Sam Neill has acted in forgotten Kiwi TV dramas (The City of No) and classic Kiwi movies (Sleeping Dogs, The Piano, Hunt for the Wilderpeople). His career has taken him from the UK (Reilly: Ace of Spies) to Hawaii (Jurassic Park) to dodgy Melbourne nightclubs (Death in Brunswick). As Neill turns 70, this collection celebrates his range, modesty and style — and the fact he was directing films before winning acting fame. In these backgrounders, friends Ian Mune and Roger Donaldson raise a glass to a talented, self-deprecating actor and fan of good music and pinot noir.
Off his own bat, Ilam art student Glenn Standring got his third-year short into competition at the Cannes Film Festival. The minimal plot — hipster private eye Lenny Minute dryly narrates, before facing his nemesis, a rampaging giant blue “sheila doll” — allows Standring to conjure up a distinctive collage-styled cityscape, mined from a grab-bag of Americana inspirations: 50s sci-fi, jazz, the hardboiled detectives of Dashiell Hammett, and star Marlene Dietrich. After this early computer-aided short, Standring joined the Gibson Group as an animator, then directed two stylish features.
This collaboration between dancer Douglas Wright and director Gregor Nicholas was one of a series of music and movement-based shorts that established Nicholas’ reputation. A dramatised film noir sequence leads to a cross-dressing dance duel between Wright and Debbie McCulloch, shifting between an Orwellian cityscape and retro nightclub. Wright choreographs the bodies, and Nicholas the bold and sensual visual rhythms (shot by Stuart Dryburgh). Nicholas went on to direct high profile commercials and movie Broken English. Wright passed away in 2018.
The title points the way towards this stylish short's film noir intentions, but a generic set up - a drifter rolls into a seedy motel diner — springs surprises as a tainted love time-travel plot unravels. Convincing performances from Leighton Cardno (Shortland Street's Dr Adam Heyward) as the eponymous Jet, burdened by murderous guilt, and Marissa Stott as the winsome waitress, realise a screenplay co-scripted by writer Chad Taylor. Black was directed by Kezia Barnett as part of a short film series to promote Schweppes by advertising agency Publicis Mojo.
"It was the beginning of the end of the world..." Award-winning actor Tim Balme (Braindead) narrates this rain-lashed tale of being trapped in a world where all the women have disappeared. The film noir stylings, Blade Runner climate and tough-talking dialogue come to the fore when Balme encounters a beautiful woman with an attitude (Balme's real-life partner Katie Wolfe), and finds desire playing tricks with his mind. Planet Man was judged best short film in the Critics' Week section of the 1996 Cannes Film Festival.
As a trench coat-clad protagonist enters the room, the jazzy soundtrack and copious shadows promise a claymation exercise in film noir. But the room advertised in director Barry Prescott’s first short film is no ordinary rental. It soon becomes apparent that a more unusual threat is responsible for the lack of furnishings and tenants — and it threatens the man and his oversized revolver. Television has been accused of rotting brains, but this short takes the allegation to the next level. Unfurnished Room for Rent screened at the Palm Springs and Seattle film festivals.
This short film takes its title from Russell Corgi's famous 1942 Buffalo Courier Express photograph of the exterior of the Genesee Hotel. Directed by Jonathan Ogilvie, the film is a series of close-ups of the photo coolly unfurling to reveal the full image. The snippets are overdubbed with a beguiling film noir-styled narration that imagines the context behind the extraordinary shot. Divorcee screened at many film festivals including in competition at Cannes in 1995. Corgi's photo was also referenced in the 'Passengers' issue of Neil Gaiman's Sandman comics.
In the fourth ep of Krafthaus' award-winning web series, Beth Connolly (Beth Chote) wanders into the forest searching for clues about the gang, where she runs into sassy Petra (Abby Damon) and a male friend. Sammy takes Beth to the softly spoken James (Dan Caddy), brother of missing schoolgirl Tara, who has been following Beth to what is revealed as an obsessive degree. James promises to help her. Spooky Mrs Jay (Carmel McGlone) reappears and this time, it's as if she's a different person.
In the final episode of this International Emmy Award-winning web series, Beth (Beth Chote) is on the run from the hooded, masked bike gang, and heads into the perennially grey and misty streets of Porirua. Although Matt (Tim Kano) promises to rescue her, Beth finds herself trapped on a dam surrounded by the hoodies — where at last she discovers the secret of the town's bizarre and spooky behaviour towards her. What she does next is even more surprising...
It's a Wonderful Life meets driver education in this NFU film that aims to scare those who would be careless in bad weather conditions. This now-quaint precursor to 2011's Ghost Chips road safety ad sets up a low-key mystery plot, as five naive unfortunates find themselves at a bus stop in pea-soup fog. Purgatorial befuddlement — the bus goes via 'Infinity Terrace' and a saucy angel is handing out harps — turns to moralizing, complete with flashbacks and a lecture from the weather god, as they discover why they've ended up en route to 'Elysian Fields'.