Director Justin Pemberton has made his mark in the worlds of both music video and documentary. His doco credits include award-winners Love, Speed and Loss and The Nuclear Comeback, and hit Richie McCaw movie Chasing Great. He has also worked on multiple projects with musicians Anika Moa and Bic Runga.
In this ScreenTalk, Pemberton talks about:
- Shooting lots of material while directing music videos
- How a demo of 'Drive' launched Bic Runga's music career
- First impressions of singer Anika Moa
- Why he ended up making two very different documentaries about her
- Entering the damaged nuclear reactor at Chernobyl
- Relishing telling the story of a couple of underdogs in The Golden Hour
- Being fascinated by the topic of the documentary I Spy (with My Five Eyes)
- The moment when he wondered if he was being spied on
- The "biggest thing" he has made to date: Capital in the 21st Century
- How stories of outsiders have underpinned many of his films
This video
was first uploaded on 6 August 2018, and
is available under
this Creative Commons licence.
This licence is limited to use of ScreenTalk interview footage only and does not apply to any video content and
photographs from films, television, music videos, web series and commercials used in the interview.
Interview, Camera and Editing – Andrew Whiteside
Underneath most of the stories that I've done there has been the story of an outsider . . . When I was first starting out, I got given a book and it had excercises that you could do to try and figure out what your themes are, the stories you should tell. And that was the big thing that came out, stories about outsiders.
– Justin Pemberton on telling stories of outsiders