In the late 1980s, Kiwi inventor John Britten developed and built a revolutionary racing motorcycle. He pursued his dream all the way to Daytona International Speedway; in 1991, as an unlikely underdog, he came second against the biggest and richest manufacturers in the world. Britten: Backyard Visionary documents the maverick motorcycle designer as he and his crew rush to create an even better bike for the next Daytona. But when they get to Florida, another all-nighter is required to fix an untested vehicle which includes at least ten major innovations.
This documentary is about champion speedway driver Ivan Mauger, who powered and slid his motorbike around oval tracks to a record six individual world speedway titles, from 1968 to 1979. Interviews with Mauger and his family cover his long career, from his boy racer beginnings — he argues that in Spain the heroes are bullfighters, but in Christchurch they were speedway riders — to his Western Springs farewell, and a tribute from David Lange. Mauger's focus on winning comes through: "if you show me a good loser you show me someone who consistently loses".
This notorious film looks at '70s bikie culture, focusing on Auckland's Hells Angels (the first Angels chapter outside of California). These not-so-easy riders — with sideburns and swastikas and fuelled by pies and beer — rev up the Triumphs, defend the creed, beat up students, cruise on the Interislander, provoke civic censure, and attend the Hastings Blossom Festival. After a funeral, Aotearoa's sons of anarchy head back on the highway ... Bikies was banned by the NZBC, perhaps piqued by the public urination, chauvinism and PETA-unfriendly pig's head activity.
The highlight of this instalment of the NFU’s weekly newsreels is a report on a motorcycle grand prix, held at Cust in Canterbury, where speeds in excess of 100mph were reached in the 152 mile race — with 1,000 gallons of sump oil sprayed on roads to prepare the racing surface. From the Wellington waterfront, there is coverage of the arrival of a delegation of Australian ex-servicemen to meet their NZ counterparts; and an emotional United Nations appeal asks viewers to donate one day’s pay, profits, work or produce to help the world’s needy children.
This 1949 episode of the National Film Unit’s Weekly Review newsreel series goes on a jaunty whistle-stop tour across the country. It takes off on TEAL’s new flying boat (Ararangi), from Wellington’s Evans Bay on a cruise over to the Marlborough Sounds and back. We then stop to smell the tulips on a South Canterbury tulip farm; before revving up for dusty motorhead bliss in Whanganui as a swarm of motorcyclists contest the Motorcycle Grand Prix. The reel pulls up in an Auckland factory for a fascinating look at the manufacture of glamourous nylon stockings.
Pioneering series Pukemanu (the NZBC’s first continuing drama) was set in a North Island timber town. Its portrait of the town’s folk offered an archetypal screen image that Kiwis could relate to: rural, bi-cultural, boozy and blokey; viewers and reviewers praised its Swannie-clad authenticity. This first episode sees a culture clash as a motorcycle gang (including a young Bruno Lawrence) comes to town and causes trouble, running Ray (Geoff Murphy) off the road; and stranded townie Diana (Ginette McDonald) falls in love with a local axeman while hunting.
On a two week journey through India, Pio Terei discovers that if you want to relax, you should probably visit another country entirely. From Delhi to the deserts of Rajasthan, this full-length episode sees him trying every mode of transport — including tuk tuk, camel, elephant, motorcycle and train. Along the way he floats up the sacred Ganges River, visits the Taj Mahal, buys a Pashmina shawl for his wife, and eats a meal cooked in a dung oven, traditional-Rajasthani style. He also greets a great many locals, and remains upbeat despite the challenges of travelling in a very different culture.
From the duo (Matt Heath and Chris Strapp) behind bad taste TV series Back of the Y, this feature follows Randy Cambell's rocket car driven mission to be "NZ’s greatest living stuntman". Gross and petrol-fuelled palaver ensues en route to a date with speedway destiny, as Cambell romances a one-legged female Evil Knievel, and fights a not-so-death defying family curse. Scott Weinberg (Cinematical) praised this low budget "cross between The Road Warrior, Mad Magazine and Jackass" as "loud, raucous and adorably stupid" when it premiered at US fest SXSW 2007.
In Only Son Sydney (Josh Thomson from 7 Days) tries to court the girl of his dreams, but is hampered by unwanted advice from his dead father. This short comedy was made for — and won — the 2010 48 Hours filmmaking competition. The bawdy rom-com twist on the father-son relationship comes from prolific production team thedownlowconcept (7 Days, Pop Goes the Weasel and several 48 Hour successes). Only Son went on to be an upstart winner at the 2010 Qantas Awards, winning for best short and best screenplay — the first time a 48 Hour film had done so.
Love, Speed and Loss is an extended documentary about racer Kim Newcombe, who turned heads in the 70s on a König motorbike he developed and designed himself. Built around home movie footage and interviews with his charismatic, straight-talking widow Janeen, the film follows the couple's travels across Europe, and triumph on the track. Newcombe was killed racing in 1973, and posthumously finished second in that year's World 500cc Championship. Love, Speed and Loss won best documentary at the 2007 Qantas TV Awards and Air NZ Screen gongs for documentary, directing, and editing.