The theatre of sport is given full-blown operatic treatment in this National Film Unit classic. Footage from the French 1979 rugby tour of New Zealand is rendered in slow-motion and cut to a Tchaikovsky score. The result is an often glorious, sometimes tongue-in-cheek, paean to rugby. Balletic lineouts, driving tackles, and the dark mysteries of the ruck, make for a ballsy Swan Lake in the mud. It includes the Bastille Day French victory over the All Blacks. Directed by NFU stalwart Arthur Everard, it won a jury prize at the Montreal World Film Festival.
Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.
Auckland band LEISURE’s statement on the YouTube page for this song says: "with the world in its current state of flux, sometimes we just need to switch off and float away from it all." The video for the group's first single takes note, as a camera roams through a series of tableaux – from street to bedroom, passing various people chilled to a state of inertia – before following their gaze to the next still life. Directed by Joel Kefali (Royals), the clip won Best Music Video at the 2017 NZ Music Awards. The song featured on supernatural teen TV show Shadowhunters and HBO comedy Insecure.
This silent 16mm gem shows two legendary All Black teams in action. The film opens with a roll-call of the returning ‘Invincibles’, who — starring fullback George Nepia — were unbeaten on their international tour of 1924/5; and then features match highlights. The second clip opens with rare footage of the 1905 ‘Originals’; before returning to packed 1925 Twickenham for a test match, where the Invincibles perform “the famous Māori War Cry”, show off the Kiwi mascot (intended as a gift for the first team to beat them), meet the Prince of Wales, and defeat England.
The first single off mutli-platinum 1998 album Supersystem helped bring Christchurch rockers The Feelers to a wide audience. For the video, director Joe Lonie has been given the resources to pull out all the stops — maintaining momentum with constant motion and cutting, while underlining the pressure motif by having the band performing in a boiler room, and claustrophobically running through a pipe. 'Pressure Man' was nominated for Best Video at the 1998 New Zealand Music Awards. Lonie had first begun making music videos while playing bass for Supergroove.
The urgent, pulsating 'Just a Little Bit' was the second single for Auckland electropop duo Kids of 88. On a set lit by suitably retro fluorescent light tubes, director Tim van Dammen's clip echoes the video for the band's debut 'Our House' — but with models fighting each other rather than having paint poured over them. Van Dammen's aim was to create "a fight, but shot to look like an orgy" — and, by the end of the video, the line between passion and aggression is all but indistinguishable. The single and video were both winners at the 2010 Vodafone NZ Music Awards.
This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.
After a legal skirmish with ex drummer Shelton Woolright over rights to the Blindspott name ended in stalemate, the reformed members of New Zealand’s alt-metal institution opted to continue as Blacklistt. For ‘Burn’, the third promo from the band's 2013 self-titled album, London-based expat director Anthony Plant (By Your Side) transforms the brutal combat of Thai kickboxing into a slow motion ballet. “This clip was made to really showcase the beauty and peace of Muay Thai,” he explained. “...despite it being an aggressive sport there is a real spirituality that surrounds it.”
No-one else has dominated the NZ political landscape the way Sir Robert Muldoon did — or been subjected to the level of TV scrutiny he was in this controversial two part series made by Neil Roberts. It was produced with his company Communicado’s customary style: brooding music, big slow motion close-ups and a malevolent rotating bust — and Roberts, much like his subject, took no prisoners as he explored Muldoon’s career and relationship with power. Complaints of unfairness from Dame Thea Muldoon and son Gavin were later partially upheld by the BSA.
After roughly five years as a member of all woman band Cassandra's Ears, Jan Hellriegel launched her solo career with this 1992 single. The much admired video captures a seductive performance from the singer, and cuts it together with smoky pool halls, leopard print, classical sculptures, night driving and boy scouts — unlikely slow motion images, which nevertheless suit the raw emotion of the song. The clip was directed by Chris Mauger, who also utilised black and white on Ngaire chart-topper 'To Sir with Love'. 'The Way I Feel' got to number four on the NZ charts.