Later retitled Arts Review, series Review debuted on New Zealand's only television channel in the early 70s. Among those who presented or reported for the arts based series were Max Cryer (Town Cryer) and onetime Town and Around reporter Barbara Magner.
Month by month, this collection offers up NZ On Screen's most viewed clips for 2016. Alongside legendary adverts, the clips collection features talents lost to us over the year, from Ray Columbus to Martin Crowe and Bowie (via Flight of the Conchords). In this backgrounder, NZ On Screen Content Director Kathryn Quirk guides us through the list.
This Review episode from 1973 offers an interview with Hone Tuwhare — then 51 years old — at the Māori Writers' and Artists' Conference at Tukaki Marae, in the town of Te Kaha. One of New Zealand’s best-loved and lauded poets, Tuwhare speaks of various influences, including sex, religion, trade unionism and communism. Poet Rowley Habib sits alongside Hone in the interview, and occasionally contributes to the conversation. This documentary also features a poetry reading from Dunedin's Globe Theatre.
Despite the misleading numbering, this October 1942 film marked the first of the National Film Unit's long-running Weekly Review series. The NFU had been established a year earlier to promote the war effort via newsreels screened in movie theatres. In a meta first clip, Kiwi soldiers watch an NFU film in a makeshift outdoor cinema. Then war readiness is demonstrated via army exercises — including on Waitangi Treaty Grounds, where “Māori and Pākehā are working together, mounting machine guns for their common defence.” Finally: Red Cross parcels are prepared for NZ prisoners of war.
This excerpt from a post-war NFU newsreel begins at Eden Park for a match between Auckland and the ‘Kiwis’ (the army’s NZEF team), then goes on a jaunty ride through all-things rugby in NZ: from 1st XV (Wellington College), club and provincial (Ranfurly Shield in the Southland rain) clashes, to boot-making and badge selling on match day, with rugby’s centrality to the Kiwi psyche underlined throughout. “Rugby’s never over, though the crowds stream home from Eden Park or any place we play, to fans and players alike it will always be a part of our national life!”
This Weekly Review pays respect to the traditional Māori art of raranga (or weaving), and looks at the industrialisation of New Zealand flax (harakeke) processing. The episode features a factory in Foxton where Māori designs are incorporated into modern floor coverings. Patterns in Flax features some great footage of the harvesting and drying of flax plants, and shots of immense (now obsolete) flax farms.
This 1949 episode of the National Film Unit’s Weekly Review newsreel series goes on a jaunty whistle-stop tour across the country. It takes off on TEAL’s new flying boat (Ararangi), from Wellington’s Evans Bay on a cruise over to the Marlborough Sounds and back. We then stop to smell the tulips on a South Canterbury tulip farm; before revving up for dusty motorhead bliss in Whanganui as a swarm of motorcyclists contest the Motorcycle Grand Prix. The reel pulls up in an Auckland factory for a fascinating look at the manufacture of glamourous nylon stockings.
This National Film Unit magazine film meets the NZ team for the 1948 London Olympics as they prepare to depart by boat (accompanied by a manager, and a chaperone for the sole female competitor). Each of the seven members is profiled in this reminder of an era when athletes had day jobs, training was 'several hours a day' and swimsuits looked more like impediments than performance aids. A nicely-shot demonstration of weightlifting technique by Maurice Crow is a highlight. Despite the enthusiasm of Selwyn Toogood's voiceover, the team failed to win any medals.
This intense newsreel reports from the war in the Pacific in Easter 1944, as American, Fijian, and New Zealand soldiers battle the Japanese in the Bougainville jungle. Cameraman Stan Wemyss found himself isolated with a Fijian patrol, amidst casualties and under fire from 'Japs'. He later recounted being so close to the action he could hear troops talking in two languages he couldn't understand; at one point he lays down his camera to pitch a grenade. Grandfather of future actor Russell Crowe, Wemyss was awarded an MBE in 1947 for his services as a war correspondent.
This edition of the National Film Unit’s wartime newsreel series tracks the 1000s of New Zealand prisoners of war being repatriated from Germany, shortly after VE Day. “Men from all over the world are here. Waiting to get out. Waiting to get back to their homes …” The ANZACs travel to a transit centre in Brussels, where they enjoy “a first real beer in years” and go sightseeing, before crossing the North Sea to be hosted in England, where thoughts turn south. The reel ends with a rousing rendition of the Māori Battalion marching song in an English pub.