David Sims' impressionistic National Film Unit short film explores the responses of four NZ painters to a landscape illuminated by a distinctive light, but yet to feel the full impact of human settlement. The award-winning film examines Brent Wong’s floating architectural shapes, Colin McCahon’s religious symbolism, Toss Wollaston’s earth-hued palette and Michael Smither’s hard-edged realism. Their works are taken from safe gallery confines and moved closer to their subject matter, while the words of writers (Katherine Mansfield, Charles Brasch, Bill Pearson) provide another angle.

TVNZ’s flagship 80s arts show looks at Sir Toss Woollaston — a pioneer of modern art in New Zealand. Topics include his development as an artist and the “struggle of painting” (contra convention), difficult years trying to support a family, the influence of his wife, and the liberation he felt in his mid-50s when he could finally earn a living from painting. Woollaston is blunt but generous with his time and opinions. There are precious riffs off his famous description of wanting to paint the sunlight in a landscape, “after it had been absorbed by the earth”.