Orange Roughies was a 'border security' drama series following a Police and Customs task force led by Danny Wilder (Australian actor Nicholas Coughan). Made by ScreenWorks for TV ONE the production was a Kiwi take on the Aussie water police procedural, with the action transferred to Auckland Harbour and CBD. Storylines included drugs busts, undercover ops and plenty of motorised chase action; this excerpt from the first episode sees Customs Officer Jane Durant (McLeod's Daughters' Zoe Naylor) board a ship suspected of trafficking children from China.
Orange Roughies was a 'border security' drama series following a Police and Customs task force led by Danny Wilder (Australian actor Nicholas Coughan). Made for TV ONE, the ScreenWorks production was a Kiwi attempt at the Aussie water police procedural, with the action transferred from Sydney to Auckland Harbour and CBD. Storylines included drugs busts, child trafficking, undercover ops and plenty of land-sea motorised chase action. Created by Scott McJorrow and Rod Johns, the script team was rounded out by Kristen Warner and series writer Greg McGee.
Jock Phillips begins his journey through our Waitangi collection by recalling an awkward encounter with a security guard at the treaty grounds. Wandering 50 years between the first film in this collection and the last, Phillips explores changing attitudes to the Treaty. Discover everything from Mike King on the treaty trail, to trench warfare, waka-building and epic drama.
Auckland Museum's Volume exhibition told the story of Kiwi pop music. It's time to turn the speakers up to 11, for NZ On Screen's biggest collection yet. Turning Up the Volume showcases NZ music and musicians. Drill down into playlists of favourite artists and topics (look for the orange labels). Plus NZOS Content Director Kathryn Quirk on NZ music on screen.
Like many young New Zealand males during the late 1960s, Wayne Chester joined the army and headed overseas to fight in Vietnam. As a machine gunner he patrolled the jungles outside of Saigon and saw combat, facing the Viet Cong on several occasions. He recounts his experiences in the jungle, along with some close encounters with wildlife, and the altercations and laughs shared with the American contingent. He also discusses his admiration for the Vietnamese people and the Viet Cong, and the long-term physical and political effects of agent orange.
Vietnam veteran Thomas Brosnahan shares his time spent in the military in this Memories of Service Interview. He moved from the Territorial Forces to the army at 23 to join his two brothers, before heading off to the war in Southeast Asia. He would spend 20 years in military service across Malaysia, Singapore and Vietnam, including active duty in the capital, Saigon. As well as the Vietnam War itself, Brosnahan reflects on life after the war, particularly on the hostility vets faced from the public upon returning home, and the effects of agent orange on his former colleagues.
A father attempts to discipline his son for throwing orange peel out the window on a summertime car-trip. Said director Jane Campion of the film: "I knew these people who all had red hair and they were part of a family. They were also alike in character, extreme and stubborn. Their drive in the country begins an intrigue of awesome belligerence." This tale of domestic tension might have been subtitled "gingernuts". At the 1986 Cannes Film Festival Peel won the Palme d'Or for Best Short Film (1986) making Campion the first woman (and only New Zealander) to achieve the honour.
This 1992 TV One documentary follows the All Blacks on their first post-apartheid visit to South Africa. The footy tour tomfoolery of producer Ric Salizzo’s earlier All Blacks docos is subbed off for reflections on politics and sport from players — including ex-All Black Ken Gray, who refused to tour the republic in 1970 and joined protesters in 1981. Not all goes to script for a “new South Africa”: the Afrikaans anthem is played before the Ellis Park test, and the All Blacks win. Future South Africa cricket star Herschelle Gibbs is a young coloured player mentored by the ABs.
This TVNZ production screened at the end of 1989, just before the 150th anniversary of the signing of the Treaty of Waitangi. Filmed at Government House, presenter Ian Johnstone oversees passionate kōrero as a panel of youngsters, academics and Māori and Pākehā elders debate the place of New Zealand’s founding document. Don Selwyn and Angela D’Audney explore its history, and Sir Paul Reeves begins by musing on chief Te Kemara’s famous about-turn, when, after first opposing the Treaty, he turned to Hobson and said: “How d’ye do Mr Governor”.
On land, sea and air during World War II, and from Korea to Vietnam, this group of old soldiers remember their years of service. Close calls are common place but often laughed off, but the horror of war is often close to the surface. The third series of interviews from director David Blyth (Our Oldest Soldier) and RSA museum curator Patricia Stroud provide a valuable archive of a time now almost beyond living memory — particularly World War II, as the veterans enter their 90s and beyond.