In this episode of Back of the Y, Chris Stapp and Matt Heath concentrate on drugs. Convinced that all students are on drugs, the constables travel to Dunedin to deal to the local scarfie population. Meanwhile a baggy-trousered, inner city pothead journeys into the backblocks in search of a cannabis mother lode in 'Te Puke Thunder'. A new feature introduces "extreme" cameraman Wally Simmonds (profiling a sight impaired skate team) and stuntman Randy Campbell has to cope with his team's incompetence as well as his own.
This episode of Chris Stapp and Matt Heath's bawdy, bogan, BSA baiting TV variety series spoof is a Bullying Special featuring 12 year old, gingered-headed Maurice (from the South Island) futilely attempting to make new friends in a typical Auckland school. Meanwhile, Constables Rob Bogan and Neville Pratt deal out an "art lesson they won't forget" to unsuspecting graffiti artists. Stuntman Randy Campbell's "dangerous, reckless and bloody stupid" attempt to jump off the back of the studio results in yet another "dark day for the NZ stunt industry".
The final episode of Chris Stapp and Matt Heath's bawdy, bogan, BSA baiting TV variety series spoof opens with a tribute to "People's Presenter" Danny Parker who was a victim of the previous episode's carnage. Show regular Piers Graham looks behind the scenes at the show's imagined past (including 60s exploitation pic 'Datura Flowers of the Garden of Death') and the real injuries sustained by cast members in the show's stunts; and hapless mechanic Spanners Watson get his chance to assume daredevil stuntman Randy Campbell's hopeless mantle.
The opening episode of the Prime TV series celebrating 50 years of New Zealand television travels from an opening night puppet show in 1960, through to Outrageous Fortune five decades later. It traverses the medium's development and its major turning points (including the rise of programme-making and news, networking, colour and the arrival of TV3, Prime, NZ On Air, Sky and Māori Television). Many of the major players are interviewed. The changing nature of the NZ living room — always with the telly in pride of place as modern hearth — is a story within the story.
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.
This episode of Chris Stapp and Matt Heath's bawdy, bad taste series promises "action packed action". The constables need the assistance of the Onehunga Armed Offenders Squad to deal to the threat posed by a small boy with a water pistol. Host Danny Parker interviews "retarded South Island mechanic" Spanners Watson about the increase in mechanical incompetence and hospitalisations since he joined stuntman Randy Campbell's crew. Campbell's stunt will only ever end one way. "NZ's number one porn detective" Smoodiver also debuts.
In this episode of Chris Stapp and Matt Heath's bawdy, wilfully dodgy series, studio band Deja Voodoo have been fired after the police raid in the previous episode. But replacements, The Warlocks of Firetop Mountain, lack the "sharp suits and sharp tunes" that presenter Danny Parker is looking for in a band. There's an extended episode of but the real focus is on stuntman Randy Campbell's last despairing attempt to succeed at even the simplest challenge. His inevitable failure extracts a terrifying toll.
This edition in Prime’s television history series surveys Māori programming. Director Tainui Stephens pairs societal change (urbanisation, protest, cultural resurgence) with an increasing Māori presence in front of and behind the camera. Interviews with broadcasters are intercut with Māori screen content. The episode charts an evolution from Māori as exotic extras, via pioneering documentaries, drama and current affairs, to being an intrinsic part of Aotearoa’s screen landscape, with te reo used on national news, and Māori telling their own stories on Māori Television.
From early teleplay The Evening Paper to the edgy Outrageous Fortune, this episode of 50 Years of New Zealand Television talks drama and comedy. Key players, from actors to executives, recall a host of signposts in the development of storytelling on Kiwi TV screens. John Clarke recalls 1970s sitcom Buck's House; Paul Maunder remembers the drama that likely helped introduce the DPB; and TV executive John McRae recalls worries about the projected cost of global hit Hunter's Gold, and mentioning the word 'placenta' on the first episode of Shortland Street.
In this debut episode of Chris Stapp and Matt Heath's bawdy mock celebration of being bogan, we meet "New Zealand's most loved TV personality" Danny Parker and "New Zealand's greatest ever stuntman", Randy Campbell. Parker's interview with Campbell results in an all-in studio brawl (not for the last time) and Campbell's attempt to jump over an ape in a cage on a BMX bike goes "horribly wrong" (not for the last time). The Constables set up a self-serving checkpoint, and Bottlestore Galactica attempts to make the galaxy a safer place for drinkers everywhere.