Record label Flying Nun is synonymous with Kiwi indie music, and with autonomous DIY, bottom-of-the-world creativity. This collection celebrates the label's ethos as manifested in the music videos. Selected by label founder Roger Shepherd: "A general style may have loosely evolved ... but it was simply due to limited budgets and correspondingly unlimited imaginations."
Actor Kevin Smith could do it all; from brooding like Brando in a Tennessee Williams play, through Xena, to the gentle romantic lead of Double Booking, and self-parody in Love Mussel. Collected here are selections from a career cut short (he died in a 2002 film-set accident). Plus tributes from James Griffin, Michael Hurst, Geoffrey Dolan and Simon Prast.
Every now and then here at NZ On Screen, we like to stick our necks out and choose a Top 10. And our collective opinion is that these are the funniest New Zealand television series to date: from bro' Town to Billy T, from Gliding On to the tag team hijinks of 7 Days. Plus 10 runners-up that we couldn't agree on. Read on to find out more.
In 1865, Wellington became the Kiwi capital. In the more than 150 years since, cameras have caught the rise and fall of storms, buildings, and MPs, and Courtenay Place has played host to vampires and pool-playing priests. Wind through our Wellington Collection to catch the action, and check out backgrounders by musician Samuel Scott and broadcaster Roger Gascoigne.
In the 1960s, parody songs like 'Rugby, Racing and Beer' and 'Pūha and Pākehā' were big hits for singer Rod Derrett. Un-PC lyrics such as "I don’t give a hāngī for the Treaty of Waitangi / You can’t get fat on that – give me some pūha and Pākehā" struck a popular chord, but were also subversive. Here the latter song is illustrated in a segment for popular NZBC Sunday show Looking at New Zealand. A Pākehā tourist who falls into a mud pool becomes an impromptu boil-up. The song (and some of the Looking at NZ footage) were rereleased in 2012 to promote cannibal comedy Fresh Meat.
One summer’s day, teenaged Jayde (Atarangi Manley) and Wiremu (Darcey-Ray Flavell-Hudson) tag along with their older siblings on a trip to a local swimming hole. Young passions ignite by the Rotorua hot pool. Later tragedy occurs and Jayde faces lost innocence and the ritual of tangi, while bearing a secret. Michael Bennett’s short — cutting between Jayde’s experience of the day and its aftermath — was shot in his Te Arawa home turf. It won selection for the 2005 Berlin Film Festival. 'Mu' was an early role for Flavell-Hudson (Mt Zion, Ghost Chips ad fame).
This short film follows a freshly-arrived Korean immigrant, trapped in suburban Auckland while her husband Kim works. Su Jung befriends her neighbours, who take her to their weekly swimming lessons, where she finds release in the water. But when swimming affects the cooking of dinner, Kim is piqued. For 2009 Spada New Filmmaker of the Year Zia Mandviwalla, Eating Sausage was the first in a quartet of shorts exploring cross-cultural collisions (Clean Linen, Amadi and Cannes-selected Night Shift). It was selected for the London and Pusan Film Festivals.
In November 1971 more than 70,000 visitors converged on Hamilton over six days for the first ever World Rose Convention. What's in a name? Well it can help you locate favourite flowers in the vast exhibition, but "form, substance and freshness" rule as this NFU short film shows the meticulous preparation, judging and reactions. Side-trips for international visitors to Paradise Valley and Rotorua's thermal areas add a travelogue element. But from the opening time-lapse shot of a blooming rose it's clear what these 'rosarians' are there for.
‘Black Box’ was the winning song for Australian Idol victor Stan Walker. His first music video was shot in Sydney two days after his triumph. It's set at a mansion poolside party, with Idol finalists and family members among the extras. The black box in question might hold the records of a romantic crash, not an aviation disaster, but this recriminatory look back at a failed relationship brought sweet success for Walker. It spent 10 consecutive weeks at the top of the New Zealand singles chart, and won four Tuis at the 2010 NZ Music Awards.
This National Film Unit film visits Christchurch roughly four years before the main event, to promote the city’s readiness to host the Commonwealth Games. A comical potted history of New Zealand precedes a montage of young women cycling around Canterbury environs and a split screen catalogue of NZ tourist attractions, before getting into a survey of the venues. As the opening demonstrates, “there’s always a traditional welcome awaiting our friends!” In 1973 the NFU completed a second film called Christchurch 74, before covering the games themselves in the feature-length Games 74.