New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
The tagline runs: "The story of unemployment in New Zealand" and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, "as a new poverty-stricken underclass developed".
On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.
Kim Hill interviews former Prime Minister David Lange. Aged 60 and battling ill health, Lange talks about "the loneliness of politics", and what you can and can't achieve; and also about facing his own mortality. Lange says he is not haunted by death, but celebrates his time with his young daughter Edith. He also reflects on the ephemeral nature of having a high profile role, by telling a story about being in hospital and someone calling out "hi, Mr Muldoon". Lange died two years after this interview, in 2005.
Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.
Alister Barry has been making intelligent and provocative documentaries for more than three decades. Barry's films reflect his longtime interest in how power is exercised in a democracy, and how the decisions of the powerful impact on ordinary people's lives.
During the late 80s and early 90s Lindsay Perigo anchored on a run of high profile TVNZ news and current affairs shows, where he gained a reputation as the “doyen of political interviewers” (Metro magazine). The opera-loving broadcaster abandoned television in 1993 — famously calling the medium "braindead" — and reinvented himself as an apostle of libertarian philosophical doctrines (on radio, in print and online).
Richard Thomas has a passion for documentary. After directing for the BBC's legendary doco series Man Alive, he moved downunder and became head of Television One’s information programme department. Following a short spell as Director of Television at the ABC in Australia, he settled in New Zealand to make some compelling television documentaries — and inspire others to do the same.
Almost everyone in New Zealand over "a certain age" will remember Marama Martin. For 10 years from 1965 she was a continuity announcer on NZBC Television (when it was the only channel). She was there for the first network broadcast, and was the first person to be seen in colour on New Zealand television. Martin passed away on 10 July 2017.
Helen Clark once described Derek Fox as the pre-eminent Māori broadcaster of his generation. He is a journalist and publisher whose work in Māori media spans print, radio and television. Fox's name is synonymous with TVNZ's daily Māori news programme Te Karere; Marae, which he fronted for many years; and Māori Television, which he was instrumental in setting up.