“Here is a taste of the best and worst of Backch@t 2000…goodnight.” Presenter Bill Ralston introduces this reel of outtakes and highlights from the Gibson Group arts series. The creative sector's issues of the day include installing Len Lye’s Wind Wand, arts funding, and arts patron Denis Adam’s thoughts on Te Papa’s arts displays. Ralston, reporters Mark Crysell and Jodi Ihaka, and film reviewer Chris Knox all get tongue-tied; there’s a tiff between two architecture panelists, brief appearances by Ian McKellen and Miriama Kamo, and opera singer Jonathan Lemalu hits a low note.
This 2010 series adapted the theatre comedy of Laughing Samoans Eteuati Ete and Tofiga Fepulea’i into a show on TV2, pairing sketches and interviews with excerpts from their stage show. In this opening episode Aunty Tala (Fepulea’i) receives a sign that a prospective husband is in Wellington and takes her niece Fai (Ete) to nab him. Their tour of the capital includes Te Papa, Cuba Street, The Backbencher Pub near Parliament, and Les Mills gym. Aunty Tala flirts with All Blacks Jerome Kaino and Ma’a Nonu, opera singer Ben Makisi, Prime Minister John Key and actor Robbie Magasiva.
Kaleidoscope was a magazine-style arts series which ran from 30 July 1976 until 1989. Running for many years in a 90 minute format, the show tried varied approaches over its run, from an initial mix of local and international items — including live performances — to episodes which focused on a single artist or topic. In the early 80s Kaleidoscope collected three Feltex awards for Speciality Programme. Hosts over the years included initial presenter Jeremy Payne, newsreader Angela D'Audney, future Auckland music professor Heath Lees, and Warratahs fiddler Nic Brown.
Paul Holmes presents this episode of the show which honours and embarrasses famous people: this time the star is singer Rob Guest. The episode was made in 1998, at the height of Guest's career in Australasian musical theatre. It features excerpts from Phantom of the Opera and Les Miserables, and appearances by musical colleagues, friends and family. Guest is good-humoured throughout; he gives a gracious speech and performs an impromptu song after the closing credits. Rob Guest passed away after suffering a stroke in October 2008.
Director Greg Stitt's 50min short sees actor Mark Hadlow playing Kevin: a pie cart worker obsessed with the singer Mario Lanza. Kevin's idolatry turns into an identity crisis as operatic-scale fantasising clashes with his meek disposition. Further complications arise from a friendship with his brash punk neighbour, and from stage fright ahead of a fundraiser for Kev's Lanza fan club (Lanza also had a noteworthy teenage fan club in Heavenly Creatures). Will Kev get his Susan Boyle moment? The black comedy was written with Scarecrow scribe Michael Heath.
This end of season Sing special from 1975 takes place mostly in the Wild West. After some song and dance numbers and comedy, we meet two small-time crooks: Lone Wolf (Ray Woolf) and Crazy D (Laurie Dee). A musical showdown at the saloon ensues — featuring a Tom Jones medley — before a bungled bank robbery brings down the burglars. The performers include Craig Scott, Chic Littlewood, Angela Ayers and George Tumahai (who shows Woolf how to hongi). The show also contains a rare clip from A Going Concern, an early NZ soap of which no known episodes survive.
The artists profiled in this edition of the TVNZ Māori show share a heritage and the vicissitudes of life as professional musicians, but their fields and approaches to making music differ markedly. Entertainer Bunny Walters is rebuilding a career that became derailed after initial success with his hit 'Brandy'. Opera singer Richard Haeata is looking to make his way in a largely Pākehā world which he finds alienating in its individuality. And singer-songwriter Mahinārangi Tocker celebrates her gender and Māori identity but has little use for the music industry.
Opening with an image of Orpheus floating on the water, this inspired doco climaxes with a contender for NZ's most eyeopening montage yet. Loaded with examples of the infinite ways the human voice can make music, the film sees host Julian Waring introducing choirs, opera, balladeers and protest singers. Along the way Michael Heath recreates a performance by Florence Foster Jenkins, a worryingly close cousin of Asian-New Zealand songbird Wing. The mash-up finale uses 2000 photographs to summarise two decades of music, in a scene that must have blown minds in the suburbs.
The late 60s saw globetrotting filmmaker Tony Williams shoot and edit two films for Iranian director Mahmoud Khosrowshahi. Here Williams chronicles an east meets west festival held in the Iranian city of Shiraz. Williams’ love affair with music and montage helps lend pace and life to a film whose sonic interests range from Iranian lutes and Indian oboes to American Cathy Berberian, who is busy turning comic strips into song. A glimpse of cosmopolitan Iran prior to the Iranian Revolution, it includes a rare interview with New Yorker classical music critic Andrew Porter.
From 1996 to 1998 broadcaster Ian Fraser took time out from hosting current affairs, to MC this popular musical talent quest (Fraser, a trained pianist, also tinkled the ivories himself during the series). There were two finals: one assessed by studio judges, and one from viewers' votes. The performers ranged from covers bands to opera singers, from country and western to soul. Future Opshop members Jason Kerrison and Shay Muddle were judged runners-up in 1996 (as Akustik Fungi). Other contestants included Lisa Tomlins, opera tenor Shaun Dixon and actor Stig Eldred.