This live TV spectacular documents an 18 October 1981 Royal Variety performance in front of the touring Queen Elizabeth and Duke of Edinburgh. Performers in St James Theatre included Ray Columbus (in That's Country mode), Sir Howard Morrison and John Rowles. Dance is represented by Limbs and the Royal New Zealand Ballet, while McPhail and Gadsby and Billy T James deliver pre-PC gags. There’s a show stopping all-singing all-dancing finale, and what seems like the entire roster of NZ showbiz of the time lines up to greet the Queen, including Lynn of Tawa.
“You get the impression that Wellington wants an audience but doesn’t want to be seen to be trying too hard to get one”. This report surveys 1982's local music scene, framing tensions between an energetic politically-conscious underground, and commercial rock and pop (i.e. Auckland). Not all is positive, with complaints about lack of venues and promotion, and violence at gigs. Interviewees include Mocker Andrew Fagan, Nino Birch (Beat Rhythm Fashion), Dennis O’Brien, Ian Morris, promoter Graeme Nesbitt (in Radio Windy sweatshirt) and punk singer Void (Riot 111).
The NZ Music Awards ceremony now fills Auckland’s Vector Arena and is a major social and music industry event. In 1978 the awards were broadcast in this 16 September Ready to Roll special, cobbling together finalists at Avalon Studios. Stu (Nice One) Dennison is the host (in brown overalls); and there are performances from John Rowles, newcomer Sharon O’Neill, the Rodger Fox Big Band, Hello Sailor, Toni Williams and Golden Harvest (who feature teeth-picking lead guitar in best Hendrix style). Just two awards are covered here: for single and album of the year.
The video for this Red Nose Day chart-topper makes the most of a powerhouse combination: celebrities and cute babies. Although lead singer Hammond Gamble gets his share of screen time, the video is mostly devoted to close-ups of perhaps the biggest pile-up of famous Kiwis ever to cram into one music video. The faces include appearances early on by actors Simone Kessell, Ilona Rodgers, and Mark Raffety — plus The Wizard, sports legends Grant Fox, John Kirwan and Jeremy Coney, newsreaders Judy Bailey and Anita McNaught, and singers Tina Cross and Suzanne Lynch.
Peter Blake introduced more local content to popular music shows Ready to Roll and Radio with Pictures at a time when covers of overseas songs were the norm. The longtime musician began in television via 1970s music programme; Grunt Machine, and ended up in charge of a stable of shows. He has also composed music for everything from TV One's nightly News theme to drama Shark in the Park.
Ray Woolf’s career as a performer spans from rock’n’roll to jazz, including touring shows of The Rocky Horror Picture Show and The Sound of Music. Born in England, but New Zealand-based since the early 60s, Woolf’s television work includes singing, acting, and hosting his own talk show. He was New Zealand Entertainer of the Year in 1975.
Malcolm Kemp's expertise at covering live events took him from New Zealand to the sports department of the BBC. The one time head of entertainment at TVNZ masterminded TV coverage of concerts, Top Town competitions, elections, World Expo and the Commonwealth Games.
Clive Cockburn has composed music for a host of Kiwi television shows, and the occasional movie. Since devoting himself to soundtrack work in the early 80s, Cockburn has provided sounds for iconic programmes from Wild South and Country Calendar, to the theme for the TV One news.
Director Peter Jackson's second feature Meet the Feebles offers even more bad taste than his debut. The irreverent, outlandish, part-musical satire is populated almost entirely by puppets, but it is by no means cute. The motley creatures are all members of a variety show that’s working up to a major performance. They include Bletch the two-timing pornographer walrus, an obese hippo femme fatale, a drug-dealing rat, and a heroin-addicted frog — in other words, something to offend everyone. Richard King writes about the creation of New Zealand's first puppet movie here.
Screened on a TVNZ arts show, this documentary looks at how the strings were pulled on Peter Jackson's low-budget puppet movie Meet the Feebles. An old Wellington railway shed fizzes with energy and imagination as a team peppered with future Oscar-winners crafts the gleefully subversive Muppets parody. Jackson muses on his influences, processes and propensity for "savage humour" in a fascinating interview. Included is footage of his childhood films — war movies and stop motion animation made with his first 8mm camera. Richard King writes about Meet the Feebles here.