In 2000 the Employment Relations Act was passed into law in New Zealand, replacing the Employment Contracts Act. The bill proved controversial: some suggested it placed unfair obligations on employers, while others claimed it restored much-needed rights to workers that had been undermined. This Assignment episode explores both angles. Among them, business owner John Holm argues that he shouldn’t be told how to treat his employees, while union leaders and Alliance Party MP Laila Harré all argue that without the bill, workers will continue to be exploited.
On a Tuesday evening in April 1968, the ferry Wahine set out from Lyttelton for Wellington. Around 6am the next morning, cyclone-fuelled winds surged in strength as it began to enter Wellington Harbour. At 1.30pm, with the ferry listing heavily to starboard, the call was finally made for 734 passengers and crew to abandon ship. The news coverage and documentaries in this collection explore the Wahine disaster from many angles. Meanwhile Keith Aberdein — one of the TV reporters who was there — explores his memories and regrets over that fateful day on 10 April 1968.
This 2006 documentary is a portrait of one of New Zealand politics' most contradictory figures: unionist Ken Douglas. At the time of filming Douglas occupied numerous board positions (eg Air New Zealand, the NZ Rugby Football Union), but early on he was a truckie and Marxist. Rob Muldoon branded him 'Red Ken'. For 15 years until 1999 he led the Council of Trade Unions. Directed by Monique Oomen for Top Shelf Productions, the film is framed around interviews with Douglas and his colleagues, and asks whether he is a turncoat or a strategic realist moving with the times.
Once Were Warriors opened the eyes of cinemagoers around the globe to an unexamined aspect of modern New Zealand life. Director Lee Tamahori's hard-hitting depiction of domestic and gang violence amongst an urban Māori whānau was adapted from the best-selling Alan Duff novel. The film provided career-defining roles for Temuera Morrison and Rena Owen as Jake the Muss and Beth Heke. It remains NZ's most watched local release in terms of bums on seats. Among a trio of backgrounders, Riwia Brown writes about adapting Duff's book for the screen.
Anzac Wallace made one of the most memorable debuts in New Zealand cinema when he starred as avenging guerilla leader Te Wheke in Geoff Murphy's classic Māori Western Utu. The former trade union delegate followed it with roles in movies The Silent One (1984), Mauri (1988) and pioneering Māori TV series E Tipu E Rea.
Antonia Prebble played the manipulative Loretta West on Outrageous Fortune over six seasons, before starring in prequel Westside. Prebble began her screen career aged 12 on TV series Mirror, Mirror, and did five seasons on sci-fi hit The Tribe during her school holidays. From 2013 her career got even busier, with starring roles in legal thriller The Blue Rose, Witi Ihimaera film White Lies and bio-thriller The Cure.
An ideas man who campaigned for a Government film body, Stanhope Andrews would become the National Film Unit's first manager. Andrews commanded the Unit for a decade. Along the way he oversaw dramatic expansion, set up regular newsreel Weekly Review, and opened the door to filmmakers of both genders.
In a career spanning four decades, Alan Morris worked in radio and television in NZ, Australia, England and Europe. He turned his hand to announcing, copywriting, presenting and training, but at heart felt he was a producer and director. Morris was Director-General of TV One during the early days of two channel TV in NZ in the late 70s, and also held senior positions at the ABC and Associated-Rediffusion in the UK.
Ernie Leonard spent time as a soldier, a railways clerk and public relations officer. His first television job was as an actor on Pukemanu, and he became a household name co-presenting wrestling show On the Mat. In 1986 Leonard became the first head of TVNZ's Māori Programmes Department. When he retired, a search of the TVNZ Archives database yielded 38,000 references to him or programmes he'd been associated with.
New Zealand’s first left-wing documentary filmmaker, Cecil Holmes achieved notoriety in the late 1940s through the highly publicised exposure of his communist activity as a Public Service Association (PSA) delegate in the National Film Unit. He went on to become a significant film director in Australia.Image credit: Alexander Turnbull Library, 1/2-023573; F (detail)