Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
Open Home was a 90s series looking at New Zealand homes and the people making, designing and living in them. This episode from the third season ranges from deconstructionism to DIY. Builder (and future Dunedin mayor) David Cull checks out a Northland glasshouse designed by Nigel Cook, before visiting the renovated Australian farmhouse and digital recording studio of Dragon band member Todd Hunter. Susan Wood tries translating the architectural theory of deconstructionism with the help of Auckland architects, including Mark Wigley.
'It is about 'life, death and fu**ing good music' runs the tagline to this film. It follows a Wellington band playing East Coast and Northland pubs, as they head for Cape Reinga. The trio find themselves on a roots journey that's both musical and personal (mateship, whānau, whakapapa). The cast includes singer Francis Kora, with songs by Warren Maxwell. Himiona Grace's first feature was produced by Ainsley Gardiner (Boy) and Mina Mathieson (Warbrick). Released in Kiwi cinemas on Waitangi Day 2014, Pā Boys won positive reviews, and a Best Film gong at the Wairoa Māori Film Festival.
In this fourth episode of Nia's Extra Ordinary Life, 10-year-old Nia (Shania Gilmour) spots some teasing going on and calls out the bully police, complete with helicopters.... Made by the team behind Auckland Daze, Nia’s Extra Ordinary Life was Aotearoa’s first web series for children. It also screened on Māori Television. Each tale of a girl living in a Northland seaside town used animation to help bring her imaginings to life. The series was co-written by actor turned producer Kerry Warkia.
Nia (Shania Gilmour) is an ordinary 10 year old girl living in the quiet Northland town of Tinopai. In this sixth episode, Nia’s dreams of winning the local art competition are interrupted when the local boys show up in a teasing mood, and do their best to ruin her day. It all makes Nia wonder why boys seem to act worse when they hang out in a group. Made by the team behind hit web series Auckland Daze, Nia's Extra Ordinary Life marked New Zealand’s first web series for children.
ITM Fishing Show host Matt Watson tried to convince his wife fishing was fun by making his own TV show. He succeeded, and has since featured on David Letterman’s Late Show jumping from a helicopter to nab a marlin, and helped everyone from Richie McCaw to Joseph Parker get their catch of the day. This episode is the opener to the first TVNZ run of the series. Watson's team head out to Northland’s Whangaroa Harbour and the Cavalli Islands, where they test lures and compare tackle with an Aussie guest. They cast for kahawai and kingfish, and spot an elusive marlin.
Nia’s Extra Ordinary Life follows the adventures of Nia, a 10 year-old girl living in the Northland seaside town of Tinopai. There the ordinary becomes extra ordinary thanks to the power of her imagination — brought to life partly via onscreen animation. In this second episode Nia (Shania Gilmour) gets over leftover mussels and tomato sauce in her school lunch (yuck!) and missing her Mum, by building a sandcastle. The tide is getting closer, but no matter...Made by the team behind Auckland Daze, Nia’s Extra Ordinary Life marked Aotearoa’s first web series for children.
Eleven-year-old Utah gets dumped with his estranged dad for the day in this 2011 short film. Dad is the sole employee at a Northland rubbish dump. Utah is embarrassed by his Dad’s job and recycled gifts, but thanks to a trash tour and reversing lessons, gets to know him better. One of the first products of the NZ Film Commission’s Fresh Shorts scheme, the film won director Hamish Bennett a NZ Writers Guild award for Best Short Film Script. The Dump was the first short from teacher Bennett and actor/producer Orlando Stewart; they followed with 2014 award-winner Ross and Beth.
An elegiac profile of artist Eric Lee-Johnson, by Maurice Shadbolt, is the high point of this NFU magazine film. Johnson gave up a lucrative commercial career to pursue his vision of a New Zealand art moving beyond European tradition; and he is observed chronicling abandoned homesteads and churches, built in remote reaches of Northland's Hokianga harbour by early Pākehā settlers. There's light relief in coverage of a chimpanzees' tea party at Wellington Zoo, while a suitably breathless piece looks at a new industry manufacturing fibreglass boats.
In 2009 Māori Television rebooted the Selwyn Toogood-hosted 70s game show, with presenters Pio Terei and Stacey Daniels Morrison giving contestants the immortal choice: the money or the bag? In this episode — complete with web players — the road show comes to Ngāpuhi territory: the Northland town of Waimamaku. The series is bilingual; but how ever you say it be careful what you choose: as Stacey says, “Instead of a TV you might get a can of V!” The show ends with Pio leading a ‘Pokarekare Ana’ singalong. “Too much!”