'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Veteran actor Yvonne Lawley (Gloss, Ruby and Rata) landed her first leading role on-screen with this adaptation of a Maurice Duggan short story. Lawley plays Mary May Laverty, a proud but lonely violin teacher who craves "a little human warmth", but fails to connect with people. Awkwardness abounds when she invites the father of one of her students over. The half-hour drama was co-directed by Ian Mune and Roger Donaldson, as part of their Winners & Losers series of short story adaptations. It closely follows Duggan's original story, which was one of his most popular.
This Touchdown reality series puts a Kiwi family in the shoes of a family of 1852 English immigrants to Canterbury. The challenge for the Huttons is to see if they have the 'pioneer spirit' and can live with colonial clothing, housing and food for 10 weeks. From a gentler, non-competitive era of reality TV, this first episode sees the Owaka family of six (including baby Neil) experience six days of life on a settler ship – seasickness, food rations, restrictive clothing and bedding and chamber pots – while relaying their personal reflections to the camera.
“There are six of them: three school teachers, an architectural draughtsman, a student of anthropology and a bus mechanic.” This lively and light-hearted 1968 National Film Unit production profiles The Hamilton County Bluegrass Band, who come together in Auckland to play in a villa, a recording studio, and at the Poles Apart Folk Club (where they would record a live album the same year). The band brought the sounds of Kentucky to New Zealand via a prolific run of albums, and regular appearances on 60s TV show The Country Touch. They turned professional in 1969.
In this episode from a series for secondary school music students, James Reid (from The Feelers) and his brother Donald (a singer-songwriter who has co-written several Feelers songs) recall their school days when music making was frowned on by guidance counsellors rather than encouraged by projects like this one. Armed with acoustic guitars and a piano, they play excerpts from four songs (‘Communicate’, ‘We Raised Hell’, ‘Fishing For Lisa’ and ‘Unleash the Fury’) and discuss their philosophy of songwriting which is “all about being in the moment”.
Debuting in 2003, this Touchdown series followed 2001's Pioneer House, a similar show from the same company. The new show transported an Otago family (policeman Ross, music teacher Dorothy, and their four kids) back to 1852 to recreate the challenges of life as English immigrants to New Zealand — including the clothing, housing and toiletries of settler life. It was executive produced by Julie Christie, who in a 2006 Listener interview mentioned the experience of pitching the show to NZ On Air as a key driver in deciding to make television that wasn’t reliant on public funding.
This series, made for use as a teaching resource in secondary schools by the NZ Music Industry Commission, was produced and directed by longtime Kiwi music champion Arthur Baysting. The full series featured 47 leading acts (including Don McGlashan, the Black Seeds, Nesian Mystik, Chris Knox and Fat Freddy's Drop) talking directly to the next generation of musicians about their music and careers. They offer intimate performances of classic songs, and heartfelt advice on subjects including songwriting, recording techniques, technology and the music industry.
His favourite music videos include Joy Division’s Atmosphere and Tall Dwarfs’ Turning Brown and Torn in Two. And Brent Hansen has seen a lot of music videos. From producing famously eclectic Kiwi music show Radio with Pictures to rising through the ranks to become head of MTV Europe, Hansen has been a major player in putting music on screen.
This acclaimed Māori Television series saw Kiwi musicians teaching bars behind bars — working with prisoners to compose and record songs, drawn from their life experiences. In this opening episode from the third season, Anika Moa, Ladi6, Scribe and Troy Kingi head to Christchurch’s men’s and women’s prisons. For Moa, Ladi6 and Scribe, Christchurch is their "music whakapapa". For Scribe it is a reminder of earthquake tragedy. The jail itself revives memories of childhood visits to his father (an upbringing which the two explored in 2015 play The White Guitar).