One of an early 80s series of stand-alone dramas, Coming and Going is set in a boozy officers’ mess in Maadi in Egypt during World War II. Based on a short story by Dan Davin (who saw service in North Africa and Europe), it centres on Reading (David McPhail in a rare serious role) who will never be one of the blokes — but who is now facing ostracism and open hostility. Andy (Kevin Wilson) has just rejoined the unit after being wounded; and he gradually discovers that Reading’s plight is the result of something far more serious than standoffishness.

This wartime edition of the NFU's newsreel series opens with a one and a half mile Wellington harbour swim at Evans Bay. Then it's up to Dannevirke for an A&P show for sheep dog trials and show jumping spills. The reel ends with a visit to the NZ Expeditionary Force's Christmas celebrations while fighting in Italy. There's mail from home, hospital romance, malarky in the snow as poultry and wine is chased, and Māori Battalion soldiers roast a pig. Ambulances are a reminder that war goes on; and on the frontline machine gun crews help keep "Jerry below ground".

“You forget about the rough times” says old soldier Steve Danes. Instead, the veteran of the Italian Campaign during World War ll focuses on the funny side. There are plenty of tales of the laughter and hijinks to be had when resting behind the lines, or on leave. Conscripted at age 18 and sent to Europe just short of his 21st birthday, Danes spent most of his war in Italy and there wasn’t much of the country he didn’t see. Along the way he encountered fanatical young Nazis, and older German soldiers who were sick of war and wanted it to end.

This documentary follows three amateur historians into the heart of the Libyan Sahara as they track the path of ‘T Patrol’, a unit of World War II’s legendary Long Range Desert Group, which included a number of Kiwis. The LRDG braved extreme heat and desert conditions to launch surprise raids deep behind enemy lines in converted Chevrolets. In this excerpt the history hunters make their way to Murzuk, the scene of a raid on an Italian air base. Alongside the only known footage of the desert group in action, surviving members of the patrol recall events, and the LRDG’s ethos.

New Zealand is a nation that has been scarred by war: from the horrendous loss of lives at Gallipoli to the decimation of the 28th Māori Battalion, Kiwis have gone to war in their 1000s, and many have not returned. This Our People, Our Century edition explores the experiences of soldiers, and the families who waited at home. It also examines the long tradition of protest against war, from the anti-Vietnam movement to the more recent anti-nuclear protests. The script by Philip Temple, won a best documentary script award at the 2000 NZ TV Guide Television awards. 

The war is Europe is over and New Zealanders take to the streets to celebrate in this NFU newsreel. The relief and excitement at the end of hostilities against Germany is clearly visible on the faces of the thousands who flood into New Zealand's towns and cities. But Deputy Prime Minister Walter Nash reminds the crowd the war is not over: Japan has yet to surrender. That doesn't stop wild celebrations following the National Declaration of Peace. Civilians and servicemen alike enjoy the party, many looking the worse for wear "in advanced stages of celebration".

This soulful number was the first single from Che Fu’s second album The Navigator. It marked the debut of his new band, The Krates. The ambitious video translates the song’s message of undying friendship to a World War II setting (filmed at the NZ Warbirds Association hangar at Ardmore Airport). Che-Fu’s Supergroove bandmate turned Krates drummer Paul Russell plays the cheeky English chap, while P-Money has found some turntables that possibly aren’t authentic wartime issue. Fade Away was judged Best Music Video and Single of the Year at the 2002 NZ Music Awards. 

This wartime propaganda film from the NFU celebrates the role of women in the Air Force. Established in 1941 to free up men for other duties, more than 4,700 women served in the Women's Auxiliary Air Force during WWII. The film is also a recruitment vehicle. It shows WAAF members in traditional (for the time) roles such as sewing and typing. But more male-dominated jobs are being taken on as women are trained as metal workers, mechanics and drivers. And when they’re not working, the women relax by "knitting, drinking a cup of tea and talking."

Called up at the start of World War II, George Shadbolt spent six years in the British Army. As a member of the Royal Corps of Signals he spent much of it behind the lines, installing and maintaining vital communications networks. Shadbolt — 99 at the time of this interview — covered 1000s of kilometres through North Africa and the Middle East. It wasn’t until late in the war that he saw action in Italy, bringing communications lines to tanks at the front. The task offered little protection; Shadbolt deemed it the army's most dangerous job. Shadbolt passed away on 9 August 2017.

New Zealand Munitions was the 26th National Film Unit effort, and the longest made in the Unit's first year. The NFU was established in August 1941 to make films illustrating New Zealand's war effort. Completed in December of that year, this is a classic propaganda piece. As World War II intensifies, New Zealanders are reassured that the country has the heavy industry required to supply its army. Factories are converted to wartime needs and munitions pour out. A suitably bellicose script informs viewers "This is our striking power: men and munitions."