This documentary focusses on six New Zealand women artists whose careers were on the rise in the early 1990s. They work in a variety of mediums, explore ambiguity and subversion, and question gender roles. Photographer Christine Webster works with models, lighting and costume to create rich, theatrical images. Lisa Reihana delivers "radical statements" via light-hearted animation. Filmmaker Alison Maclean talks about the inspiration she found in Rotorua and channelled into her debut feature Crush. Also featured: artists Merylyn Tweedie, Alexis Hunter and Julia Morison.
Sensuous expressions of landscape and the human form made Edward Bullmore (aka Ted Bullmore) a pioneer of surrealism in New Zealand art. This Kaleidoscope report interviews the painter’s colleagues and family, and surveys the artist’s life and career: from an unlikely mix of Balclutha farm boy, Canterbury rep rugby player and Ilam art student, to success in 60s London – exhibiting with René Magritte and Salvador Dali, and having his works used by Stanley Kubrick in film A Clockwork Orange – before returning to teach in Rotorua (and obscurity), and his untimely death in 1978.
This 1982 Kaleidoscope report interviews artist Theo Schoon, on his return to New Zealand after a decade in Sydney and Bali. Schoon was a pioneer as a Pākehā engaging with Māori design, melding modernist and Māori motifs (e.g. moko and kowhaiwhai patterns). He discusses his earlier estrangement from the New Zealand art world ("talking to the deaf"), his eight years documenting Māori cave drawings ("art galleries of a sort, art galleries that I'd never been conscious of"), growing and carving gourds, and being inspired by Rotorua’s geothermal activity. Schoon died in 1985.