developments to come, after Moana introduces Dev to a Saumalu family dinner. Actor Rhodes was also seen in acclaimed 2014 horror film Housebound.
Legendary sports broadcaster Keith Quinn has come to be known as the voice of All Black test rugby in New Zealand. He has worked on countless All Black tours, and covered every Rugby World Cup since they began. Quinn worked for the NZBC/TVNZ for four decades, as both presenter and commentator. Aside from rugby, he has covered seven Olympic Games, ten Commonwealth Games, and three Paralympics.
Playwright turned director Toa Fraser grabbed the theatre world with award-winning play No.2, which he then directed for the screen. At the 2006 Sundance Festival it won the coveted audience award. Follow-up Dean Spanley won seven gongs at the 2009 Qantas Film Awards, including best director. Fraser went on to helm ballet documentary Giselle, te reo action movie The Dead Lands, and hostage drama 6 Days.