This collection brings together 50+ titles covering Kiwis at war. Iconic documentaries and films tell stories of terrible cost, heroism and kinship. There are also background pieces by Chris Pugsley, Jock Phillips, and broadcaster Ian Johnstone. Pugsley muses, "It is sobering to think that in the first half of the 20th Century the big OE for most New Zealanders was going to war."
This collection looks at some of New Zealand's most significant national tragedies. Spanning 150+ years, it tells stories of drama, caution, hope and recovery — from the 1863 wreck of the Orpheus at Manukau Heads, to Tarawera, the Wahine, Erebus, Pike River and Christchurch. In the backgrounder, Jock Phillips writes about the collection, and the "common sequence" to disaster.
Gary Cradle (Gareth Reeves) wants to go straight, but has to face up to a drug habit, family dysfunction, and the burden of guilt over a past sin. Gregory King's redemptive recovery yarn debuted at the Rotterdam Film Festival. King's second feature won Qantas Film and TV Awards for the best film made for under $1 million, and Ginny Loane's camerawork. Actors Reeves and Ian Mune (playing his far from supportive father) were also nominated. In February 2009 the film gained media attention after being made available to watch free online, for 24 hours.
This excerpt from the 22nd episode of Kiwi literature series The Write Stuff features unionist and peace campaigner Sonja Davies (1923 - 2005). Davies had just released Marching On, the follow-up to her acclaimed 1984 autobiography Bread & Roses. Presenter Alison Parr asks Davies about her experience in Parliament, as well as personal tragedy and gardening. Davies reflects on achieving change, her dislike for the aggression of the debating chamber, and the values her grandparents taught her: "compassion and responsibility, caring for others more than you care for yourself …"
In the best traditions of the Beatles, U2 and Head Like a Hole, Die! Die! Die! takes to a rooftop in New York for this video made by London-based director and editor Rohan Thomas. They sing of an urban nightmare of burning roads and bridges, places to avoid and not being able to return home – but the song's title takes full responsibility. The clip was the result of a guerilla shoot with a generator in 2009 that had them moved on from a series of prospective locations until they happened on an unguarded rooftop – to the surprise of nearby office workers.
Erua tells the story of an intriguing friendship between artist Toss Woollaston (Grant Tilly) and a young Māori boy Erua (Turei Reedy) who modelled for him each Wednesday evening in Greymouth, in the early 60s. Woollaston had seen the boy playing "like one dark bead shaken in a tray of pale ones". The image made him curious to find what Erua was like, and to try to draw "that". Tilly won a 1989 NZ Film and Television Award for his performance; he argued that it was "an awesome responsibility" to play someone who was still alive. Erua also won awards for Best Drama and Screenplay.
The subject of this interview is Greg Rodgers, a Flight Sergeant in the RNZAF in Vietnam and Malaya. Rodgers joined the air force after college, and trained as a mechanic. He talks about the bond between ground crew and pilots, and the responsibility of having a pilot’s life in his hands at age 18. Rodgers also mentions off-duty good times (including jumping from choppers into the sea, before being wet-winched up again) and reflects on bad times after returning to civilian life: official neglect ("there was no support"), and the shock of leaving his Air Force "family".
Made for the UN's first 'Earth Summit' in Stockholm in 1971, the film explores what the future holds for NZ’s environment. Director Hugh Macdonald (This is New Zealand) presents an impressionistic ecosystem: mixing shots of native natural wonder, urbanisation, and pollution with abstract montages and predictions from futurologists — such as Cousteau’s “underwater man”. Before climate change heated up 21st Century Doomsday debates, this film (made for the Ministry of Works!) places stock in individual responsibility. The score aptly enlists the French nursery rhyme ‘Are You Sleeping?’.
The Wellington seaside suburb of Island Bay is sometimes called Little Italy, thanks to the many Italians who have moved there. This episode of Immigrant Nation is based on interviews with Italian migrants to the suburb — from the woman who remembers the time during World War II when locals stopped talking to her, to the young man feeling "a magnetic pull" back to Italy. Although Italian fishing boats are now rarely seen in Island Bay, old traditions live on; and one woman talks about the responsibility of carrying on Italian traditions and culture into the future.
George Henare is acting royalty in New Zealand with a huge body of work in theatre, television and movies. His first screen performance was as a suspected killer in the 1976 TV play The Park Terrace Murder. From there Henare starred as Hone Heke in the epic TV drama The Governor. Moving to the big screen, Henare portrayed the evil tohunga in The Silent One. Henare's other film and television credits include Mercy Peak, Shortland Street, Hercules and Xena, Rapa Nui, Once Were Warriors, and The Legend of Johnny Lingo.